Page |
Text |
Incipit |
Short Title/Biblio |
1 |
Lady's Lamentation for the Loss of Senesino, The (t) |
//516//511+//54321//234//567 |
Musical Cent-1, 1737 |
2 |
Lover's Complaint, The (t) |
//3432/167//1+11321/17-//44654/53 |
Musical Cent-1, 1737 |
3 |
Hunting Song for Two Voices (t) |
//35/51+//1+71+/65//543/22+ |
Musical Cent-1, 1737 |
4 |
Contented Cuckold, The (t) |
//12/34//5/6//543/432 |
Musical Cent-1, 1737 |
5 |
Song In Britannia (t) |
//3454//37-1//27-1//7-343//4565 |
Musical Cent-1, 1737 |
6 |
Modern Beau, The (t) |
//333/33//32/23//444/444 |
Musical Cent-1, 1737 |
7 |
Dithyrambick for Two Voices (t) |
//517-//1232//143//217-6-5-//517- |
Musical Cent-1, 1737 |
8 |
Chorus to the Honest Yorkshire-Man (t) |
//1+1+/1+1+//1+76/55//66/66 |
Musical Cent-1, 1737 |
9 |
Memorable Ballad of Unfortunate Phillis..., The (t) |
//6+64+//3+32+//1+76//5673//6563 |
Musical Cent-1, 1737 |
10 |
Maids Petition, The (t) |
//3127-/15-14//32/32//17-6-6/54 |
Musical Cent-1, 1737 |
11 |
Carey's Wish, A Catch for 3 Voices (t) |
//1+1+7/2+1+//76/53//3+2+1+/76 |
Musical Cent-1, 1737 |
12 |
Cupid god of gay desires (fl) |
//54/323432 |
Musical Cent-1, 1737 |
13 |
Crouds of coxcombs thus deluding (fl) |
//513//217-6-5-//514//32//5-54 |
Musical Cent-1, 1737 |
14 |
Supplication, The (t) |
//32//1/6//54//3/2 |
Musical Cent-1, 1737 |
15 |
Pastoral Made In Ye Year 1715 (t) |
//56//54345//56//54345//51+ |
Musical Cent-1, 1737 |
16 |
Retirement, The (t) |
//53216//55671+//2+7653+//2+54+//3+1+53+ |
Musical Cent-1, 1737 |
17 |
Happy Inconstant, The (t) |
//54321//7-12//5-4-//3-5-1//443 |
Musical Cent-1, 1737 |
18 |
Love In Perfection, A Sonnet (t) |
//1212/31//217-6-/5-1//4-3-4-/2-5- |
Musical Cent-1, 1737 |
19 |
In vain you mention pleasure (fl) |
//51/21//651+7//6543/4321 |
Musical Cent-1, 1737 |
20 |
I am in truth, A country youth (fl) |
//55/534//55/567//1+1/432// |
Musical Cent-1, 1737 |
21 |
Happy Rusticks, The (t) |
//123//432//321//32//17- |
Musical Cent-1, 1737 |
22 |
Pastoral (t) |
//5/5432//17-/12//3212/3543 |
Musical Cent-1, 1737 |
23 |
Love's a gentle gen'rous passion (fl) |
//3/4//5/4//323/42 |
Musical Cent-1, 1737 |
24 |
Gregorian Constitution Song, The (t) |
//1+1+/1+1+//1+76/55//66/66 |
Musical Cent-1, 1737 |
25 |
Sally Sweetbread (t) |
//3455-//123//4325//32//17-6-6 |
Musical Cent-1, 1737 |
26 |
Now fortune is past its severest (fl) |
//123//432//3216//54321//26-2 |
Musical Cent-1, 1737 |
27 |
Oh joy beyond expressing (fl) |
//3457-/12//3/234//57-1/234321 |
Musical Cent-1, 1737 |
28 |
Romp, The (t) |
//543/321//11+/1+5//543/321 |
Musical Cent-1, 1737 |
29 |
Toby Swill (t), or Spunger, The (at) |
//1234/51//3217-/16//51/7-1 |
Musical Cent-1, 1737 |
30 |
Happy Butchers Wive's, The (t) |
//321217-/15-7-//6-5-4-46-/7-6-5-54//321 217-/15-4 |
Musical Cent-1, 1737 |
31 |
Polly Peachum (t) |
//23212//7-17-6-5-//4-3-2-1-1-1//15434// 23212 |
Musical Cent-1, 1737 |
32 |
Advice to a Friend In Love (t) |
//51+/25//32/134//565/6543 |
Musical Cent-1, 1737 |
33 |
Shall I stand still and tamely see (fl) |
//1+/7//1+76/56//51+76/54 |
Musical Cent-1, 1737 |
34 |
Justification for Loving (t) |
//1+34//57//1+4+3+2+1+//71+765//1+34 |
Musical Cent-1, 1737 |
35 |
Plain Dealer, The (t) |
//3457-//15-4-3-2-//1-43//21232//35432 |
Musical Cent-1, 1737 |
36 |
Expostulation, The (t) |
//1+7654//54321//7-//1//25-5 |
Musical Cent-1, 1737 |
37 |
Man who best can danger dare, The (fl) |
//32/17-6-//5-5/55//671+6/5321 |
Musical Cent-1, 1737 |
38 |
Friendly Adviser, The (t) |
//62345//43//62345//43//6-24 |
Musical Cent-1, 1737 |
39 |
Thou only darling I admire (fl) |
//35//65//65/43//23 |
Musical Cent-1, 1737 |
40 |
Huntsman's Rouze, The (t) |
//121/321//15-4-/3-5-//123/434 |
Musical Cent-1, 1737 |
41-42 |
Simon Snugg (t), or Safe One, The (at) |
//1/1//12//321/217- |
Musical Cent-1, 1737 |
T42M41-42 |
Simon Snugg, Sequel to (t), or On the Reduction of Interest (at) |
|
Musical Cent-1, 1737 |
43 |
Thoughts of An Ambitious Country Girl, on Ye Pleasures of Ye Town, The (t) |
//6-5-6-/6-5-6-//6-7-17-/6-3//434/234/23 4 |
Musical Cent-1, 1737 |
44 |
Why should women so much be controul'd (fl) |
//3212123/134//543432/37-1//222222/234 |
Musical Cent-1, 1737 |
45 |
Muse's Tears, The (t), or Elagiac Ode To... Mr. Richard Osborne..., An (at) |
//66-7-/14//3217-/6-3-//6-7-/12 |
Musical Cent-1, 1737 |
46 |
Fig for Our Foes, A (t) |
//12345//7-65//654321//27-1//25-3 |
Musical Cent-1, 1737 |
47 |
Importunate Lover, The (t) |
//671+7//671+7//3+2+1+76//567543//3454 |
Musical Cent-1, 1737 |
48 |
Cato's Advice (t) |
//123456//543//432//3215-//123456 |
Musical Cent-1, 1737 |
49 |
Roger and Dolly (t) |
//543/321//1+76/5//343/212 |
Musical Cent-1, 1737 |
50-54 |
New Year's Ode for 1736-7, Pt.1 (t) |
//66/67//1+76562+1+7/1+765/62+1+7//1+765 671+2+/3+3 |
Musical Cent-1, 1737 |
53 |
New Year's Ode, Pt.2 (t) |
//1+761+/75//772+2+/1+761+//72+2+7/51+76 5 |
Musical Cent-1, 1737 |
53-54 |
New Year's Ode, Pt.3 (t) |
//3+/4+3+/2+1+7//1+76/6555//676/676 |
Musical Cent-1, 1737 |