Text |
Incipit |
Gnr-Cntry |
Short Title |
Page |
Instrument |
Secilian Peasant, The (t) |
//33/234//531/7-5-//3-5-1/4-6-1 |
DA-E |
Bride CD, 1776 |
III,3 |
VN/OB/GF |
Secilian Peasant, The (t) |
//33/234//531/7-5-//3-5-1/4-6-1// |
MS-S |
Fife MS, 1780 |
571,61v |
1FI OR 2FI/VN |
Secilian Peasant, The (t) |
//33/234//531/7-5-//3-5-1/4-6-1// |
AI-A |
Gilfert Gents PC, 1802 |
32 |
GF/VN |
Secille, La. Fifth Sett (t) |
/53//17-1/234//43/53//17-1/27-// |
AI-A |
Blake Cots, 1804 |
29 |
PF/VN/GF |
Second Air (t) |
//53//64//32 |
AI-A |
Instrum Asst-2, 1807 |
39 |
2MI,B |
Second Ayre of Mr. Finger's, The (t) |
//345/254//323/11+7//671+/2+3+1+// |
IC-E |
Apollo's Banquet 2, 1691 |
7 |
VN/FL |
Second Book of Elegant Extracts for the German Flute or Violin |
|
AI-A |
Elegant Exts, 1796 |
2,32 |
GF/VN/VO |
Second Book of the Compleat Country Dancing Master, The.3d Edition |
|
DA-E |
Walsh CD-2.2, 1735 |
3,204 |
VO/OB/GF/FL |
Second Braul (t) |
//112//321//7-7-1//234//223//4434// |
IC-E |
Apollo's Banquet 1-7, 1693 |
40 |
VN/FL |
Second Coldstream March (t) |
//1-15-/3-5-3-//4-424//3513/247-2// 111/15-3- |
IC-E |
Clementi Fife, 1815 |
28 |
FI |
Second Coldstream March (t) |
//1-15-/3-5-3-//4-424//3513/247-2 |
IC-E |
Longman Fife, 1780 |
28 |
FI/GF |
Second Coldstream March (t) |
//11+5/353//44+2+4+//3+5+1+3+/2+4+7 2+ |
IC-E |
Skillern Amus, 1785 |
5 |
2GF |
Second Coldstream March (t) |
//1-15-/3-5-3-//4-424//3513/247-2 |
IC-E |
Skillern Fife, 1780 |
28 |
FI/GF |
Second Coldstream March (t) |
//11+5/353//44+2+4+//3+5+13+/2+4+72 +// |
IC-E |
Thompson Fife, 1786 |
27 |
FI/FL |
Second Collection of XXIV Favourite Marches |
|
IC-E |
Thompson March, 1771 |
12 |
2CL/VN/FL/OB,2HN,B |
Second Dance of Black Girls (t), or Procession, The.-6 (at) |
//31/13//32/13//3/35//1 |
TW-E |
Choice/Harleq, 1781 |
62 |
HAF |
Second Duetto (t) |
//1234//55//4345 |
AI-A |
Instrum Asst-2, 1807 |
29 |
2MI,B |
Second Grand Bugle Horn Piece, A (t), or Sixth Troop (at) |
//111//1315//5-5-5-5-5-//5-5-5-//5- 5-5-5-5-//5-5-5- |
IC-E |
English Sheet Music |
9 |
BU,2CL,2FL,2HN, |
Second Grand March (t) |
//1353/12//3234/35//6/43217-1 |
AI-A |
Instrum Asst-2, 1807 |
92-93 |
2OB/2CL,2VN,2HN,BF |
Second Grenadiers Guards March (t) |
//135/53//32/3//5/43 |
AM-A |
Beck MS, 1786 |
95 |
GF |
Second Grenadiers Guards March, The (t) |
//135/53//42/3//5/43 |
IC-E |
Bennett Fife, 1770 |
13 |
FI ; FI |
Second Grenadiers Guards March, The (t) |
//1-3-5-/5-3-//4-2-/3-//5-/4-3- |
IC-E |
Handel March 2, 1770 |
2 |
VN/GF/OB |
Second Grenadiers Guards March, The (t) |
//135/53//42/3//54/343 |
IC-E |
Longman Fife, 1770 |
31 |
FI |
Second Grenadiers Guards March, The (t) |
//135/53//42/3//5/43 |
IC-E |
Skillern Fife, 1780 |
22 |
FI/GF |
Second Grenadiers March, The (t) |
//135/53//42/3//5/43 |
AI-A |
Willig Fife, 1805 |
13 |
FI |
Second Hobby-horse, A (t) |
//346-7-1//22212//3235-6-7-//11117- //6-6-6-5-6-// |
IC-E |
Apollo's Banquet 1-2, 1678 |
70 |
VN |
Second March In the Water Peice (t) |
//5-/5-5-//134//55/532 |
IC-E |
Delightful-1, 1763 |
III,4 |
2GF |
Second March (t), or Procession, The.-2 (at) |
//122/3567//7543/32 |
TW-E |
Choice/Harleq, 1781 |
57 |
HAF |
Second Masonic March (t) |
//1+11/17-12//333/3234//555/5654 |
AI-A |
Goodale Dir, 1829 |
102-3 |
2CL/VN,2HN,BS |
Second Masonic March (t) |
//1+11/17-12//333/3234//555/5654 |
AI-A |
Instrum Asst-2, 1807 |
50-51 |
2CL,2VN,2HN,B |
Second Menuet (t) |
//345342//315-//345342//315-//53217 -1 |
AM-A |
Aborn MS, 1790 |
56 |
2MI |
Second Method (of Common Time) (t) |
Drum notation |
AI-A |
Robbins D&F, 1812 |
11 |
DR(NOT) |
Second Minuet (t) |
//34543//222//5565432 |
AI-A |
Instrum Asst-2, 1807 |
45 |
2MI,B |
Second Ode of Anacreon, The (t) |
//6-7-/12//321/7-//17-/6-5- |
SS-E |
SS, Folger-C52 |
140,1 |
MI,VO,KB |
Second Part of Bread of Gad (t), or Bread of Gad (at) |
//1+6/5321//23/6-7-//17-12/3231// |
IC-E |
Apollo's Banquet 1-7, 1693 |
48 |
VN/FL |
Second Part of Musick's Hand-Maid |
|
IC-E |
Musicks Hand-Maid-2, 1689 |
30 leaves |
VI/HA/SP |
Second Part of the Fart, The (t), or Beef-Eaters Appeal to Mr. d'Urfey, The |
|
SC-E |
Pills 1, 1719-20 |
T32-36M28 |
VO |
Second Part of the South Sea Ballad, The (t) |
//332//17-1//56543//223//4234 |
SS-E |
SS, Folger-C42.3 |
393 |
VO,KB+FL |
Second Part of the Tipling Philosophers, The (t) |
//1+2+1+/1+76/51+//343/231/55 |
SS-E |
SS, Folger-C42.3 |
483 |
VO+FL |
Second Quick March (t) |
//11234//5551+//71+71+ |
AI-A |
Instrum Asst-2, 1807 |
10 |
2MI,B |
Second Quick Step, A (t), or Lamberton Races (at) |
//13/51+//3+1+/2+7//1+6/53 |
IC-S |
Scottish Sheet Music |
|
2CL,2HN,TR,B+PF |
Second Ramble to Mary-Bon, A (at). Mistake, The (t), or |
//135/531//1+/531//6/421 |
DA-E |
Johnson CD-6, 1751 |
83 |
VN/GF |
Second Regiment of Guards March (at). Coldstream March (t), or |
//16/5432//15-/15-//6-4 |
IC-E |
Longman Oboe, 1770 |
28 |
2OB |
Second Regiment of Guards March (at). Coldstream (t), or |
//16/5432//15-/15-//6-4/46- |
IC-E |
Bennett Fife, 1770 |
19 |
2FI |
Second Regiment of Guards March (at). Coldstream (t), or |
//16/5432//15-/15-//6-4/46- |
IC-E |
Cahusac Oboe, 1790 |
33 |
2MI |
Second Regiment of Guards March (at). Coldstream (t), or |
//16/5432//15-/15-//6-4/46- |
IC-E |
Longman Fife, 1770 |
26 |
MI,B |
Second Regiment of Guards March (at). Coldstream (t), or |
//12/5432//15-/15-//6-4/46- |
AI-A |
Willig Fife, 1805 |
18 |
2FI |
Second Regiment of Guards March, The (t) |
//11/12//3234/33-//6-5-6-7-/6-5-4- |
IC-E |
Musica Bell, 1733 |
7 |
FL/VN/OB |
Second Regiment of Guards March, The (t) |
//11/12//3234/33-//6-5-6-7-/6-5-4- |
IC-E |
Warlike Musick, 1760 |
6 |
GF/VN/HA |
Second Running, The (t) |
//5-5-5-1115-5-5-1115-1115-15-1115- 5-3-3-1-/5-5-5-5-5-5-5-5- |
IC-E |
Longman Horn, 1785 |
14 |
HN |
Second Running, The (t) |
//5-5-5-1115-5-5-1115-1115-15-1115- 5-3-3-1-//5-5-5-5-5-5-5-5 |
IC-E |
Simpson Horn, 1746 |
6 |
HN |
Second Running, The (t) |
//5-5-5-1115-5-5-1115-1115-15-1115- 5-3-3-1-//5-5-5-5-5-5-5-5 |
IC-E |
Thompson Horn, 1755 |
6 |
HN |
Second Saraband (t) |
//15/5//4534/21//123/234// |
IC-E |
Musicks Hand-Maid-1, 1678 |
33 |
VI/HA |
Second Set (t) |
//1/17-//6-/5-3-//5-6-/12 |
IC-E |
Bunting, 1796 |
22 |
PF |
Second Set. 1 (t) |
//1+/5//3/135//443/221// |
AI-A |
Paff Cots-2, 1814 |
6 |
PF |
Second Set. 2 (t) |
/113//224/33//3/443//221/7-127-// |
AI-A |
Paff Cots-2, 1814 |
6 |
PF |
Second Set. 3 (t) |
/111//1/212//353/111//1/212// |
AI-A |
Paff Cots-2, 1814 |
7 |
PF |
Second Set. 4 (t) |
//3/2123//17-/6-5-//6-5-/6-5-6-7-// |
AI-A |
Paff Cots-2, 1814 |
7-8 |
PF |
Second Set. 5 (t) |
//6-1/6-16-1//331/17-23//5432/167-5 // |
AI-A |
Paff Cots-2, 1814 |
8 |
PF |
Second Set. 6 (t) |
//3234/55//4/2//31/17-1// |
AI-A |
Paff Cots-2, 1814 |
9 |
PF |
Second Set. No. 2 (t) |
|
AI-A |
Brouillett Cots & Reels, 1834 |
2-3 |
|
Second Set. No. 3 (t) |
|
AI-A |
Brouillett Cots & Reels, 1834 |
3 |
|
Second Set. No. 4 (t) |
|
AI-A |
Brouillett Cots & Reels, 1834 |
3 |
|
Second Sett of Grand Military Divertimentos |
|
AI-A |
Webb Divs 2, 1828 |
Parts |
2CL,CLS,2HN,2BS,2FL,FLP,TR, |
Second Song In the Second Act, The (t) |
//543//234//321//5//5 |
SC-E |
Pills 2, 1719-20 |
116-7 |
VO |
Second Song In the Second Masque, The (t) |
|
SC-E |
Pills 2, 1719-20 |
260 |
VO |
Second Song to a Minuet of Don Quixote (at). Lady's Answer, The (t), or |
|
SC-E |
Pills 1, 1719-20 |
T165M164 |
VO |
Second Tambourine (t) |
//43/25//1/2//36-/7-5- |
IC-E |
Delightful-1, 1763 |
IV,28 |
GF |
Second Thought's Best (t) |
//16-4-5-/1-5-//1/2//321/344 |
PL-E |
Playford 2-3, 1718 |
343 |
VN |
Second Thought's Best (t) |
//16-4-5-/1-5-//1/2//321/344 |
PL-E |
Playford 2-4, 1728 |
343 |
VN |
Second Thought's Best (t) |
//15-3-5-/2-5-//1/2//321/34434 |
DA-E |
Walsh CD-1.2, 1719 |
359 |
VN/OB |
Second to the Royal Quick Step, A (t), or Royal Quick Step, a Second to The |
//36/12//35/31//5-7-1/27- |
IC-S |
Calvert Coll, 1790 |
21 |
MI |
Second to the White Cockade (t) |
//13/5323/51/134//31/17- |
IC-S |
Calvert Coll, 1790 |
9 |
MI |
Second Troop, Composed for the Wisbech Volunteer Band, A (t) |
//111//222//333//456//531//6-221 |
IC-E |
English Sheet Music |
7 |
2CL,2FL,2HN,BS, |
Second Troop of Gards (t) |
//3/335//32/35//1+1+1+/1+1+2+3+ |
AM-A |
Wilson MS, 1782 |
8R |
FL/OB |
Second Troop of Horse Grenadiers March, The (t) |
//3-3-/2-//1-1-/2-//3-1-3-5-/3-1-3- 5- |
IC-E |
Handel March 2, 1770 |
4 |
VN/GF/OB |
Second Troop of Horse Guards Foot March, The (t) |
//1-1-1-1-1-1-/3-1-1-3-3-//3-3-3-3- 3-3-/5-3-3-5-5-//5-11133/ |
IC-E |
Handel March 2, 1770 |
4 |
VN/GF/OB |
Second Troop of Horse Guards Foot March, The (t) |
//527-2/5-77//7525/22+2+//2+72+/1+7 6 |
IC-E |
Hinde 1, 1770 |
16 |
2MI |
Second Visit to Gossip Joan, The (t) |
//1+1/34//543//42/5-4//43 |
SS-E |
SS, Harvard |
1 |
VO+FL |
Second York Battalions Q March (t) |
//756/75//1+2+3+/4+2+7//1+2+1+/753 |
AM-A |
Thompson MS, 1777 |
45 |
FI |
Seconda Chiamata, Che Va Sonata Auanti la Battaglia (t) |
//5-11315//55/5//1+1+/1+ |
IC-G |
Fantini Modo, 1638 |
14 |
TR |
Seconde Chantilly, ou La (at). Silvie, La (t), or |
//12/32//1/32//54 |
IC-F |
Boivin Tons, 1731 |
9 |
2HN/GF/OB/VN/VA |
Seconde Chantilly, ou La (at). Silvie Ou la Seconde Chantilly, La (t), or |
//6-7-/17-//6-/17-//32 |
IC-F |
Dampierre Tons, 1734 |
14 |
HN |
Seconde Courante Dance Francoise (t) |
//6-7-1/234//536/554//5/445// |
IC-F |
Pointel Airs, 1700 |
29 |
MI,B |
Seconde Grownde, The (t) |
//345//65//43//456//76// |
MS-E |
Nevell MS, 1591 |
163-172 |
VI |
Seconde Pavian, The (t) |
//15345//27-12//33217-//1//115-6-7- 1234// |
MS-E |
Nevell MS, 1591 |
84-86 |
VI |
Secondo [second Part of Piece on Missing page] (t) |
//5-1/17-//12/31//7-6-/5-4-// |
AM-A |
Patten MS, 1800 |
2 |
MI |
Secret, A Song, The (t) |
//56//543//56//515//1+7//634 |
SS-E |
SS, Folger-C42.3 |
215 |
VO,KB+FL |
Secret joy I share, A (fl) |
//676/656/7//71+7/767/1+//1+2+1+/1+ 71+/2+/2+3+ |
SC-E |
Pocket Comp, 1725 |
26-27 |
VO,HAF+FL |
Secret Kiss, The (t) |
//134/567//1+765/3//235/1+2+ |
IC-E |
Caledonian PC, 1760 |
IV,23 |
GF/VN |
Secret Kiss, The (t) |
//12+//1+76//654//43//651+//7 |
SC-E |
Calliope, 1746 |
II,127 |
VO,B+FL |
Secret Love, The(ed) (at). Silent Love (t), or |
//6666/77//73+/1+761+//73+/1+76 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
Secret Stream, The (t) |
//6-7-1/217-6-//4321/7-3-//6-7-/123 |
IC-E |
Caledonian PC, 1760 |
XI,16 |
GF/VN |
Secret, The (t) |
//56//534//56//515//1+7 |
SS-E |
SS, Huntington-1 |
95 |
VO,KB+FL |
Secret, The (t) |
//123/231//7-6-5-/13-//4-5-6-/5-6-7 - |
DA-E |
Walsh NCDM-2, 1710 |
69 |
VN/OB/FL |
Secret, The. Country Dance (t) |
//15/35//671+2+/1+5//15/35// |
AI-A |
Francis's Ballroom, 1798 |
17 |
KB |
Secret, The (t), or Song, A (at) |
//56//534//56//515//1+7//634//56543 |
SS-E |
SS, Harvard |
1,DUP |
VO,B+FL |
Seculiere, La. Contre-Danse Française (t) |
/15-3-//1-3-5-1/7-124//31/55/6543/4 321// |
DA-F |
Landrin CD BN, 1775 |
28 Feuille |
KB |
Secure in my Maria's heart (fl) |
|
BA-E |
Gretna Green, 1784 |
21 |
|