Text |
Incipit |
Gnr-Cntry |
Short Title |
Page |
Instrument |
Con Forca Escosa (it) |
|
BA-E |
Phebe, 1729 |
40 |
|
Con Forza a Scoza (it) |
|
BA-E |
Wedding, 1729 |
II,13 |
|
Con Nor, La (t) |
//121/7-6-5-//6-7-/12//31/42//31 |
MS-M |
Garcia MS, 1772 |
124 |
MI |
Con raggio placido di bella speme (fl) |
//154//323//645346//43 |
SC-E |
Pocket Comp, 1725 |
112-115 |
VO,HAF+FL |
Conceal Yourselves (t) |
//5-115-5-115-5-115-5-13 |
AI-A |
Duane Riflemen, 1812 |
104 |
BU |
Concert de la [illegible]tine (t) |
//13/24//35/1+2+3+//2+1+7/654// |
DA-N |
St. Flour Contredanses, 1757 |
6 |
KB |
Concert. Meister (t) |
//1/1//1/3-5-13//55/543 |
MS-G |
Darmstadt MS 1225 |
139-40 |
2MI |
Concerto (t) |
//117-/1353//11+/76//56/5365// |
AM-A |
Cushing MS, 1805 |
144-150 |
MI |
Concerto 1. Adagio (t) |
//1317-//117-1212//3432//33221//5// 4+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 1. March (t) |
//17-12/1//17-12/1//17-12/15 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 1. Minuetto (t) |
//1+1+1+//1+3+5//111//135//3+4+2+1+ 7//1+5671+2+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 1. Presto (t) |
//1/1//1/5-//13/53 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 1. Presto (t) |
//1///1/3//56//54/32 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 10. Allegro (t) |
//1/1//1/31//5-5-/5-5- |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 10. Andante (t) |
//1+//5//551+5/3+1+53//2343 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 10. Presto (t) |
//1+5//565//53//343//151//313 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 11. Allo Moderato (t) |
//1/1//1/56-7-//11+76//55432 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 11. Gigue (t) |
//1/35//1+/5//6/1+6 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 11. Larghetto (t) |
//534//534//55671+2+1+76//543//423/ /423 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 12. Allegro Ma Non Tropo (t) |
//1//5/5331//5-/4-//3- |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 12. Andante (t) |
//5/51+53//5/4//3/3531 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 12. Tempo di Minuetto (t) |
//1//3//51+3+5//543//24//53 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 13. Adagio (t) |
//353///242///2143/2165 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 13. Allegro Maestoso (t) |
//151//313//555//51+7655//555//51+7 655 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 13. Presto (t) |
//51+//3/4//51+//3/4 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 2. Allegro (t) |
//11/1//22/2//32343453/21232342 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 2. Allegro (t) |
//1//3//5//1+55/54//3456 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 2. March (t) |
//1+76/56//65/51+3+//2+1+76/5434 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 2. Minuetto (t) |
//5-5-5-//5-3-1//17-127-//13//217-7 -6-5-5-2//321123345 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2H |
Concerto 3. Allegro (t) |
//1/1//123/3//3/3 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 3. Allegro Assai (t) |
//1+/5//6/4//2/5 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 3. Andante (t) |
//565/1+77//66///71+7/2+1+7 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 4. Allegro (t) |
//1//12/3//3//34/5 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 4. Andante (t) |
//5-5-5-//111//3242/2117-//15-5-27- //15-5-27- |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 4. Minuetto (t) |
//53434//51+5//64545//61+6//571+//5 71+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 5. Allegro (t) |
//1//3+//4+//7//1+55/5 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 5. Larghetto (t) |
//565//513//543//2343//232//233445 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 5. Menuet (t) |
//153//315//531+53+1+//5+4+3+//2+1+ 71+2+2+2+2+//2+1+71+2+2+2 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 6. Allegro Moderato (t) |
//33/33//31+76/5432//13/33 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 6. Andante (t) |
//5//4//343//321//2+4+//4+3+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 6. Minuet (t) |
//135//1+2+3+5//671+5//43//212435// 434657 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 7. Allegro (t) |
//1131//5-5-1//6-7-/217-6-//6-5- |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 7. Andantino (t) |
//565/1+//1+772+1+//1+776/6554//43 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 7. Menuet (t) |
//1+1+1+//1+5//651+3+//43//54+2+//1 +3+1+56 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 8. Allegro (t) |
//1/34//55/55//565/31 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 8. Andante (t) |
//555/565//43/3+2+1+2+//3+3+3+/3+4+ 3+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 8. Menuet (t) |
//1+3+1+2+7//1+3+1+2+7//1+56//43//2 //345671+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 9. Allegro (t) |
//11/17-12//33/3234//53/42 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 9. Cantabile (t) |
//1+5/1+5//5433/5//3/345432 |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto 9. Minuet (t) |
//111//131//523//43//271+//4+3+ |
IC-E |
Bremner Mil Con, 1774 |
|
2OB/CL/FL/VN,2HN,BS |
Concerto (at). Adagio (t), or |
//1234/252//3211+3/432//517-6-6-5-/ 5-5- |
IC-E |
Delightful-1, 1763 |
IV,30 |
2GF |
Concerto (at). Allo. (t), or |
//1/2//31/2//31/43 |
IC-E |
Delightful-1, 1763 |
IV,30-31 |
2GF |
Concerto Militare 1 (t) |
//1+/1+1+//1+3+2+//1+3+2+/1+531//55 |
IC-E |
Giordani March, 1780 |
11-13 |
HA/PF |
Concerto Militare 1. March (t) |
//1+/1+1+//1+3+//1+3+/2+1+76//54 |
IC-E |
Giordani March, 1780 |
14 |
HA/PF |
Concerto Militare 1. Minuetto 1mo (t) |
//1+53//11234//567//1+3+2+//1+76//5 71+ |
IC-E |
Giordani March, 1780 |
15 |
HA/PF |
Concerto Militare 1. Minuetto 2do (t) |
//13//15-5-//24//25-5-//333//35-6- |
IC-E |
Giordani March, 1780 |
15 |
HA/PF |
Concerto Militare 2 (t) |
//131//575//1+1//1+76//54565//432 |
IC-E |
Giordani March, 1780 |
16-19 |
HA/PF |
Concerto Militare 2. March (t) |
//132/13//234/31+76//5654/32 |
IC-E |
Giordani March, 1780 |
20 |
HA/PF |
Concerto Militare 2. Minuetto 1mo (t) |
//33333//543//1+76//54565//33333//5 435 |
IC-E |
Giordani March, 1780 |
20-21 |
HA/PF |
Concerto Militare 2. Minuetto 2do (t) |
//31+761+76//56733//2432432//1236-6 -//1+3+2+1+3+2+1+3+2+//1+3+2+51+53 |
IC-E |
Giordani March, 1780 |
21 |
HA/PF |
Concise System of Instructions and Regulations for the Militia...Volunteers |
|
AI-A |
Cooper System, 1836 |
282 |
|
Concluding Dance (at). Balance, La. Fifth Sett (t), or |
//5-111/1111//2342/17-6-5-//5-111/1 111// |
AI-A |
Blake Cots, 1804 |
30 |
PF/VN/GF |
Concord March (t) |
//1/1//12/31//5-/2 |
AI-A |
Herrick Preceptor, 1807 |
25 |
2MI,B |
Concord March (t) |
//11/1231//5-2/2342//5-1/1231// |
AM-A |
Johnson, S. MS, 1807 |
7 |
FI |
Concord S. M. (t) |
//11/321//24//32/17- |
AM-A |
Dean MS, 1800 |
II.6 |
VO |
Conde, La (t) |
//71+2+/54//32/11+//71+2+/54// |
DA-N |
Echo, 1758 |
46 |
KB |
Condiation March (t) |
|
AM-A |
Huntington MS, 1817 |
II.10 |
FL/VN |
Condiation, March (t) |
|
AM-A |
Huntington MS, 1817 |
III.24 |
FL/VN |
Condroziene, La (t) |
//135/1+53//223/4//5-7-2/571+// |
DA-N |
Echo, 1758 |
72 |
KB |
Coneac(ed) (t) |
//1+63+6/1+63+6//7657/7657//1+63+6/ 1+63+6 |
AM-A |
Shattuck MS, 1801 |
90 |
MI |
Confederacy (t) |
//3521/661+//5321/225//3521/1+71+6 |
MS-E |
Hammersley MS, 1790 |
43 |
MI |
Confederacy (t) |
//6/56/753//67/1+76/77-//16 |
PL-E |
Playford 2-1, 1713 |
66 |
VN/OB |
Confederacy (t) |
//6/56/753//67/1+76/77-//16 |
PL-E |
Playford 2-2, 1714 |
66 |
VN/OB |
Confederacy (t) |
//6/56/753//67/1+76/77-//16 |
PL-E |
Playford 2-3, 1718 |
66 |
VN |
Confederacy (t) |
//6/56/753//67/1+76/77-//16 |
PL-E |
Playford 2-4, 1728 |
66 |
VN |
Confederacy (t) |
//656753//671+7677-//167-56-4//5-33 -4-2123 |
DA-E |
Walsh CD-1.2, 1719 |
84 |
VN/OB |
Confederacy (t) |
//3521/661+//5431/225//3521/671+6// |
MS-S |
Young MS-1, 1734 |
25v-26r |
MI |
Confederacy, The (t) |
//3521/661+//5321/225//3521/671+6 |
DA-E |
Johnson CD-3, 1744 |
44 |
VN/GF |
Confederacy, The (t) |
//3521/661+//5321/225//3521/671+6 |
DA-E |
Walsh CD-2.3, 1735 |
77 |
VN/OB/GF/CF |
Confederacy, The (t) |
//3521/661+//5321/225//3521/671+6 |
DA-E |
Walsh CD-3.3, 1749 |
89 |
VN/OB/GF |
Confederacy, The (t) |
//6/56/753//67/1+76/77-//16 |
DA-E |
Walsh NCDM-2, 1710 |
134 |
VN/OB/FL |
Confederatcy, The (t) |
//3521/661+//5321/22225//3531/671+6 // |
MS-E |
Vickers MS, 1770 |
89 |
MI |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33 |
PL-E |
Playford 1-04, 1670 |
32 |
VN |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-05, 1675 |
32 |
VN |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-07, 1686 |
32 |
VN |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-08, 1690 |
29 |
VN |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33 |
PL-E |
Playford 1-09, 1695 |
12 |
VN |
Confess (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/3 |
PL-E |
Playford 1-10, 1698 |
12 |
VN |
Confesse (t) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-01, 1651 |
19 |
VN |
Confesse (t) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-02, 1652 |
13 |
VN |
Confesse (t) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-03a, 1657 |
I,13 |
VN |
Confesse (t) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-3b, 1665 |
I,13 |
VN |
Confesse (t), or Court Lady, The (at) |
//6-7-/12//33/33//4/33//6/5 |
PL-E |
Playford 1-06, 1679 |
32 |
VN |
Confession L M (t) |
//6-//1/2//3/31 |
AM-A |
Bellamy MS, 1799 |
60-61,81 |
MI,B |
Confession, The (t) |
//1+5/671+//543 |
SC-E |
Clio-2, 1759 |
128 |
VO,HA |
Confession, The (t), or New Song, A (at) |
//16-4//36-7-//17-6-5-4-//3-36-//7- 12 |
SC-E |
Calliope, 1746 |
I,105 |
VO,HAF+FL |
Confession, The (t), or New Song, A (at) |
//65/45654//3/2//31+6/45//5 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
Confin'd to the house 'till the age of fifteen (fl) |
//17-1/217-6-5-//12123/42//316-31 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
Conforso Escossa (it) |
//123//17-1//543 |
BA-E |
Beggar's Wed, 1729 |
T57M10-11 |
VO |
Conforza ascosa neraggi sui (fl) |
//123//27-1//543//27-1//123 |
SC-E |
Pocket Comp, 1725 |
75 |
VO,HAF+FL |
Conforza Escosa (it) |
|
BA-I |
Preceptor, 1740 |
23-24 |
|
Conforza Scoza (it) |
|
BA-E |
Court Medley, 1733 |
42 |
|
Conforza Scoza (it) |
|
BA-E |
Fortunate Prin, 1734 |
42 |
|
Confusion thus defeated (fl) |
//25-//5-/5-//31 |
TW-E |
Siege/Belgrade, 1791 |
45-47 |
VO,KBF |
Congo (t) |
//1-3-5-/17-//17-/123//1-3-5-/123 |
AM-A |
Bolling MS, 1790 |
38 |
VN/GT |
Congress Grand March (t) |
//111/17-6-5-//5-3-3-/3-5-5-//4-2-2 -/2-4-4- |
AI-A |
American Sheet Music |
2 |
PF |
Congress Hall. No. 9 (t) |
//37-1/5-12//37-1/5-17-//6-21/245// |
AI-A |
Johnson, F. Cotillions |
6 |
PF |
Congress Lyon (t) |
|
AI-A |
Otsego CD, 1808 |
13 |
|
Congress March a Quick Step, The (t) |
//1-3-5-/1342//3127-/217-6-5-//1-3- 5-/1342 |
AM-A |
Thompson MS, 1777 |
28 |
FI |
Congress March, The [Royal Crossed Out] (t) |
//1-/3-5-//13/42//31/7-1// |
AM-A |
Hoff MS, 1797 |
No. 25 |
GF |
Congress Minuet (t) |
//1+1+3+1+//2+75//6616//531//4464// 3353// |
AM-A |
Bush MS, 1779 |
51v |
VN |
Congress, The (t) |
//1-/3-5-//13/42//31/7-1// |
MS-C |
Molyneaux MS-2, 1788 |
62 |
1 OR 2 GF |
Congress, The (t) |
//1-3-5-//1342//317-1 |
AI-A |
Willig Fife, 1805 |
30 |
FI |
Congress Waltz, The (t) |
|
AI-A |
Amer Ladies PB, 1818 |
141 |
|
Coniac (t) |
|
AI-A |
Rice CD, 1801 |
3 |
|
Conjugal Love (t) |
//25-2/35-321//25-/35-25-//3 |
SC-E |
Pills 1, 1719-20 |
44-6 |
VO |
Conjugal Love Made on a Man of Quality and His Lady (t) |
//22/35-321//25-/35-25-//321 |
SS-E |
SS, Folger-C42.4 |
465 |
VO+FL |
Conjugality (t) |
//32/31//6-7-/1//32/31 |
AI-A |
Robinson Coll, 1818 |
26 |
FI,DR |
Conjurer, The (at). Locking's Whim (t), or |
//6-2/2//6-2/2//6-5/432// |
AM-A |
Hoff MS, 1797 |
No. 162 |
GF |
Conjurers Song, The (t), or Croaking of Ye Toad, The (at) |
//33+7/1+2+3+3//6 |
SS-E |
SS, Folger-C42.2 |
221,2-222,1 |
VO,KB |
Connecticut (t) |
//55/5671+//1+765/65//43/231 |
AI-A |
Duport CD, 1800 |
7 |
PF |
Connecticut (t) |
|
AI-A |
Rice CD, 1801 |
8 |
|
Connecticut Light Infantry March (t) |
//1+71+2+/15//6567/635//52/17- |
AM-A |
Clark, I. MS, 1801 |
11 |
FI/VN |
Conner's Hornpipe (t) |
|
AI-A |
English Archer, 1800 |
124 |
|
Connoiseur, The (at). Taste( (t), or |
//31/11//42/22/31/11 |
DA-E |
Walsh CD-3.6, 1754 |
51 |
VN/OB/GF |
Conoisseur (t) |
//355/355//355/553//466/654//321 |
SS-E |
SS, Harvard |
1 |
VO,KB+GT |
Conpiegne, La (t) |
//24/32//32/13//24/32 |
IC-F |
Boivin Tons, 1731 |
8 |
2HN/GF/OB/VN/VA |
Conquerante, La. Tenth set of Cotillons (t) |
|
AI-A |
Conway Maitre de Danse, 1827 |
34 |
|
Conquerd Swain, The (t) |
//13217-//15-6-//7-12341//17-1//217 -6-5- |
SC-E |
Musical Ent-1, 1740 |
95 |
VO,KB+FL |
Conquering beauty 'tis I still adore (fl) |
//5-17-//17-6-//432//21 |
SC-E |
Pocket Comp, 1725 |
87 |
VO,HAF+FL |
Conquering genius of our isle returns, The (fl) |
|
SC-E |
Pills 3, 1719-20 |
350 |
VO |
Conquest (t) |
|
AI-A |
Otsego CD, 1808 |
10 |
|
Conquest (t) |
|
AI-A |
Saltator CD, 1807 |
31 |
|
Conquest All the Year Round, (at). Calendar of British Victory, The (t), or |
//3+4+3+/2+1+7//1+76/555//676/1+76 |
SS-E |
SS, Harvard |
1-2 |
VO,KB |
Conquest Is Not to Bestow (t) |
//63-/4-5//1/5675//1+5/3-1 |
IC-E |
Preston Bassoon, 1790 |
18-19 |
BS |
Conquest of Belgrade, The. Commencement (t) |
//3/3//3/5432//1/1 |
IC-E |
English Sheet Music |
|
HA/PF |
Conquest of Belgrade, The. General Joy of the Austrians (t) |
//1-1-/1-2-//1-2-3-4-/5-6-7-1//5-6- 5-6-/4-5-4-5- |
IC-E |
English Sheet Music |
|
HA/PF |
Conquest of Belgrade, The. March of Rienforcement (t) |
//15-/15-//1/2//35-/35- |
IC-E |
English Sheet Music |
|
HA/PF |
Conquest of Belgrade, The. Trumpet Call (t) |
//1/11//3/11//5-/11 |
IC-E |
English Sheet Music |
11 |
HA/PF |
Conquest of Quebec. &., The (t) |
//334/543//223/432//112/12322// |
AM-A |
Hoff MS, 1797 |
No. 2 |
GF |
Conquest of the Air, The (t) |
//122/3212//31/25-//6-7-1234/52321 |
SS-E |
SS, Boston PL-1 |
114,1-3 |
VO,HAF+GT |
Conquest, The (t) |
//11/17-6-5-//11/17-6-5-//33/317-1 |
DA-E |
Bride CD, 1776 |
IV,91 |
VN/OB/GF |
Conquest, The (t) |
//1117-6-5-//1117-6-5-//33317-1 |
DA-E |
Thompson CD-5, 1788 |
91 |
VN/GF/OB |
Conquest, The (t) |
//11/17-6-5-//11/17-6-5-//33/317-1/ / |
DA-E |
Thompson CD-5a, 1788 |
91 |
VN/GF/OB |
Conquest, The, A Country Dance (t) |
//11/17-6-5-//1117-6-5-//33/317-2// |
AM-A |
Bush MS, 1779 |
29 |
VN |
Conquete d'Oczakow, La. Confidence of the Russian Army In Their Tutelar (t) |
//3427-//11//11+1+765//543//23//34 |
IC-E |
English Sheet Music |
66-71 |
HA/PF |
Conquete d'Oczakow, La. The Approach of Three Divisions (t) |
//6-3-4-5-/6-3-4-5-//6-6-6-6-/6-7-1 7-6-7-12//37-12/37-12 |
IC-E |
English Sheet Music |
|
HA/PF |
Conquete d'Oczakow, La. The Trumpet Sound to Battle (t) |
//1/1//1/1//111/11 |
IC-E |
English Sheet Music |
|
HA/PF |
Conquete d'Oczakow, La. The Whole Russian Army Enters the Town (t) |
//1-1-1-/1-2-//3-4-2-3-/1-2-//3-4-5 -/6-5-4-3- |
IC-E |
English Sheet Music |
|
HA/PF |
Conquoring Warrier, The (t) |
//15-12//321345//32321//7-7-1//234 |
SS-E |
SS, Folger-C42.4 |
460 |
VO+FL |
Conquoring Warrier, The (t) |
//15-12//321345//32321//7-7-1//234/ /6-21//7- |
SS-E |
SS, Harvard |
1 |
VO+FL |
Conscience is by all the wise (fl) |
|
BA-I |
Sharpers, 1740 |
23 |
|
Conscience that's guilty, A (fl) |
|
BA-E |
Rome Excis'd, 1733 |
34 |
|
Conscious dungeon walls of stone (fl) |
//4464/222//3216-5-6-/7- |
SS-E |
SS, Folger-C42.1 |
88,2-89,1 |
VO,KB+FL |
Consel Dodsworth's Short Troop (t) |
//135//1+2+7//1+52+7//1+553//44345/ /33543// |
MS-S |
Fife MS, 1780 |
729,79v |
1FI OR 2FI/VN |
Consent at Last (t) |
//16-/16//53/13//56/543 |
SC-E |
Pills 4, 1719-20 |
82-83 |
VO |
Consent at Last (t) |
//16-/16//5313//56/543 |
SS-E |
SS, Boston PL-2 |
307 |
VO,KB+GF |
Consent, The (t) |
|
AI-A |
Amer Ladies PB, 1821 |
172 |
|
Consider ye virgins before ye engage (fl) |
//531456//5311+2+3+//2+7543//234//5 3271+ |
SS-E |
SS, Boston PL-2 |
100 |
VO,KB+GT |
Considerate Toper, The (t) |
//32/17-6-//136/316-//32 |
SS-E |
SS, Folger-C42.4 |
110 |
VO,KB+FL |
Consolatory Muse to a Great Lady at Court (t) |
|
SC-E |
Pills 2, 1719-20 |
123 |
VO |
Consolatory Ode to Her Majesty, A (t) |
//35//67//1+2+3+//76 |
SC-E |
Pills 2, 1719-20 |
14-16 |
VO |
Constancy (t) |
//5-1/7-1//2342/31//535/424 |
AM-A |
Beck MS, 1786 |
10 |
GF |
Constancy (t) |
//5-1/7-1//2342/31//535/424// |
AM-A |
Bush MS, 1779 |
63 |
VN |
Constancy (t) |
|
AM-A |
Crawford MS, 1794 |
3 |
|
Constancy (t) |
|
AI-A |
Dancer's Instructor, 1795 |
10 |
|
Constancy (t) |
|
AI-A |
Echo CD-1, 1798 |
234 |
|
Constancy (t) |
|
AI-A |
Echo CD-2, 1800 |
205 |
|
Constancy (t) |
|
AI-A |
Gents&Lady's Nor, 1798 |
10-11 |
|
Constancy (t) |
|
AI-A |
Gents&Lady's Npt, 1799 |
10 |
|
Constancy (t) |
|
AI-A |
Gents&Lady's Stn, 1798 |
10 |
|
Constancy (t) |
|
AI-A |
Griffiths CD, 1788 |
4 |
|
Constancy (t) |
|
AI-A |
Griffiths CD, 1794 |
5 |
|
Constancy (t) |
|
AI-A |
Innocent, 1803 |
|
|
Constancy (t) |
|
AM-A |
Muzzey MS, 1795 |
11 |
|
Constancy (t) |
|
AI-A |
Otsego CD, 1808 |
12 |
|
Constancy (t) |
|
AM-A |
Ridgely MS, 1799 |
6 |
|
Constancy (t) |
|
AI-A |
Saltator CD, 1802 |
94 |
|
Constancy (t) |
|
AI-A |
Saltator CD, 1807 |
28 |
|
Constancy (t) |
|
AI-A |
Skylark CD, 1797 |
305 |
|
Constancy (t) |
//5-17-1//234231//535424 |
AI-A |
Village Fifer, 1808 |
19 |
2FI |
Constancy (t) |
|
AI-A |
Walpole CD, 1799 |
11 |
|
Constancy (t) |
|
SC-E |
Watts MM-5, 1731 |
T132-133M131 |
VO,HA+FL |
Constancy (t) |
|
AM-A |
Webb MS, 1798 |
5 |
|
Constancy (t) |
|
AI-A |
Worcester CD, 1800 |
8 |
|
Constancy our pilot be, &c. (bt) |
//12/33//23/44//445/334 |
TW-E |
Agreeable Surp, 1781 |
28 |
VO,HA |
Constancy (at). Song 41 (t), or |
|
SC-E |
Ritson, 1783 |
TI,32-33 |
VO |
Constansy (t) |
//5-1/7-1//2342/31//535/424// |
AM-A |
Adams, W. MS, 1795 |
29 |
MI |
Constant Billey (t) |
//15/31//42/7-5-//31/6-4- |
PL-E |
Playford 3-2, 1726 |
170 |
VN |
Constant Billey (t) |
//15/31//42/7-5-//31/6-4- |
DA-E |
Walsh CD-2.3, 1735 |
192 |
VN/OB/GF/CF |
Constant Billey (t) |
//15/31//42/7-5-//31/6-4- |
DA-E |
Walsh CD-3.3, 1749 |
180 |
VN/OB/GF |
Constant Charle (t) |
//5-5-/13//42/7-5-//31/6-4- |
AM-A |
Perkins MS, 1790 |
38 |
MI |
Constant Charley (t) |
//5-6-7-123427-5-316-5-7-11 |
AM-A |
Dickinson MS, 1800 |
25 |
CL/GF/OB |
Constant Charley (t) |
//1531//4217-5-//316-6-5- |
AM-A |
Eells MS, 1789 |
45 |
MI |
Constant Charley (t) |
//15//3123//42//5- |
AM-A |
Mass. MS, 1790 |
9 |
FL |
Constant Charley (t) |
//15/31//42/7-5-//31/6-4- |
AM-A |
Turner MS, 1788 |
I,50 |
VN |
Constant Charley (t) |
//15//3123//42/7-5-//31/6-4-//5-6-7 -//1// |
AM-A |
Washburn MS, 1816 |
8 |
GF |
Constant Charly (t) |
//15//3123//42//5- |
AM-A |
Greenwood MS, 1785 |
55 |
MI |
Constant Fair, The (t) |
//35/124//3217-/15-//6-17-2/1324 |
SC-E |
Clio-1, 1758 |
39 |
VO,HA |
Constant Fair, The (t) |
//35/124//3217-/15-//6-17-2/1324//3 153 |
SS-E |
SS, Harvard |
1 |
VO/GF,KBF |
Constant Jamie (t) |
|
AI-A |
Otsego CD, 1808 |
14 |
|
Constant Leander (t) |
//15/25//354/31//567/1+7 |
PL-E |
Playford 2-3, 1718 |
325 |
VN |
Constant Leander (t) |
//15/25//354/31//567/1+7 |
PL-E |
Playford 2-4, 1728 |
325 |
VN |
Constant Leander (t) |
//15/25//354/31//567/1+7 |
DA-E |
Walsh CD-1.2, 1719 |
345 |
VN/OB |
Constant Leander (t) |
//15/25//354/31//567/1+7 |
DA-E |
Walsh CD-2.2, 1735 |
159 |
VO/OB/GF/FL |
Constant Leander (t) |
//15/25//354/31//567/1+7 |
DA-E |
Walsh CD-3.2, 1749 |
159 |
VN/OB/GF |
Constant Lover. A New Song, The (t) |
//343/342//3421/7-1//22/23456 |
SS-E |
SS, Folger-C42.3 |
51 |
VO,KB+FL |
Constant Lover (at). O My Dearest Polly Since I'm Going to Leave You (t), o |
//442/331//2346/5313//442/331 |
AM-A |
Gaylord MS, 1816 |
11r |
MI |
Constant Lover, The (t) |
//1+7654//3573+2+1+//7652+754//43// 135765 |
SC-E |
Calliope, 1746 |
II,96 |
VO,B+FL |
Constant Lover, The (t) |
//12/12321//15-/5-5-//12/3451//7-2 |
SC-E |
Calliope, 1746 |
II,159 |
VO,B+FL |
Constant Lover, The (t) |
//12/12321//15-/5-5-//12/3451//7-2 |
IC-E |
Delightful-2, 1745 |
III,6 |
GF |
Constant Lover, The (t) |
//6-3-1//17-6-//443//2234//3217-6- |
SC-E |
Musical Ent-1, 1740 |
16 |
VO,KB+FL |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
PL-E |
Playford 2-1, 1713 |
181 |
VN/OB |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
PL-E |
Playford 2-2, 1714 |
181 |
VN/OB |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
PL-E |
Playford 2-3, 1718 |
181 |
VN |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
PL-E |
Playford 2-4, 1728 |
181 |
VN |
Constant Lover, The (t) |
//55/345//66/5//671+2+/71+2+ |
PL-E |
Playford 3-2, 1726 |
103 |
VN |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
DA-E |
Walsh CD-1.2, 1719 |
199 |
VN/OB |
Constant Lover, The (t) |
//3456/5432//11/11+//76/71+ |
DA-E |
Walsh NCDM-2, 1710 |
7 |
VN/OB/FL |
Constant Lover, The (t) |
//3671+/73//36/55//63/4321//7-17-6- |
SC-E |
Watts MM-4, 1730 |
203-204 |
VO,HA+FL |
Constant Lovers, The (t) |
//12/34//56/765//671+ |
SS-E |
SS, Folger-C42.4 |
83 |
VO+FL |
Constant Lovers, The (t) |
//12/34//56/765//671+/2+75//1+ |
SS-E |
SS, Harvard |
1 |
VO+FL |
Constant mind will pride o'erflow, The (fl) |
|
BA-E |
Spanish Lady, 1765 |
18 |
|
Constant Shepherd, The (t) |
//1+53+2+/1+56//45654/4345234//17-3 + |
SS-E |
SS, Folger-C52 |
6 |
MI,VO,KB+GF/GT |
Constant Shepherd, The (t) |
//345/1+2+3+//2+1+7/1+55//642+/756 |
SS-E |
SS, Huntington-2 |
2 |
VO,KB+GT |
Constant Swain, and Virtuous Maid, The (t) |
//321//4321//7-6-5-//321//4 |
SC-E |
Watts MM-5, 1731 |
14-16 |
VO,HA+FL |
Constant, The (at). Constante, La (t), |
/131//17-6-5-/131//5/424//313/231// 17-6-5-// |
DA-E |
Fishar 16 Cot, 1780 |
4 |
KB |
Constant Warrior, The (t) |
|
SC-E |
Pills 6, 1719-20 |
365-6 |
VO |
Constant Warrior, The (t) |
//51+/54//345/671+//1+457 |
SS-E |
SS, Folger-C42.4 |
276 |
VO,KB+FL |
Constante, La (t) |
/1+1+//76/71+//55/1+1+//767/ |
IC-F |
Leclerc Recueil-1, 1729 |
64 |
HAF |
Constante, La (t), Constant, The (at) |
/131//17-6-5-/131//5/424//313/231// 17-6-5-// |
DA-E |
Fishar 16 Cot, 1780 |
4 |
KB |
Constante, La: Francesa (t) |
//1/3454//31/13//25-/6-7-// |
DA-P |
Piferrer CD, 1768 |
20 |
MI |
Constant's the man (fl) |
|
BA-E |
Happy Lovers, 1736 |
18 |
|
Constellation Hornpipe (t) |
//5-1/6-2//17-6-5-/1345//671+6/6543 |
AI-A |
Riley Flute 3, 1820 |
33 |
FL |
Constellation Hornpipe (t) |
//5-1/6-2//17-6-5-/1345//671+6/6543 |
AI-A |
Riley Flute 4, 1826 |
40 |
FL |
Constellation, The (t) |
//55454/31+5//64+2+1+/1+765//55654/ 31+5// |
AI-A |
President CD, 1799 |
2 |
PF |
Constellation, The (at). #4 (t), or |
//4635/21//17-6-5-/6-17-2/1 |
AI-A |
Duport Cot, 1800 |
7-8 |
MI |
Constellation, The. Cotillion (t) |
|
AI-A |
Ives CD, 1799 |
12 |
|
Constellation, The. Marine Cotillions. No. 2 (t) |
//53/15-//3-5-13/5//671+5/4321// |
AI-A |
Francis's Ballroom, 1798 |
4 |
KB |
Conster, La (t) |
|
AI-A |
Otsego CD, 1808 |
34 |
|
Constitution (t) |
//35/567//1+2+/1+765//35/53+// |
AM-A |
Bevens MS, 1825 |
15r |
FI |
Constitution. Cotillion (t) |
|
AI-A |
Saltator CD, 1802 |
81 |
|
Constitution. Cotillion (t) |
|
AI-A |
Saltator CD, 1807 |
45 |
|
Constitution March (t) |
|
AM-A |
Huntington MS, 1817 |
II.9 |
FL/VN |
Constitution March (t) |
//3-5-/5-6-7-//12/17-6-5-//3-5-/5-3 |
AI-A |
Steele Fife, 1815 |
16 |
FI |
Constitution March (t) |
//35/567//1+2+/1+765//35/53+ |
AM-A |
Stiles MS, 1807 |
71 |
MI |
Constitution of America (t) |
|
AI-A |
Allen CD, 1799 |
5 |
|
Constitution of America (t) |
|
AM-A |
Ridgely MS, 1799 |
5 |
|
Constitution of America (t) |
|
AI-A |
Stockbridge CD, 1794 |
3 |
|
Constitution of America, The (t) |
//5-11/135//5-11/135//5-6-5-/5-4-3- // |
AM-A |
Hoff MS, 1797 |
No. 266 |
GF |
Constitution, The (at). #2 (t), or |
//11/17-23//43/65//4 |
AI-A |
Duport Cot, 1800 |
3-4 |
MI |
Constitution, The. Marine Cotillions. No. 3 (t) |
//5-1/35//4342/31//35/1+1// |
AI-A |
Francis's Ballroom, 1798 |
7 |
KB |
Contemplez nos lauriers civiques (fl) |
//1-/3-3-//5-3-//2-//1- |
IC-F |
French Sheet Music |
|
VO,2CL,2HN,2BS |
Contending Captains (t) |
//6-13/636//432/316-//6-13/636 |
DA-E |
Johnson CD-4, 1748 |
19 |
VN/GF |
Contending Captains (t) |
//6-13/636//432/316-//6-13/636 |
DA-E |
Walsh CD-2.4, 1747 |
61 |
MI |
Contending Captains (t) |
//6-13/636//432/316-//6-13/636// |
DA-E |
Walsh CD-3.4, 1747 |
61 |
VN/OB/GF |
Contending Orators (t) |
//5/35//5/35//1+/3+5+ |
DA-E |
Johnson CD-8, 1758 |
80 |
VN/GF |
Contending Orators (t) |
//5/35//5/35//1+/3+5+ |
AM-A |
Turner MS, 1788 |
I,49 |
VN |
Contending Parsons, The (t) |
//136-4/363//217-6-/5-6-7-5-3-5//35 25/157-5- |
DA-E |
Bride CD, 1776 |
III,31 |
VN/OB/GF |
Content (t) |
//3455/671+1//234//3 |
SC-S |
Edinburgh MM-2, 1793 |
155-157 |
VO |
Content: - A Pastorale (t) |
//3455//671+1//234//35//3217-1//1+7 654 |
AI-A |
American Periodicals |
|
VO,KB |
Content, A Pastoral (t) |
//3455//671+1//234//35//3217-1//1+ |
AM-A |
Pynchon MS, 1797 |
22r |
MI |
Content. A Pastoral (at). Song 55 (t), or |
//3455//671+1//234//35 |
SC-E |
Ritson, 1783 |
TI,234-235;MIII,118-11 |
VO |
Content in wedded state (fl) |
|
BA-I |
Cobler Preston, 1732 |
28 |
|
Content (t), or Pastoral from Mr. Cunningham's Collection, A (at) |
//3455//671+1//234//35//3217-1 |
SS-E |
SS, Huntington-1 |
83 |
VO,KB+GF+GT |
Content S. M. (t) |
//17-/6-7-//1/2//37- |
AM-A |
Dean MS, 1800 |
I.95 |
VO |
Contented All Day (t) |
//3451+7//1+2+3+//2+1+1+554//35 |
AM-A |
Hawkins MS, 1794 |
II,39 |
GF |
Contented All Day (t) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
SS-E |
SS, Huntington-1 |
30 |
VO,KBF |
Contented all day (fl) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
SS-E |
SS, Huntington-1 |
30 |
VO,KBF |
Contented All Day (t) |
//3451+7//1+2+3+//2+1+1+554//35//65 46//76567// |
IC-E |
Thorowgood Guitar, 1763 |
31 |
GT |
Contented all day, I will sit at your side (fl) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
TW-E |
Chaplet, 1750 |
40-46 |
GF,20B,2VN,VA,4VO,KBF |
Contented all day I will sit at your side (fl) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
SC-E |
Clio-3, 1762 |
124-125 |
2VO,HAF |
Contented all day, I will sit at your side (fl) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
SC-E |
Muses Delight, 1754 |
173 |
VO,HA |
Contented Cottager (t) |
//31/7-2//13/54//31/6-2 |
AI-A |
Riley Flute 2, 1817 |
44 |
FL |
Contented Cottager, The (t), or Favorite New Song, A (at) |
//31/7-2//13/54//31/5-7-//6- |
AI-A |
American SS-SM |
1-2 |
KB,VO+MI |
Contented Country Farmer (it) |
//6-6/654//3217-/6-7-//1234/56 |
BA-E |
Devil To Pay-1, 1731 |
17 |
VO |
Contented Country Farmer (it) |
//6-6/654//3217-/6-7-//1234/56 |
BA-E |
Devil To Pay-2, 1731 |
10 |
VO |
Contented Country Farmer (it) |
//3215-//3-2-//1-43//21 |
BA-E |
Devil To Pay-3, 1732 |
9 |
VO |
Contented Country Farmer (it) |
|
BA-E |
Happy Lovers, 1736 |
32 |
|
Contented Country Farmer. Part Last (it) |
|
BA-E |
Court Legacy, 1733 |
53 |
|
Contented Country Farmer, The (it) |
|
BA-E |
Court & Country, 1743 |
51 |
|
Contented Country Farmer, The (t) |
//6-6/654//3217-/6-7-//7234 |
SS-E |
SS, Folger-C42.2 |
201 |
VO,KB+F |
Contented Country Farmer, The (t) |
//6-6/654//3217-/67-//2234 |
SS-E |
SS, Folger-C42.3 |
396 |
VO,KB+FL |
Contented Cuckold, The (t) |
//12/34//5/6//543/432 |
SC-E |
Musical Cent-1, 1737 |
4 |
VO,HAF+FL |
Contented Farmer, The (t) |
//6-6/654//3217-/6-7-//1234/56// |
AM-A |
Brown, J. MS, 1782 |
1:52 |
|
Contented Farmer, The (t) |
//6-6/654//3217-/6-7-//1234/5 |
SC-E |
Calliope, 1746 |
I,122 |
VO,HAF+FL |
Contented Farmer, The (t) |
//6-6/654//3217-/6-7-//1234/56 |
SC-E |
Muses Delight, 1754 |
171 |
VO,HA |
Contented Farmer, The (t) |
//121/31//51/31//5-6-5-/7-5- |
DA-E |
Thompson CD-3, 1773 |
43 |
VN/GF/OB |
Contented Farmer, The (t) |
//121/31//51/31//5-6-5-/7-5-// |
DA-E |
Thompson CD-3a, 1773 |
89 |
VN/GF/OB |
Contented Farmer, The (t) |
//121/31//51/31//5-6-5-/7-5-// |
MS-E |
Vickers MS, 1770 |
58 |
MI |
Contented Farmer, The-1 (t) |
//6-6/654//3217-/6-7-//1234/56 |
SC-E |
Musical Ent-2, 1740 |
42-43 |
VO,HAF+FL |
Contented Farmer, The-2 (t) |
//3215-//3-2-//1-43//212//3127-1 |
SC-E |
Musical Ent-2, 1740 |
43 |
VO,HAF+FL |
Contented Fellow, The (t) |
//13217-//13217-//15-4-3-2-//1- |
SS-E |
SS, Harvard |
1 |
VO,B+GT |
Contented Hunters, The (t) |
//555/54321//1+1+1+/1+7654//34531+7 /6543 |
IC-E |
Thompson Hunting, 1770 |
2:20-21 |
VO/HAF/VN/GF |
Contented I Am (t) |
//13217-//13217-//15-4-3-2-//1-1 |
AM-A |
Beck MS, 1786 |
34 |
GF |
Contented I Am (t) |
//343/321//322/212//316-/5-6-12 |
SC-S |
Edinburgh MM-1, 1792 |
91-92 |
VO |
Contented I Am & Contented I'le Be (t) |
//13217-//13217-//15-4-3-2-//1-1//7 -1217-6-5-//6-7-17-6-// |
AM-A |
Hoff MS, 1797 |
No. 151 |
GF |
Contented I am, and contented I'll be (fl) |
//343/321//322/212//316-/5-6-12 |
SC-E |
Calliope, 1788 |
346-347 |
VO |
Contented I am, and contented I'll be (fl) |
//221/321//15-3-/5-4//321/5-43 |
SC-E |
Convivial, 1782 |
178-179 |
VO |
Contented I am, and contented I'll be (fl) |
//343/321//322/212//316-/5-6-12 |
SC-S |
Edinburgh MM-1, 1792 |
91-92 |
VO |
Contented I am and contented I'll be (fl) |
//13217-//13217-//15-4-3-2-//1- |
SS-E |
SS, Harvard |
1 |
VO,B+GT |
Contented I Am, and Contented I'll Be (t) |
//13217-//13217-//15-4-3-2-//1-1//7 - |
SC-E |
Vocal Music, 1775 |
186-187 |
VO/VN/GF |
Contented I am, and contented I'll be (fl) |
//13217-//13217-//15-4-3-2-//1-1//7 - |
SC-E |
Vocal Music, 1775 |
186-187 |
VO/VN/GF |
Contented I Am (at). Song 186 (t), or |
//343/321//322/212//316-/5-6-12 |
SC-E |
Calliope, 1788 |
346-347 |
VO |
Contented Man, The (t) |
//3/35//5/65//43/21//2 |
SC-E |
Calliope, 1746 |
II,150 |
VO,B+MI |
Contented Man, The (at). Song 87 (t), or |
//131/5-3-5-//6-5-6-/1//543/456 |
SC-E |
Calliope, 1788 |
168-170 |
VO |
Contented Parson, The (t) |
//6-/7-1//2/17-//7-6-/5 |
SS-E |
SS, Folger-C42.4 |
409 |
VO,KB+FL |
Contented Parson, The (t) |
//6-/7-1//2/17-//7-6- |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
Contented Peasant, The (t) |
//661+/772+//1+76/57//1+53 |
SS-E |
SS, Folger-C42.3 |
91 |
VO,KB+FL |
Contented Prisoner, The (at). Prison Song, A (t), or |
//11/11//53/11//16-/12 |
AM-A |
Perkins MS, 1790 |
53 |
MI |
Contented Shepherd (t) |
|
AI-A |
Otsego CD, 1808 |
12 |
|
Contented Shepherd, The (t) |
|
DA-E |
Ladies Memorandum, 1794 |
147 |
|
Contented Shepherd, The (t) |
|
AI-E |
New Ladies MB, 1794 |
147 |
|
Contented Shepherd, The (t) |
//1335/543//4661+/1+2+3+5//671+6/53 21//2 |
SS-E |
SS, Harvard |
1 |
VO,KB |
Contented Shepherd, The (t) |
//3+2+3+/1+66//3+66/1+66//366/65 |
DA-E |
Thompson CD-6.6, 1794 |
71 |
MI |
Contented Shepherd, The (t) |
|
AI-A |
Walpole CD, 1799 |
10 |
|
Contented Sportsman, The (t) |
//531//427-//13456//54321//7-117-1/ /25 |
IC-E |
Thompson Hunting, 1770 |
1:11 |
VO/HA/VN+GF |
Contented Swain (t) |
//665/555//444/333//432/17-6- |
AM-A |
Allen, W. MS, 1790 |
29 |
2VO |
Contented Swain, The (t) |
//666/555//666/777//1+76/666//5 |
AM-A |
Brown, H. MS, 1797 |
32-33 |
VO,B |
Contented Swain, The (t) |
//666/555//444/333//432/17-6- |
AM-A |
Perkins MS, 1790 |
51 |
MI,B |
Contented Swain, The (t) |
//676/565//454/333//432/17-6- |
AM-A |
Spicer MS, 1797 |
100-101 |
2VO |
Contented Swane, The (t) |
//1/7-//333/222//111/7-7-7-// |
AM-A |
Brown, J. MS, 1782 |
1:52 |
|
Contentment (t) |
//7-24//354327-//7-43217-//15- |
SC-E |
Clio-1, 1758 |
111 |
VO,HA |
Contentment (t) |
//311+6//535//671+654 |
SC-E |
Clio-2, 1759 |
55 |
VO,HA |
Contentment (t) |
//345/21+7//671+/71+//2+56/254//5 |
AM-A |
Simpson MS, 1750 |
II,22 |
VO/FL |
Contentment (t) |
//6-7-1/4-43//234/34//512/5-17-//1 |
SC-E |
Watts MM-6, 1731 |
193-194+195 |
VO,HA+FL |
Contentment (it) |
|
SC-E |
Watts MM-6, 1731 |
T194-195M193 |
VO,HA+FL |
Contentment is wealth to me (bt) |
|
AI-A |
Reconciliation, 1790 |
27 |
|
Conter Faiseur (t) |
//36-/6-7-//1/2//343/27-// |
MS-G |
Jayme MS, 1717 |
52 |
MI |
Conteraller's Rant, a Strathspey Reel (t) |
|
MS-S |
Menzies MS, 1749 |
[2] |
|
Contes des Fees, Les. F. (t) |
//51+/53//51+/53//5/43// |
DA-E |
Sancho Minuet/Cot/Dance, 1767 |
9 |
HP |
Contest Between Love and Glory, A (t) |
//1+3+1+5+3+1+5/651+//4+2+75422+4/4 31//7-1234567/1+2+3+4+5+3 |
AI-A |
Riley Flute 2, 1817 |
37 |
FL |
Contest Between Love and Glory, The (t) |
//1315-/6-5-1//427-5-4-4-/4-3-5-//4 -17-5-/12321 |
SC-E |
Muses Delight, 1754 |
125 |
VO,HA |
Contest Between Love and Glory-1 (t), or At Length Too Soon Dear Creature ( |
//1+3+1+5/651+//4+2+7544/435//41+76 5/3+2+1+ |
SS-E |
SS, Boston PL-2 |
103R-103V |
VO,KBF |
Contest Between Love and Glory-2 (t) |
//11+/6453//4231/27-//15/16 |
SS-E |
SS, Boston PL-2 |
103V |
VO,KBF |
Contest, The (t) |
//1+3+1+5/651+//4+2+7544/435//41+76 7/3+2+1+ |
SC-E |
Clio-3, 1762 |
142-143 |
VO,HAF+GF |
Conti, La (t) |
//75/567//1+1/11+//75/567// |
DA-F |
Dezais Recueil, 1712 |
37-42 |
MI |
Conti, La (t) |
//75/567//1+1/11+//75/567//1+ |
MS-M |
Garcia MS, 1772 |
18 |
MI |
Conti, La (t) |
//75/567//1+1/11+//75/567// |
MS-G |
Jayme MS, 1717 |
29 |
MI |
Conti, La (t) |
//75/567//1+1/11+//75/567/ |
IC-F |
Leclerc Recueil-1, 1729 |
15 |
HAF |
Contoisse, La (t) |
/123//6-6-/7-6-7-//15-/123//6-6-/ |
AM-A |
Duport MS-2, 1800 |
6v |
VN |
Contra Dance (t) |
//554/332//33/5//443/221 |
AI-A |
Bacon Clar, 1818 |
29 |
CL |
Contra Dance (t) |
//554/332//33/5//443/221 |
AI-A |
Klemm Clar, 1825 |
29 |
CL |
"Contra Dance Steps" [Commonplace book with dance figures] |
|
AM-A |
Essex MS, 1830 |
19 leaves |
|
Contra Dances |
|
AI-A |
Contra Dances, 1800 |
8 |
|
Contradanza (t) |
//5353//4242//3534217-//12123//5 |
TW-E |
Harlequin Dr. F, 1766 |
19 |
HAF,GF/VN |
Contradanzas...Bayles de Mascara del Carnival de 1768 |
|
DA-P |
Piferrer CD, 1768 |
Numbered by section # |
MI |
Contradanze (t) |
//131/5131//6421/7-123//131/5131 |
AI-A |
Riley Flute 1, 1814 |
94 |
FL |
Contradine Venetian (t) |
//1/21//7-/6-5-//6-5-/6-7-// |
DA-E |
Straight & Skillern CD, 1775 |
64 |
VN/GF/OB |
Contrary Wind (t) |
//15-1/331/515/1+//56 |
DA-E |
Johnson CD-6, 1751 |
16 |
VN/GF |
Contrary Wind (t), or Quit Contrary, or (at) |
//15-1/313/535/1+//56/543 |
MS-E |
Hammersley MS, 1790 |
85B |
MI |
Contrast by Handel (t) |
//33//6/7//1+ |
AM-A |
Allen, Joel, MS, 1800 |
17R |
MI |
Contrast, The (t), or Difference In Woman, (at) |
//6-7-/12//34/5-6-//21/7-6- |
SC-E |
Musical Cent-2, 1740 |
50 |
VO,KB+FL |
Contraste, Le (t) |
/5-1//21/7-6-//5-/15-//6-5-/ |
IC-F |
Leclerc Recueil-3, 1738 |
136 |
HAF |
Contre Dance (at). Depart de Morlaux, Le (t), or |
//531/427-//1/17-6-//6-5-/4-4-3- |
AM-A |
Otis MS, 1793 |
28 |
VN/FL |
Contre les Chagrins (t) |
//5/64//655/5424//35/232 |
IC-F |
Bonjour Recueil, 1800 |
5:7 |
VN/FL |
Contre nos cruels ennemies (fl) |
//1+1+/43//32/2234//555/671+ |
IC-E |
English Sheet Music |
2 |
VO,PF |
Contre-Dance Sett Dance (t) |
//323/135//1+1+/1+6//565/543// |
AM-A |
Duport MS-1, 1780 |
35 |
VN |
Contredance (t) |
//1/217-1//2/3212//3/2342 |
IC-F |
Bonjour Recueil, 1800 |
4:5 |
VN/FL |
Contredance du Bransle, La (t) |
|
MS-F |
Lorin MS-2, 1688 |
143 |
|
Contredance Francaise (t) |
/55//565/43//42/44//454/ |
DA-N |
Echo, 1758 |
38 |
KB |
Contredance Francoise (t) |
/54//321/567/1 |
DA-N |
Echo, 1758 |
44 |
KB |
Contredance nouvelle (t) |
//6/6-3//434/567//1+/765// |
MS-F |
Lorin MS-1, 1685 |
11v-14r |
MI |
Contredance nouvelle (t) |
//2345/61//4/5//323/21// |
MS-F |
Lorin MS-1, 1685 |
16v-17r |
MI |
Contredance nouvelle (t) |
|
MS-F |
Lorin MS-2, 1688 |
132 |
|
Contredance nouvelle (t) |
|
MS-F |
Lorin MS-2, 1688 |
133 |
|
Contredanse Anglaise (t) |
//353/11//7-27-/5-5-//6-7-1/234// |
DA-N |
Echo, 1758 |
5 |
KB |
Contredanse Francoise (t) |
/343//21/217-//15-/343//21/ |
DA-N |
Echo, 1758 |
32 |
KB |
Contredanses; description des figures, plan des figures |
|
DA-F |
Bouin CD LC-1, 1780 |
Numbered by Feuille # |
MI |
Contredanses, V. 3 |
|
DA-F |
Bouin CD LC-3 , 1780 |
Varied numbered Feuilles |
MI |
Contrefatte, La (t) |
//11/15-//25-/35//43/21 |
DA-E |
Thompson CD-4, 1780 |
49 |
VN/GF/OB |
Contrefatte, La (t) |
//11/15-//25-/35//43/21// |
DA-E |
Thompson CD-4a, 1780 |
49 |
VN/GF/OB |
Contrivance and wit (fl) |
|
BA-E |
Rape Of Helen, 1737 |
18 |
|
Contrivances, The (at). Sung by Mr. Lowe and Mrs. Chambers in the Contrivan |
//321/1+76//55/54//345/4+2+1+//7 |
SS-E |
SS, New York PL-C694 |
43 |
HA,VO+FL |
Contrivances, Ye (at). Maids Husband, The (t), or |
//17-6-//345//671+//321//432 |
SS-E |
SS, Huntington-1 |
56 |
VO,KBF+MI |
Conttra Clarin, La (t) |
//17-/12//3432/13//21/5-7-/ |
MS-M |
Garcia MS, 1772 |
32 |
MI |
Conttra Rigadon (t) |
//3/4//5432/15//66/654//5 |
MS-M |
Garcia MS, 1772 |
112 |
MI |
Conty, La (t) |
//23/43//23/121//25 |
IC-F |
Boivin Tons, 1731 |
9 |
2HN/GF/OB/VN/VA |
Conty, La (t) |
//7-1/21//7-1/6-7-6-//7-3 |
IC-F |
Dampierre Tons, 1734 |
14 |
HN |
Conty, La (t) |
//75/67//1+1/1+//75/67// |
IC-F |
Leclerc Recueil-1, 1729 |
69 |
HAF |
Conty, La. Dance Francoise (t), or Venitienne, La (at) |
/11//22/343//25-/11//22/ |
IC-F |
Pointel Airs, 1700 |
35 |
MI,B |
Conty, La Contre-Danse Angloise (t) |
//75/567//1+1/11+//75/567// |
IC-F |
Pointel Airs, 1700 |
8 |
MI,B |
Conven'd We're Met (t) |
|
AM-A |
Spicer MS, 1797 |
T192-193M109 |
VO |
Conven'd we're met my jovial souls (fl) |
|
AM-A |
Spicer MS, 1797 |
T192-193M109 |
VO |
Convent Bell, The (t), or Favorite Song, A (at) |
//11/165//55/7-1//5-6-/5- |
AI-A |
American SS-SM |
1 |
VO,KB |
Convention, A French Air, The (t) |
//17-12/33//5434/22//17-12/33 |
AM-A |
Shattuck MS, 1801 |
111 |
MI |
Convention, Franch Contre-Dance Call convention (t) |
/33//353/1315-//1/3-4-5-6-//5-6-7-/ 1234// |
AM-A |
Duport MS-1, 1780 |
12 |
VN |
Convention, The. A French Air (t) |
//17-12/33//17-12/33//5434/22// |
IC-E |
Wilson Fife, 1805 |
52 |
FI |
Convention, The. A French Tune (t) |
//17-12/33//17-12/33//5434/22 |
IC-S |
Scottish Sheet Music |
|
KB |
Convention, The. Cotillion (t) |
|
AI-A |
Echo CD-1, 1798 |
232 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Echo CD-2, 1800 |
204 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Gents&Lady's Nor, 1798 |
4 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Gents&Lady's Npt, 1799 |
4 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Gents&Lady's Stn, 1798 |
4 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Griffiths CD, 1794 |
3 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Otsego CD, 1808 |
71 |
|
Convention, The. Cotillion (t) |
|
AI-A |
Worcester CD, 1800 |
4 |
|
Convert, The (t), or New Song, A (at) |
//34/3434//34/3434//3/3434//36- |
SS-E |
SS, Harvard |
1,DUP |
VO,KBF+FL |
Convert, The (at). Song 6 (t), or |
|
SC-E |
Ritson, 1783 |
TI,177-178 |
VO |
Converted Shepherd, The (t) |
//317-//6-3-6-//6-17-//6-3//317- |
SS-E |
SS, Folger-C42.3 |
424 |
VO,KB+FL |
Converted Shepherd, The (t) |
//3+1+7//636//61+7//63+//3+1+7//636 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |