Page |
Text |
Incipit |
Short Title/Biblio |
1+52 |
Musical Hodge Podge-1 (t) |
//71+6/545//6/1+//71+6/545 |
Musical Cent-2, 1740 |
1+52 |
Musical Hodge Podge-2 (t) |
//11/1/1/12345342//32/1 |
Musical Cent-2, 1740 |
1+52 |
Musical Hodge Podge-3 (t) |
//5-1/17-1//22/212//33/321 |
Musical Cent-2, 1740 |
1-2+52 |
Musical Hodge Podge-4 (t) |
//56//53434//56//53434//51+ |
Musical Cent-2, 1740 |
2+52 |
Musical Hodge Podge-5 (t) |
//56//53434//56//53434//5545 |
Musical Cent-2, 1740 |
2+52 |
Musical Hodge Podge-6 (t) |
//321/217-//17-6-/7-3-//654/54 |
Musical Cent-2, 1740 |
2+52 |
Musical Hodge Podge-7 (t) |
//23212//7-17-6-5-//4-3-2-1-1-1//5434//2 3212 |
Musical Cent-2, 1740 |
3 |
Encouragement, The (t) |
//321/1+5//654/134//543/543 |
Musical Cent-2, 1740 |
4 |
Touch on the Times, A (t) |
//543/432/1/1//345/543 |
Musical Cent-2, 1740 |
5 |
Beau's Lamentation for Ye Loss of Farrinelli, The (t) |
//532164//53211+6//51+5321//234//534567 |
Musical Cent-2, 1740 |
6 |
Cure for Love, A (t) |
//17-6-/1+7//656/3+//1+76/64+6 |
Musical Cent-2, 1740 |
7 |
Union of Parties, The (t) |
//1+1+/1+1+//1+76/55//66/66 |
Musical Cent-2, 1740 |
8 |
True Tarr, The (t) |
//34/54//32/16//51/7-1 |
Musical Cent-2, 1740 |
9 |
Effects of Gaming, The (t) |
//4/451//7-6-7-5-/324//5432/17-6- |
Musical Cent-2, 1740 |
9 |
Two Part Song, A (t) |
//121/121//1 |
Musical Cent-2, 1740 |
10 |
Tell Tale, The (t) |
//135//654321//151+//1+7//51+3+ |
Musical Cent-2, 1740 |
11 |
Prince of Orange's March, The (t) |
//7-7-/7-1/2123/25//23/217- |
Musical Cent-2, 1740 |
12-14+53 |
Dialogue In Imitation of Mr. H. Purcell--Between a Town Spark and a Coun (t |
//667//1+65//612//343217-//6-67 |
Musical Cent-2, 1740 |
15 |
Tantaliz'd Lover, The (t) |
//3217-/217-6-//6-136/5//1+565/4321 |
Musical Cent-2, 1740 |
16 |
Refiners of Mankind, The (t) |
//6563//43//7673+//1+7//3+2+3+1+76 |
Musical Cent-2, 1740 |
17-18+54 |
Jolly Bacchanals, The (t) |
//1+/2+//3+2+1+/71+76//5654/3432 |
Musical Cent-2, 1740 |
19+54 |
Queen of Spades, The (t) |
//17-12/13//2123/25//17-12/13 |
Musical Cent-2, 1740 |
T19M19+54 |
Fly of fly the fatal fair (fl) |
|
Musical Cent-2, 1740 |
20 |
Catch for Three Voices, A (t) |
//1+1+/77//66/5//65/43 |
Musical Cent-2, 1740 |
21 |
Two Part Song In Britannia, A (t) |
//13/32//31/5//543/25- |
Musical Cent-2, 1740 |
22 |
Morning Cries (t), or Comon Disturbers, Ye (at) |
//34/56//65/34//567/1+3 |
Musical Cent-2, 1740 |
23 |
Illustrious pair by heav'n design'd (fl) |
//6-7-17-6-//7-3-//7-1217-//17-//1232 |
Musical Cent-2, 1740 |
24 |
Prude Demolish'd, The. A Dialogue (t) |
//6-17-6-//33-//3543//66-//443 |
Musical Cent-2, 1740 |
24 |
Languishing Lover, The (t) |
//6-17-6-//33-//3543//66-//443// |
Musical Cent-2, 1740 |
25 |
Sr. William's Birth Day (t) |
//321/2123//1/34//543/432 |
Musical Cent-2, 1740 |
26-27 |
Apotheosis of the Most Noble Edmund Sheffield... (t) |
//6/5//6/3//42+1+/7654 |
Musical Cent-2, 1740 |
28 |
Molly's Complaint (t) |
//123//432//3216//54321//26-2 |
Musical Cent-2, 1740 |
29 |
Fortune Hunter's Mental Reservation, The (t) |
//1234//321//217-6-5-//6-7-7-//1 |
Musical Cent-2, 1740 |
29 |
Prudent Lady's Open Declaration, The (t) |
//1234//321//217-6-5-//6-7-7-//1 |
Musical Cent-2, 1740 |
30 |
Intrepid Lover, for Two Voices, The (t) |
//11/13//25-/54//32/12 |
Musical Cent-2, 1740 |
31 |
Two Part Song In Britannia, A (t) |
//3232//17-15-//6-43//2//17- |
Musical Cent-2, 1740 |
32 |
Salley In Our Alley (t) |
//23212//7-17-6-5-//4-3-2-1-1-1//5434//2 3212 |
Musical Cent-2, 1740 |
33 |
Love In Low Life (t) |
//1+//543//432//17-15-//6- |
Musical Cent-2, 1740 |
34+54 |
Precaution In French and English, The (t) |
//1+765//612//7-1//2343//234 |
Musical Cent-2, 1740 |
35 |
Reproach, The (t) |
//543//434567//1+14//321//56543 |
Musical Cent-2, 1740 |
36+55 |
Cupid Put to Defiance (t) |
//1+76765/63//432/36//5345/61+76 |
Musical Cent-2, 1740 |
37 |
Queen of Diamonds (t) |
//6-7-/17-6-//37-/17-6-//43/231 |
Musical Cent-2, 1740 |
38 |
True Topers-1 (t) |
//56/5432//15/31//65/67 |
Musical Cent-2, 1740 |
38 |
True Topers-2 (t) |
//17-6-5-//6-4//432//33-//4-3-2 |
Musical Cent-2, 1740 |
39 |
Eclaircisement, The (t) |
//65/67//1+7/1+2+//3+2+/3+4+ |
Musical Cent-2, 1740 |
40 |
Inexorable, The (t) |
//1+11+/71+/2+1+7654//3231//1+2+3+2+1+/7 65453 |
Musical Cent-2, 1740 |
41 |
Drinking Song, A (t) |
//1234/5432//11+/7//1+5/63 |
Musical Cent-2, 1740 |
42-43 |
Burlesque Song for Two Voices, A (t) |
//1+1+/1+76//55/55//66/654 |
Musical Cent-2, 1740 |
43 |
Prude, The (t), or Song for Two Voices, A (at) |
//7654/36//5432/123//43/21 |
Musical Cent-2, 1740 |
44 |
Effeminate, The (t) |
//1+71+/2+5//1+71+/2+//434/523 |
Musical Cent-2, 1740 |
45 |
These old fellows when they're jealous (fl) |
//12/321//11-/3-4-5-//27-5-/2343 |
Musical Cent-2, 1740 |
46 |
Polly's Birth Day (t) |
//23212//7-17-6-5-//4-3-2-1-1-1//5434 |
Musical Cent-2, 1740 |
47 |
To be gazing on those charms (fl) |
//323435-//6-5-6-7-16-//221//7-6-7-127-/ /323435- |
Musical Cent-2, 1740 |
48 |
Duetto In Britannia (t) |
//3454//323/2//1234/543//32 |
Musical Cent-2, 1740 |
49 |
Welcome In Britannia, The (t) |
//1+/75//6/3//4/5 |
Musical Cent-2, 1740 |
50 |
Contrast, The (t), or Difference In Woman, (at) |
//6-7-/12//34/5-6-//21/7-6- |
Musical Cent-2, 1740 |
51 |
Dialogue After the Manner of Horace, A (t) |
//16/5342//7-1/5//1+3+/2+71+6 |
Musical Cent-2, 1740 |