Text |
Incipit |
Gnr-Cntry |
Short Title |
Page |
Instrument |
To a Blackbird (t) |
//17-6-/36//5432/33//6543/4321 |
SC-S |
Scots MM-2, 1788 |
198 |
VO,PF |
To a False Fickle Mistress, Accusing Her Lover of Her Own fault, Love (t) |
//11/13//25/31//665 |
SS-E |
SS, Folger-C42.3 |
379 |
VO,KB+FL |
To a Friend, Who Desir'd No More Than to Admire (t) |
//334/53//45/6//634 |
SC-E |
Pills 3, 1719-20 |
150-2 |
VO |
To a Jealous Husband (t) |
//1/7-6-//3/3//6/5 |
SC-E |
Watts MM-1, 1729 |
116-17 |
VO/VN+FL |
To a Jealous Mistress (t) |
|
SC-E |
Watts MM-5, 1731 |
T34-35M33 |
VO,HA+FL |
To a Lady Asking Him How Long He Would Love Her (at). Song 62 (t), or |
|
SC-E |
Ritson, 1783 |
TI,241-242 |
VO |
To a Lady More Cruel Than Fair (t) |
//31/27-//123/434//55/4321 |
SC-E |
Watts MM-3, 1730 |
134-135+137 |
VO,HA+FL |
To a Lady More Cruel Than Fair (it) |
|
SC-E |
Watts MM-3, 1730 |
T136-137M134-135+137 |
VO,HA+FL |
To a Lady More Cruel Than Fair (at). Song 10 (t), or |
//31/27-//123/434//55/4321 |
SC-E |
Ritson, 1783 |
TI,116-117;MIII,54-55 |
VO |
To a Lady of Pleasure (at). Snake in the Grass, The (t), or |
//1+76//56//65432//1217-6-//123//42 //3 |
SC-E |
Watts MM-4, 1730 |
113-114+115 |
VO,HA+FL |
To a Lady Reading Sherlock Upon Death (at). Song 30 (t), or |
//671+//76//56//73 |
SC-E |
Ritson, 1783 |
TI,25-26;MIII,11-12 |
VO |
To a Lady That Would Allow all Favours But One (t), or Sonnet, A (at) |
|
SC-E |
Pills 2, 1719-20 |
271 |
VO |
To a Lady, Who Was Disgusted at Some Words of the author's (t) |
//1123/13-//2-1-2-3-/6-5-//15-/1232 |
SC-E |
Watts MM-1, 1729 |
133-35 |
VO/VN+FL |
To a paltry clown (fl) |
|
BA-E |
Midas-2, 1764 |
16 |
|
To a Young Lady Courted by An Old Man (t) |
//54321//7-11//2343//222//3451 |
SC-E |
Calliope, 1746 |
I,129 |
VO,B+FL |
To a Young Lady of Eighteen Courted by a Man of Threescore (t) |
//54321//7-11//2343//222//3451 |
SS-E |
SS, Folger-C42.4 |
239 |
VO,KB+FL |
To a Young Lady Weeping (t) |
//345/651+//342/15//1+765/45 |
SC-E |
Watts MM-4, 1730 |
169-170 |
VO,HA |
To a Young Lady Weeping (it) |
|
SC-E |
Watts MM-4, 1730 |
T170-171M169 |
VO,HA+FL |
To albion's genius raise the strain (fl) |
//11//33//5/1+//7 |
TW-E |
Haunted Tower, 1789 |
6-9 |
4VO,KB |
To all a parent's doubts and fears (fl) |
//55/54//32/123//25-/6-7-//1 |
BA-E |
Jovial Crew, 1731 |
67-68 |
VO |
To all the ladies now at hand (fl) |
|
SC-E |
Convivial, 1782 |
T318-319M273 |
VO |
To All the Ladies Now at Land (it) |
|
BA-I |
Cobler's Op-1, 1729 |
11 |
|
To All the Ladies Now at Land (it) |
//51+/71+//2+1+76/5//6/54 |
BA-E |
Cobler's Op-2, 1729 |
T13M2 |
VO |
To All the Ladies Now on Land (it) |
|
BA-E |
Jew Decoy'd, 1733 |
44 |
|
To all the sex deceitfull (fl) |
//61+76//5432//127-6-//6-//3 |
SS-E |
SS, Folger-C42.1 |
133-134 & 140-141 |
VO,KB |
To All Ye Ladies Now at Land (it) |
|
BA-E |
State Juggler 1733 |
36 |
|
To All Ye Ladies Now on Land (it) |
//51+/71+//2+1+76/5//6/54 |
BA-E |
Beggar's Wed, 1729 |
T47M9 |
VO |
To All Ye Ladies Now on Land (it) |
|
BA-E |
Lord Blunder's, 1733 |
67 |
|
To All Ye Ladies Now on Land (it) |
|
BA-E |
Phebe, 1729 |
46 |
|
To all you husbands, and you wives (fl) |
|
BA-I |
Author's Farce, 1730 |
39-40 |
|
To All You Ladies Now at Land (it) |
|
BA-E |
Court Medley, 1733 |
10 |
|
To All You Ladies Now at Land (it) |
|
BA-E |
Fortunate Prin, 1734 |
10 |
|
To all you ladies now at land (fl) |
//51+/71+//2+1+76/5//6/54 |
SC-E |
Ritson, 1783 |
TI,34-36;MIII,14-15 |
VO |
To All You Ladies Now at Land (it) |
//51+/71+//2+1+76/5//6/54//345/1+3+ 71+ |
BA-E |
Robin Hood, 1730 |
28 |
VO |
To All You Ladies Now at Land, &c (it) |
|
BA-E |
Downfal Bribe, 1734 |
3 |
|
To All You Ladies Now on Land (it) |
|
BA-E |
Downfall Bribe, 1733 |
3 |
|
To All You Ladys (it) |
//51+/71+//2+1+76/56//543/45//1+ |
BA-E |
Penelope, 1728 |
T29M12 |
VO |
To all young men that love to wooe (fl) |
|
SC-E |
Pills 3, 1719-20 |
342-3 |
VO |
To Amanda (t) |
//3217-//15-//6-65//42//354321 |
SC-E |
Musical Ent-1, 1740 |
75 |
VO,KB+GF/FL |
To Amanda (t) |
//3217-//15-//6-65//62//354321 |
SS-E |
SS, Folger-C42.4 |
299 |
VO,KB+FL |
To an arbor of woodbine (fl) |
//3134/34543//4245/654//3451/2346- |
SS-E |
SS, Huntington-1 |
107 |
VO,KB |
To an arbor of woodbine ye both shall be led (fl) |
//3134/34543//4245/654//3451/2346- |
SC-E |
Clio-1, 1758 |
8 |
VO,HAF |
To an arbor of woodbine ye both shall be led (fl) |
//3134/34543//4245/654//3451/234 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To an arbor of woodbines ye both shall be led (fl) |
//3134/34543//4245/654//3451/2346- |
SC-E |
Vocal Enchant, 1783 |
174-175 |
VO |
To Anacreon in heaven (fl) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SC-E |
Calliope, 1788 |
5-7 |
VO |
To Anacreon In Heaven (t) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SC-S |
Edinburgh MM-1, 1792 |
1-4 |
VO |
To Anacreon in Heaven (it) |
|
SC-S |
Edinburgh MM-1, 1792 |
T4-6M1-2 |
VO |
To Anacreon in heaven (fl) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SC-S |
Edinburgh MM-1, 1792 |
1-4 |
VO |
To Anacreon in Heaven (at). Song 4 (t), or |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SC-E |
Calliope, 1788 |
5-7 |
VO |
To Anacreon in heav'n (fl) |
|
AI-A |
American Sheet Music |
|
|
To Anacreon, in heav'n (fl) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SC-E |
Vocal Enchant, 1783 |
336-338 |
VO |
To Anacreon in heav'n, where he sat in full glee (fl) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SS-E |
SS, Boston PL-1 |
125,1-3 |
VO,HA+GT+GF |
To Anacreon in heav'n, where he sat in full glee (fl) |
//135/1+3+2+//1+34/55//3+2+1+/767 |
SS-E |
SS, Huntington-2 |
140,1-3 |
VO,KB+GT+GF |
To anchor on his native shore (bt) |
//1+765/4321//567/1+2+3+1+//7671+/2 +3+4+2+ |
SC-S |
Edinburgh MM-1, 1792 |
38-40 |
VO |
To Annul, Also (at). Halt (t), or |
//56-//5 |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To Annul; Annuls Every Previous Sound, Except No.5, Also (at). To Halt (t), |
//56-//5 |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Annull. (at). Halt; Also to Annull. No. IV. (t), or |
//56-//5// |
IC-E |
British Bugle, 1833 |
321 |
BU |
To Annull. No. 19 (at). To Halt; Also No. 19. to Annull. No. 4 (t), or |
//56-//5// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To Anton and Warren your bumpers lift high, &c. (bt) |
//111/1321//222/24//321/543//25-7- |
SS-E |
SS, Harvard |
1 |
MI,VO,B |
To Apollo Making Love (it) |
|
SC-E |
Watts MM-3, 1730 |
T118M116-117+119 |
VO,HA+FL |
To Apollo Making Love. from Monsier Fontenelle (t) |
//1+36/513//425/35//671+/4+71+ |
SC-E |
Watts MM-3, 1730 |
116-117+119 |
VO,HA+FL |
To Armes (t) |
//1+2+1+/71+7//676/5//454/345// |
MS-S |
Fife MS, 1780 |
58,6v |
1FI OR 2FI/VN |
To Armes (t) |
//121/1+71+//656/5//121/1+ |
AM-A |
Huntington MS, 1817 |
II.2 |
FL/VN |
To Arms (t) |
//554//32//1321 |
IC-E |
Andrews Fife, 1808 |
9 |
FI/GF |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Andrews Fife, 1808 |
14 |
FI/GF |
To Arms (t) |
Drum notation |
AI-A |
Ashworth D&F, 1812 |
9 |
DR(NOT) |
To Arms (t) |
//5/53//6/64//5/53 |
AI-A |
Ashworth D&F, 1812 |
31 |
FI |
To Arms (it) |
|
BA-E |
Bay's Opera, 1730 |
4 |
|
To Arms (t) |
//5/53//6/64//5/53 |
AM-A |
Beach MS, 1801 |
102 |
MI |
To Arms (t) |
//554//32//1321 |
IC-E |
Bennett Fife, 1770 |
10 |
FI ; FI |
To Arms (t) |
//121234/55//232323/25-//232323/44 |
IC-E |
Bremner Airs, 1761 |
54-55 |
2VN/GF |
To Arms (t) |
//1+2+1+/7//676/5//454/345// |
AM-A |
Brown, J. MS, 1782 |
1:42 |
|
To Arms (t) |
//5/54//32//13/21//2 |
IC-E |
Clementi Fife, 1815 |
8 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345//3 231 |
IC-E |
Clementi Fife, 1815 |
12 |
FI |
To Arms (t) |
//2123//161+//76545//55//1+54//321 |
IC-E |
Clementi Fife, 1815 |
14 |
FI |
To Arms (it) |
|
BA-I |
Cobler's Op-1, 1729 |
17 |
|
To Arms (it) |
//121234/55//232323/25-//232323/44 |
BA-E |
Cobler's Op-2, 1729 |
T19M5 |
VO |
To Arms (t) |
Drum notation |
MS-E |
Drum MS, 1780 |
11r |
DR(NOT) |
To Arms (t) |
//1345//3231//1+5654 |
AI-A |
Fifer's Comp, 1805 |
5 |
2FI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AI-A |
Fifer's Comp, 1805 |
8 |
2FI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AI-A |
Fifer's Comp, 1805 |
22 |
2FI |
To Arms (t) |
//554//32//1321 |
AI-A |
Fifer's Comp, 1805 |
74 |
2FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Glazier Fife, 1830 |
33 |
FI |
To Arms (t) |
//5/54//32//13/21//2 |
AI-A |
Glazier Fife, 1830 |
34 |
FI |
To Arms (t) |
//212+//161+//76545 |
IC-E |
Goulding Fife, 1790 |
10 |
FI |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Goulding Fife, 1790 |
13 |
FI |
To Arms (t) |
//554//32//1321 |
IC-E |
Goulding Fife, 1790 |
18 |
FI |
To Arms (t) |
//1/34//5//3/23//1 |
AI-A |
Hulbert Fife, 1807 |
9 |
FI |
To Arms (t) |
|
AM-A |
Huntington MS, 1817 |
II.10 |
FL/VN |
To Arms (t) |
|
AM-A |
Huntington MS, 1817 |
II.18 |
FL/VN |
To Arms (t) |
|
AM-A |
Huntington MS, 1817 |
II.18 |
FL/VN |
To Arms (t) |
//5/54//32//13/21//2 |
IC-E |
Longman Fife, 1770 |
8 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345//3 231 |
IC-E |
Longman Fife, 1770 |
13 |
FI |
To Arms (t) |
//2123//161+//76545//55//1+54//321 |
IC-E |
Longman Fife, 1770 |
15 |
FI |
To Arms (t) |
//554//32//1321 |
IC-E |
Longman Fife, 1780 |
8 |
FI/GF |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Longman Fife, 1780 |
12 |
FI/GF |
To Arms (t) |
//2123//161+//76545 |
IC-E |
Longman Fife, 1780 |
14 |
FI/GF |
To Arms (t) |
Drum notation |
AI-A |
Lovering Drum, 1819 |
13 |
DR(NOT) |
To Arms (t) |
//1+2+1+/71+7//676/5//454/3567// |
MS-C |
Molyneaux MS-1, 1788 |
47 |
GF |
To Arms (t) |
//1+2+1+/71+7//646/5//454/345 |
AM-A |
Murphey MS, 1790 |
10 |
MI |
To Arms (t) |
//1+2+1+/71+7//656/5//454/345 |
AM-A |
Nixon MS, 1776 |
19 |
FI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AM-A |
Nixon MS, 1776 |
99 |
FI |
To Arms (t) |
//121234//55//232323//25-//232323// 44 |
AM-A |
Parkman MS, 1721 |
32R-32V |
MI |
To Arms (t) |
//1+2+1+/71+7//676/5//454/345 |
AM-A |
Perkins MS, 1790 |
1 |
MI |
To Arms (t) |
Drum notation |
IC-E |
Potter Drum, 1817 |
21 |
DR(NOT) |
To Arms (t) |
//343/21//1+76/567//1+5/65 |
IC-E |
Potter Fife, 1817 |
16 |
FI |
To Arms (t) |
//554//32//1321 |
IC-E |
Preston Fife, 1796 |
8 |
FI/GF |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Preston Fife, 1796 |
12 |
FI/GF |
To Arms (t) |
//2123//161+//76545 |
IC-E |
Preston Fife, 1796 |
14 |
FI/GF |
To Arms (t) |
//121234/55//232323/25-//232323/44 |
IC-E |
Preston Marches, 1804 |
54-55 |
2GF/VN |
To Arms (t) |
//5/54//32//13/21//2 |
AI-A |
Robbins D&F, 1812 |
61 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345//3 231 |
AI-A |
Robbins D&F, 1812 |
61 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Robinson Coll, 1818 |
50 |
FI,DR |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AI-A |
Robinson Coll, 1818 |
52 |
FI,DR |
To Arms (t) |
//1/17-//6-5-//4-6-/5-4-//5- |
AI-A |
Robinson Coll, 1818 |
52 |
FI,DR |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Robinson Coll, 1820 |
66 |
MI |
To Arms (t) |
//5/54//32//13/21 |
AI-A |
Robinson Coll, 1820 |
68 |
MI |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Robinson Coll, 1826 |
66 |
MI |
To Arms (t) |
//1/17-//6-5-//4-6-/5-4-//5- |
AI-A |
Robinson Coll, 1826 |
68 |
MI |
To Arms (t) |
Drum notation |
AI-A |
Rumrille D&F, 1817 |
25 |
DR(NOT) |
To Arms (t) |
//5/53//6/64//5/53 |
AI-A |
Rumrille D&F, 1817 |
39 |
FI |
To Arms (t) |
//2123//161+//76545 |
IC-E |
Rutherford Fife, 1756 |
11 |
FI |
To Arms (t) |
//554//32//1321 |
IC-E |
Rutherford Fife, 1756 |
13 |
FI |
To Arms (t) |
//2123//161+//76545 |
IC-E |
Rutherford Fife, 1756 |
17 |
FI |
To Arms (t) |
//121234/55//232323/25-//232323 |
SS-E |
SS, Folger-C42.2 |
123,2-124,1 |
2VO,B |
To Arms (t) |
//121234/55//232323/25-//232323 |
SS-E |
SS, Folger-C42.2 |
153 |
VO,KB+F |
To arms (fl) |
//121234/55//232323/25-//232323 |
SS-E |
SS, Folger-C42.2 |
123,2-124,1 |
2VO,B |
To arms (fl) |
//121234/55//232323//25-//232323 |
SS-E |
SS, Folger-C42.3 |
344 |
2VO |
To Arms (t) |
//1+2+1+/7//646/5//454/345 |
AM-A |
Shattuck MS, 1801 |
73 |
MI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AM-A |
Shattuck MS, 1801 |
105 |
MI |
To Arms (t) |
//2123//1671+//765567//55 |
AM-A |
Shattuck MS, 1801 |
106 |
MI |
To Arms (t) |
//554//32//1321 |
IC-E |
Skillern Fife, 1780 |
8 |
FI/GF |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Skillern Fife, 1780 |
13 |
FI/GF |
To Arms (t) |
//2123//161+ |
IC-E |
Skillern Fife, 1780 |
15 |
FI/GF |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AI-A |
Steele Fife, 1815 |
9 |
FI |
To Arms (t) |
//554//32//1321 |
IC-E |
Thompson Fife, 1760 |
7 |
FI |
To Arms (t) |
//1345//3231//1+5654 |
IC-E |
Thompson Fife, 1760 |
12 |
FI |
To Arms (t) |
//2123//161+//76545 |
IC-E |
Thompson Fife, 1760 |
15 |
FI |
To Arms (t) |
//5/54//32//13/21 |
IC-E |
Thompson Fife, 1770 |
7 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
IC-E |
Thompson Fife, 1770 |
12 |
FI |
To Arms (t) |
//2123//161+//76545//55//1+54 |
IC-E |
Thompson Fife, 1770 |
15 |
FI |
To Arms (t) |
//5/54//32//13/21//2/ |
IC-E |
Thompson Fife, 1786 |
8 |
FI/FL |
To Arms (t) |
//1345//3231//1+5654//3231//1345// |
IC-E |
Thompson Fife, 1786 |
13 |
FI/FL |
To Arms (t) |
//2123//161+//76545//55//1+54//321/ / |
IC-E |
Thompson Fife, 1786 |
15 |
FI/FL |
To Arms (t) |
//23455//34566//23455//431 |
AM-A |
Thompson MS, 1777 |
19 |
FI |
To Arms (t) |
|
AM-A |
Tuesday Club MS, 1745 |
11/118 |
|
To Arms (t) |
//1345//3231//1+5654 |
AI-A |
Village Fifer, 1808 |
9 |
FI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+ |
AI-A |
Village Fifer, 1808 |
12 |
FI |
To Arms (t) |
//554//32//1321 |
AI-A |
Village Fifer, 1808 |
15 |
FI |
To Arms (it) |
|
BA-E |
Wedding, 1729 |
II,19 |
|
To Arms (t) |
//121/1+71+//656/5//121/1+71+// |
AM-A |
White, G. MS, 1790 |
126 |
VN |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Williams Fife, 1819 |
9 |
FI |
To Arms (t) |
//1345//3231//1+5654//3231//1345 |
AI-A |
Williams Fife, 1826 |
6 |
2FI |
To Arms (t) |
//554//32//1321 |
AI-A |
Willig Fife, 1805 |
10 |
FI |
To Arms (t) |
//5/54//32//13/21//2/ |
AI-A |
Willig Fife, 1826 |
8 |
FI |
To Arms (t) |
//121/1+71+//656/5//121/1+71+// |
IC-E |
Wilson Fife, 1805 |
17 |
FI |
To Arms (t) |
//345//3231//1+5654//3231//1345//32 31// |
IC-E |
Wilson Fife, 1805 |
23 |
FI |
To Arms (t) |
//2123//1671+//765456//55//1+54//32 1// |
IC-E |
Wilson Fife, 1805 |
24 |
FI |
To Arms & Britons Strike Home (t) |
//12123-4-/55//232323/25- |
SC-E |
Clio-1, 1758 |
4-5 |
VO,HA |
To Arms. An Occasional Tune In the Actual Service (t) |
//1/34//5///3/23 |
AI-A |
Hulbert Fife, 1811 |
9 |
FI |
To Arms, and Britons Strike Home (t) |
//121234/55//232323//25-//232323 |
SS-E |
SS, Folger-C42.3 |
344 |
2VO |
To Arms and Britons Strike Home (t) |
//112//35//123//234//543 |
SS-E |
SS, Folger-C42.3 |
344 |
VO,KB+FL |
To arms, &c.; aux armes, citoyens, &c. (bt) |
//11/22//53/1117-//6-427-//1 |
AI-A |
American SS-SM |
1-3 |
KB,VO |
To arms Columbia (bt) |
//11/33//22/55//4321/23//11 |
AI-A |
American SS-SM |
1-2 |
VO,PF/GF/VN |
To Arms Columbia (t), or New Patriotic Song, A (at) |
//11/33//22/55//4321/23//11 |
AI-A |
American SS-SM |
1-2 |
VO,PF/GF/VN |
To arms my jolly grenadier (fl) |
//15-/15-//17-12/321//3234/543 |
SS-E |
SS, Harvard |
1 |
VO,B+GF+GT |
To Arms the same as the English [no notation] (t) |
Drum notation |
MS-E |
Drum MS, 1780 |
32r |
DR(NOT) |
To Arms to Arms (t) |
//1345//3231//1+5654//3231 |
AM-A |
Gibbs MS, 1777 |
21 |
FI |
To arms! to arms! (fl) |
|
BA-E |
Stage Mutineers, 1733 |
23 |
|
To arms to arms to arms (fl) |
//12123-4-/55//232323/25- |
SC-E |
Clio-1, 1758 |
4-5 |
VO,HA |
To Arms, to Arms, to Arms (it) |
|
BA-E |
Honest Electors, 1733 |
10 |
|
To arms, to arms, to arms, to arms (fl) |
//121234/55//232323/25-//232323/44 |
SC-E |
Musical Ent-2, 1740 |
97-98 |
2VO,HAF+FL |
To arms, to arms, when honor cries (fl) |
//11/33//22/55//4321/23//11 |
AI-A |
American SS-SM |
1-2 |
VO,PF/GF/VN |
To arms, to arms ye brave (bt) |
//11/22//53/1117-//6-427- |
AM-A |
Hosmer MS, 1799 |
11 |
VO |
To arms your ensigns strait display (fl) |
//121234/55//232323/25-//232323 |
SS-E |
SS, Folger-C42.2 |
153 |
VO,KB+F |
To ask me dearest friend forbear (fl) |
//1+7/67//1+7/61+//1+76/671+ |
SC-E |
Clio-2, 1759 |
166 |
VO,HA |
To Assemble (t) |
//531/5-1//5-15-15-15-1/5-15-13//53 1/5-1 |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Assemble (t) |
//531/5-1//5-15-15-15-1/5-15-13//53 1/5-1 |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Assemble (t) |
//531/5-1//5-15-1/5-15-1/5-15-13//5 31 |
AI-A |
US Riflemen, 1824 |
PL14 |
BU |
To Assemble. No. 8 (t) |
//531/5-1//5-15-15-15-1/5-15-13//53 1/5-1// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Assemble. No. VIII. (t) |
//531/5-1//5-15-15-15-1/5-15-13//53 1/5-1// |
IC-E |
British Bugle, 1833 |
322 |
BU |
To Bacchus (t) |
//115-//115-//115-//12//332//332 |
AI-A |
Balls Amus 2, 1815 |
6 |
FL/FI/VN |
To Bacchus (t) |
//115-//115-//115-//12//332//332 |
AI-A |
Glazier Clar, 1828 |
15 |
CL |
To Bachelors Hall we good fellow's invite (fl) |
//111/251//7-22/223//422/7- |
AI-A |
Elegant Exts, 1794 |
34-35 |
GF/VN/VO |
To banish all discord, Contention, and strife (fl) |
|
BA-I |
Gingerbread Nut, 1790 |
8-9 |
|
To banish care when stocks are sinking (fl) |
//1/1//12//321/217- |
SC-E |
Musical Cent-1, 1737 |
41-42 |
VO,HAF+FL |
To banish care when stocks were sinking (fl) |
//1/1//12//321/217-//1 |
SS-E |
SS, Folger-C42.3 |
345 |
VO,KB+FL |
To banish grief for interest sinking (fl) |
|
SC-E |
Musical Cent-1, 1737 |
T42M41-42 |
VO,HAF+FL |
To banish life's troubles the grecian old sage (fl) |
//312/7-5-1//234//332//5365/4253 |
SC-S |
Edinburgh MM-2, 1793 |
301-303 |
VO |
To banish life's troubles the Grecian old sage (fl) |
//312/7-5-1//234/334//5365/4254 |
SS-E |
SS, Boston PL-1 |
108,1-2 |
VO,HAF |
To Batchelors Hall we good fellows invite (fl) |
//111/351//7-22/223//422/7-5-6-7-5- |
AI-A |
American MM, 1798 |
42-44 |
VO |
To Batchelors hall we good fellows invite (fl) |
//111/351//7-22/223//422/7-5-6-7-5- |
SC-S |
Edinburgh MM-2, 1793 |
115(315)-317 |
VO |
To Batchelors hall we good fellows invite (fl) |
|
AM-A |
Williams, S. MS, 1795 |
87 |
VO,KB |
To Batchelor's hall we good fellows invite (fl) |
//111/351//7-22/223//422/7-5-6-7-5- |
AI-A |
Young's Vocal, 1793 |
5 |
VO,PF |
To Bath a gallant lover came (fl) |
//1+2+3+2+//1+71+//2+754//434//5453 21 |
SS-E |
SS, Harvard |
1 |
VO,KB+FL |
To be a fine beau (fl) |
//111/132//131/345//1 |
TW-E |
Harlequin's Mus, 1792 |
17-19 |
VO,HA |
To be freed from my marriage state (fl) |
|
BA-E |
Disappointment, 1732 |
6 |
|
To be gazing on those charms (fl) |
//323435-//6-5-6-7-16-//221//7-6-7- 127-//323435- |
SC-E |
Musical Cent-2, 1740 |
47 |
VO,KB+FL |
To be gazing on those charms (fl) |
//323435-//6-5-6-7-16-//221//7-6-7- 127- |
SC-E |
Ritson, 1783 |
TI,191;MIII,89-90 |
VO |
To be gazing on those charms (fl) |
//323435-//6-5-6-7-16-//221//7-6-7- 127-//323435-//6-5-6-7-16- |
TW-E |
True Blue, 1765 |
2 |
VO,KBF |
To be gazing on those charms ; sir, you must learn another song (fl) |
|
BA-E |
Love At First S, 1762 |
56-60 |
|
To be kiss, kiss, &c. (bt) |
//671+//537//1+76//77 |
SC-E |
Pills 1, 1719-20 |
308-9 |
VO |
To be made in such a pickle (fl) |
//5-11/17-6-//5-5-/21//7-55/543//22 |
TW-E |
Lionel & Clar, 1768 |
30-33 |
4VO,HAF |
To be modish genteel and the true thing my dear (fl) |
//1432/3654//31+76/53+2+1+//71+24/3 57-2//1 |
TW-E |
Waterman, 1782 |
21-23 |
VO,KB |
To be sure; tol lol, &c. (bt) |
//15-12/4342//5432/4321//6-5-6-1/43 42 |
TW-E |
Agreeable Surp, 1781 |
26 |
VO,HA |
To be treated like a baby (fl) |
//34/53//64/53//456/543 |
AI-A |
American SS-SM |
1-2 |
KB,VO |
To be treated like a baby (fl) |
//34/53//64/53//456/543 |
AI-A |
American SS-SM |
1-2 |
VO,PF |
To beauty devoted (fl) |
//117-1/234545//315/64565345//42343 123/25-5 |
SC-E |
Pocket Comp, 1725 |
18-19 |
VO,HAF+FL |
To Bed We'l Go (t) |
//21/23//17-/6-1//5-1/12// |
IC-E |
Apollo's Banquet 1-6, 1690 |
66 |
VN |
To Bed We'l Go: a New Song-tune (t) |
//21/23//17-/6-1//5-1/12// |
IC-E |
Apollo's Banquet 1-5, 1687 |
113 |
VN |
To beg one boon or breathe one vow (fl) |
//3142//7-5-15-5-1//6-65434//32234/ /57-12//5- |
AI-A |
Carr Ballads, 1799 |
2-3 |
KB,VO+FL/GT |
To Bettsy's praise I tune the lyre (fl) |
//34/5671+//76/5//3+/2+4 |
SS-E |
SS, Boston PL-1 |
68 |
VO/GF,HAF |
To Bettsy's praise I tune the lyre (fl) |
//34/5671+//76/5//3+/2+4//5 |
SS-E |
SS, Harvard |
1 |
VO,GF,KBF |
To blast a rivals happiness (fl) |
//12/321//25-/5-4-//3-5-13/5321 |
TW-E |
Midas-1, 1764 |
27 |
VO,HAF |
To blast a rival's happiness (fl) |
|
BA-E |
Midas-2, 1764 |
26 |
|
To bless and be blest be ours (fl) |
//51+/321//22/23//43/212 |
TW-E |
Rosina, 1783 |
36,37,38 |
3VO,KB |
To Blow If the Foxe Be Not Couerable (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow If the Foxe Be Not Couerable (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow In the Field (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow In the Field (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow the Call of the Keepers of Any Parke or Forrest (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow the Call of the Keepers of Any Parke or Forrest (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow the Death of the Foxe In Field or Couert (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow the Death of the Foxe In Field or Couert (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow the Earthing of the Foxe When He Is Couerable (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow the Earthing of the Foxe When He Is Couerable (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow to Seeke (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow to Seeke (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blow to the Field (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Blow to the Field (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Blowe for the Terryers at An Earth (t) |
//111111111111111111111 |
IC-E |
Art of Venerie, 1575 |
|
HN |
To bring Lubin & Gillian together (bt) |
//1+55/1+55//644/41+//1+66/1+66//5 |
TW-E |
Quaker, 1777 |
18-19 |
VO,KBF |
To Brunetta on Her Complexion (t) |
//555/343453//666/2+//771+ |
SS-E |
SS, Folger-C42.1 |
234,2-235,1 |
VO,KB+FL |
To Caelia thus fond Damon said (fl) |
//67/1+5//67/1+5//61+6/51+4 |
SC-E |
Clio-2, 1759 |
135 |
VO,HA |
To Caelia thus fond Damon said (fl) |
//67/1+5//67/1+5//61+6/51+4//321 |
SS-E |
SS, Harvard |
1 |
VO,KB |
To Call the Company In the Morneing (t) |
|
IC-E |
Blome Horn, 1686 |
Folio 17 |
HN |
To Call the Company In the Morning (t) |
|
IC-E |
Cox Horn, 1697 |
Folio 1 |
HN |
To Call the Company In the Morning (t) |
|
IC-E |
Sportsman's Horn, 1735 |
|
HN |
To Cease Firing (t) |
//5-5-5-/5-/5-5-5-/5- |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Cease Firing (t) |
//5-5-5-/5-//5-5-5-/5- |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To Cease Firing (t) |
//5-5-5-/5-//5-5-5-/5- |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Cease Firing. No. 6 (t) |
//5-5-5-/5-//5-5-5-/5-// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Cease Firing. No. VI. (t) |
//5-5-5-/5-/5-5-5-/5-// |
IC-E |
British Bugle, 1833 |
322 |
BU |
To celebrate the blooming spring (bt) |
//13153//671+5//234//34212//312 |
SS-E |
SS, Boston PL-2 |
107 |
VO,KB+GF/GT |
To celebrate the blooming spring (bt) |
//13153//671+5//234//34212//312//31 2//3 |
SS-E |
SS, Harvard |
1 |
VO,KB+GF/GT |
To Celia (t) |
//6/52//12/3//61+/76//5 |
SC-E |
Calliope, 1746 |
I,63 |
VO,HAF+FL |
To Celia (t) |
//1+1/13//254/35//1+6/21+76 |
SC-E |
Clio-3, 1762 |
160 |
VO,HAF+GF |
To Celia (t) |
//1+3+1+//2+75//6543//2//351+7//61+ 4+3+ |
SS-E |
SS, Harvard |
1 |
VO,KBF+FL |
To Celia (t) |
//1321//56543//3+2//12//3217-6-5-// 6-4-//5- |
SC-E |
Watts MM-5, 1731 |
93-94+95 |
VO,HA+FL |
To Celia (it) |
|
SC-E |
Watts MM-5, 1731 |
T94-95M93 |
VO,HA+FL |
To Celia Drest as a Beau (t) |
//54321//651//24321//15//1+76 |
SC-E |
Watts MM-2, 1729 |
20-21 |
VO/VN+FL |
To Celia (t), or New Song, A (at) |
//1+1+2+/1+1//3456/51+//61+/51+ |
SS-E |
SS, Huntington-1 |
41 |
2VN,VO,KBF |
To Celia (t), or Song, A (at) |
//1+1+2+/1+1//3456/51+//61+/51+//3 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To Cephalus & Procris praise (fl) |
//56/54//323/42//1 |
SS-E |
SS, Folger-C42.3 |
346 |
3VO,B,KBF+2FL |
To chace o'er the plain the fox or hare (fl) |
//13127-/135//543217-/15//1+76/5432 1 |
SS-E |
SS, Boston PL-1 |
88,1-2 |
VO,HAF+GF |
To chace o'er the plains (fl) |
//15-11//12//3233//35//5435//56543 |
IC-E |
Thompson Hunting, 1770 |
2:17 |
VO/HAF/VN+GF |
To Chace O'er the Plains (t) |
//111//1234//554//35//61+6 |
SC-E |
Vocal Music, 1775 |
174-175 |
VO/VN/GF |
To chace o'er the plains (fl) |
//111//1234//554//35//61+6 |
SC-E |
Vocal Music, 1775 |
174-175 |
VO/VN/GF |
To charming Caelia's arms I flew (fl) |
//1+76/51+3//463/234//321/543//2/61 + |
SC-E |
Pills 4, 1719-20 |
185-6 |
VO |
To Chloe (t) |
//1234//3457-//143 |
SC-E |
Clio-1, 1758 |
58 |
VO,HA |
To Chloe (t) |
//5-12/31/465/62//54/343//2/2 |
SC-E |
Musical Ent-2, 1740 |
63 |
VO,HAF+FL |
To Chloe (t) |
//1234/51+//7654/3456//5342/3153//2 |
SS-E |
SS, Harvard |
1 |
VO,KBF+FL |
To Chloe (t) |
//17-1/234//345/13//432/17-6- |
SC-E |
Watts MM-2, 1729 |
113-115 |
VO/VN+FL |
To Chloe Jealous (at). Song 31 (t), or |
|
SC-E |
Ritson, 1783 |
TI,136-137 |
VO |
To Chloe Jealous (at). Song 46 (t), or |
|
SC-E |
Ritson, 1783 |
TI,39 |
VO |
To Chloe the Kind and the Easy (it) |
|
BA-I |
Stage-Coach, 1761 |
22 |
|
To Chloris (t) |
|
SC-E |
Pills 2, 1719-20 |
241 |
VO |
To Chloris: A Song (t) |
|
SC-E |
Pills 2, 1719-20 |
149 |
VO |
To Chloris all soft charms agree (fl) |
//34345/54321//13217-1/7-7-//121234 5 |
SS-E |
SS, Folger-C42.2 |
125,2-126 |
VO,KB+F |
To Chloris (t), or Ode Set to the New Riggadoon, An (at) |
|
SC-E |
Pills 2, 1719-20 |
217 |
VO |
To Chuse a Friend, But Never Marry (t) |
|
SC-E |
Pills 3, 1719-20 |
342-3 |
VO |
To Cloe (t) |
//5-12/31/465/62//54/343/2 |
SC-E |
Calliope, 1746 |
I,126 |
VO,B+FL |
To Cloe (t) |
//5-12/31/465/62//3454/343/2/2 |
SC-E |
Muses Delight, 1754 |
172-173 |
VO,HA |
To Cloe. A Song (t) |
//15/321//654/432//3455- |
SS-E |
SS, Folger-C42.4 |
241 |
VO,KB+FL |
To Cloe (t), or New Song, A (at) |
//5-12/31/465/62//54/343/2 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
To Cloe (t), or New Song, A (at) |
//5-12/31/465/62//54/343/2/2 |
SS-E |
SS, Huntington-1 |
128 |
VO,KB+FL |
To Cloe (t), or Song, A (at) |
//15/321//654/432//3455-/6-7-1 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
AM-A |
Beach MS, 1801 |
72 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
IC-E |
British Bugle, 1798 |
PL.7 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
IC-E |
British Bugle, 1799 |
PL.7 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
IC-E |
Gilbert Bugle, 1804 |
2 |
BU |
To Close (t) |
//5-/1-1//5-5-/1-1//5-/1-1 |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Close. No. 2 (t) |
//5-/1-1//5-5-/1-1//5-/1-1// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To Close. No. II. (t) |
//5-/1-1//5-5-/1-1//5-/1-1// |
IC-E |
British Bugle, 1833 |
321 |
BU |
To Close While Advancing 3 & 2. No. 19 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To Close While Retreating 7 & 2. No. 20 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To Coelia (t) |
//321/217-//123234/33//217- |
SC-E |
Calliope, 1746 |
II,185 |
MI,VO,B+FL |
To come down adown, &c. (bt) |
//31/16-//1/11//23/45//67 |
SC-E |
Pills 4, 1719-20 |
179-81 |
VO |
To conquer with my oh, ho, ho (bt) |
//51+/53//51+/54//313/51+3/2 |
AI-A |
Gent's Amus, 1794 |
10 |
GF/VN/VO |
To conquer with my oh, oh, oh (bt) |
//51+/53//51+/54//313/51+3 |
AI-A |
Young's Vocal, 1793 |
44-45 |
VO,PF |
To convent streams & shady groves (fl) |
//345//66//765//1+76//56523 |
SS-E |
SS, Folger-C42.3 |
347 |
VO+FL |
To convent streams or shady groves (fl) |
//315/55//671+7/1+5//643/254//3 |
SC-E |
Clio-2, 1759 |
96 |
VO,HA |
To court me young Colin came many a mile (fl) |
//3115-/6-5-1//7-123/212345//3115-/ 6-7-7- |
SS-E |
SS, Boston PL-2 |
10 |
VO,KBF |
To cullies and bullies (fl) |
//15-1/15-1//15-1/13//313/313 |
SC-E |
Pills 2, 1719-20 |
80-82 |
VO |
To Cupid on Valentines Day (at). Song 2 (t), or |
//32/32//11/1//43/43 |
SC-E |
Ritson, 1783 |
TI,87-88;MIII,36-38 |
3VO:SSB |
To curb our will with vain pretence (fl) |
//17-12//3234//5456//17-1//217-1 |
SC-E |
Calliope, 1746 |
II,106 |
VO,B+GF |
To Cynthia (t) |
|
SC-E |
Pills 2, 1719-20 |
151 |
VO |
To Cynthia (t) |
|
SC-E |
Pills 2, 1719-20 |
307 |
VO |
To dance the reel of bogie (bt) |
//35/1+6//53/21//35/671+6 |
SC-S |
Scots MM-2, 1788 |
170 |
VO,PF |
To Danlon Me (t) |
//36-7-/6-21//7-26-7-/5-56//7653/53 21 |
MS-S |
Gillespie MS, 1768 |
50 |
VN |
To Danton Me (t) |
//623/254//3523/11+2+//3+2+1+6/1+65 3 |
IC-S |
Aird 2, 1785 |
22 |
FI/VN/GF |
To Dauntin Me (t) |
//623/254//3523/11+2+//3+2+1+6/1+65 3 |
IC-E |
Caledonian PC, 1760 |
I,16-17 |
GF |
To Daunton Me (t) |
//36-7-/6-21//7-6-7-/5-56//7653/532 7- |
AI-A |
Caladonian Muse, 1798 |
14 |
VO/PF/VN |
To daunton me (bt) |
//36-7-/6-21//7-6-7-/5-56//7653/532 7- |
AI-A |
Caladonian Muse, 1798 |
14 |
VO/PF/VN |
To Daunton Me (t) |
//623/254//3523/11+2+//3+2+1+6/1+65 3// |
MS-C |
Molyneaux MS-2, 1788 |
31 |
1 OR 2 GF |
To Daunton Me (t) |
//623/254//323/11+2+//3+2+1+6/1+653 |
AI-A |
Scots MM, 1797 |
14L-R |
VO,HA/PF |
To daunton me (bt) |
//623/254//323/11+2+//3+2+1+6/1+653 |
AI-A |
Scots MM, 1797 |
14L-R |
VO,HA/PF |
To Daunton Me (t) |
//36-7-/6-21//7-6-7-/5-56//7653/532 7- |
SC-S |
Scots MM-2, 1788 |
190 |
VO,PF |
To daunton me, and me sae yount, &c (bt) |
//36-7-/6-21//7-6-7-/5-56//7653/532 7- |
SC-S |
Scots MM-2, 1788 |
190 |
VO,PF |
To day Dametas gave a rural treat (fl-r) |
//51+/1+71+//321/2343//565/565 |
TW-E |
Chaplet, 1750 |
11-13 |
OB,2VN,VA,VO,KBF |
To Dear Amaryllis (t) |
//1+1+3+1+//766671+//34321//543//45 671+2+//2+3+2+1+76// |
IC-E |
Thorowgood Guitar, 1763 |
32 |
GT |
To Delia (t) |
//1123/257-//142/7-//15-6-7- |
SS-E |
SS, Folger-C42.4 |
249 |
VO,KB+FL |
To die is nothing (fl) |
//1/3//63/67//1+765/6543//212 |
TW-E |
Deserter, 1773 |
38-39 |
VO,KBF |
To Disperse (t) |
//15-35-/15-35-//15-35-/13 |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Disperse (t) |
//15-35-/15-35-//15-35-/13 |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Disperse (t) |
//15-35-/13 |
AI-A |
US Riflemen, 1824 |
PL14 |
BU |
To Disperse. No. 9 (t) |
//15-35-/15-35-//15-35-/13// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Draw From Couert to Couert (t) |
|
IC-E |
Berners Jewell, 1614 |
|
HN |
To Draw From Couert to Couert (t) |
|
IC-E |
Tristram Horn, 1591 |
|
HN |
To Draw the Company Out of the Ffield (t) |
|
IC-E |
Cox Horn, 1697 |
Folio 1 |
HN |
To Draw the Company Out of the Field (t) |
|
IC-E |
Sportsman's Horn, 1735 |
|
HN |
To drive dull cares away (bt) |
//1/2//3/4//565/434 |
AI-A |
Phila Pock Comp, 1794 |
8-9 |
2VO/2MANDURAS |
To drive the cold winter away (bt) |
//17-6-//36//543//1+1 |
SC-E |
Pills 4, 1719-20 |
241-2 |
VO |
To each longstanding member he, appoints his station and degree (fl) |
//15-/12//3234/53//22/23// |
AM-A |
Tuesday Club MS, 1745 |
9/381-382 |
VO,2MI,B |
To each pretty lass, we give a green gown (bt) |
//565/53//656/543//454/3 |
SC-E |
Pills 3, 1719-20 |
162-3 |
VO |
To ease his heart, and own his flame (fl) |
//34/5364//531+/1+3//46/53 |
AI-A |
American MM, 1798 |
61-64 |
VO |
To ease his heart, and own his flame (fl) |
//34/5364//531+/1+3//46/5321//7-123 /2 |
SC-S |
Edinburgh MM-2, 1793 |
289-291 |
VO |
To ease his heart and own his flame (fl) |
//34/5364//531+/1+3//46/5321 |
SS-E |
SS, Boston PL-1 |
118,1-2 |
VO,HAF+GF |
To ease his heart and own his flame (fl) |
//34/5364//531+/1+3//46 |
SS-E |
SS, New York PL-C695 |
57,1-2 |
VO,HA+GF/GT |
To ease my heart I own'd my flame (fl) |
//434/5364//531+/1+3//4 |
TW-E |
Summer Amuse, 1779 |
14-15 |
VO/VN,HA |
To ease my wounded heart of care (bt) |
//17-6-/43/212/33//17-6-/43/212/33/ / |
SC-E |
Pills 5, 1719-20 |
200-1 |
VO |
To Elliot your bumpers lift high (bt) |
//121/7-12//321/217-//121/7-17- |
SS-E |
SS, Boston PL-2 |
285 |
VO,KB |
To engage a pretty foe (fl) |
|
BA-E |
Rape Of Helen, 1737 |
4 |
|
To enjoy the bliss of treasure (fl) |
//12/7-1//6-6-/7-6-5-//12/7-2+//6-5 - |
BA-E |
Momus Turnd Fab, 1729 |
19 |
VO |
To excel in bon ton as genius and critic (fl) |
//355/355//355/553//466/654//321 |
SS-E |
SS, Harvard |
1 |
VO,KB+GT |
To Extend (t) |
//31/31315-//31/31315- |
AM-A |
Beach MS, 1801 |
72 |
BU |
To Extend (t) |
//3131315-//3131315- |
IC-E |
British Bugle, 1798 |
PL.7 |
BU |
To Extend (t) |
//3131315-//3131315- |
IC-E |
British Bugle, 1799 |
PL.7 |
BU |
To Extend (t) |
//3131315-//3131315- |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Extend (t) |
//31/31315-//31/31315- |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To Extend (t) |
//31/31315-//31/31315- |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Extend. No. 1 (t) |
//3131315-//3131315-// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To Extend. No. I. (t) |
//3131315-//3131315-// |
IC-E |
British Bugle, 1833 |
321 |
BU |
To Extend While Advancing 3 & 1. No. 17 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To Extend While Retreating 7 & 1. No. 18 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To fair Fidele's glassy tomb (fl) |
//65//432//127-//6-7- |
SC-E |
Calliope, 1788 |
94-95 |
VO |
To fair Fidele's glassy tomb (fl) |
//65//432//127-//6- |
SC-S |
Edinburgh MM-1, 1792 |
324-325 |
VO |
To fair Fideles glassy tomb (fl) |
//65//432//127-//6-7-//12 |
SC-E |
Vocal Enchant, 1783 |
342-343 |
VO |
To fair Fidele's grassy tomb (fl) |
//32/17-//6-32/17-//6-6-7-/16-7- |
AI-A |
American Periodicals |
|
VO,KB |
To fair Fideles grassy tomb (fl) |
//65//432//127- |
SC-E |
Clio-2, 1759 |
92-93 |
VO,HAF+GF |
To Fair Fidele's Grassy Tomb (t) |
//65//432//127-//6-7-//12//31+ |
IC-E |
Delightful-2, 1745 |
VI,16 |
GF |
To fair Fideles grassy tomb (fl) |
//65//432//127-//6-2 |
SC-E |
Ritson, 1783 |
TII,152-153;MIII,271 |
VO |
To fair Fideles grassy tomb (fl) |
//65//432//127-//6-7-//12 |
SS-E |
SS, Boston PL-2 |
296 |
VO,KB+GF/GT |
To fair Fidele's grassy tomb (fl) |
|
AI-A |
Scots MM, 1797 |
T28LM28R |
VO,HA/PF |
To fair Fidelia's grassy tomb (fl) |
//32/17-//6-32//17-//6-6-7-/16-7- |
AM-A |
Dawes MS, 1790 |
19 |
VO,HA |
To Fanny fair I would impart (fl) |
//1234//5671+//76 |
SC-E |
Clio-2, 1759 |
185 |
VO,HA |
To Fanny fair I would impart (fl) |
//1234//5671+//76//54//3216//543//3 2 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To fear a stranger (fl) |
//13/211//235432/3-//1 |
TW-E |
Lionel & Clar, 1768 |
43 |
VO,HAF |
To fight in your cups and abuse the good creature (fl) |
//345/543//456/654//345 |
SS-E |
SS, Folger-C42.3 |
348 |
VO,KB+FL |
To find my Tom of Bedlam (fl) |
//1+7/67//5334//54/32//3111 |
SC-E |
Pills 4, 1719-20 |
189-90 |
VO |
To Fire (t) |
//1-5-1//1-5-1//1-5-1//1- |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Fire (t) |
//1-5-1//1-5-1//1-5-1//1- |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To Fire (t) |
//1-5-1//1-5-1//1-5-1//1- |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Fire Advancing 3 & 5. No. 15 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To Fire. No. 5 (t) |
//1-5-1//1-5-1//1-5-1//1-// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To Fire. No. V. (t) |
//1-5-1//1-5-1//1-5-1//1-// |
IC-E |
British Bugle, 1833 |
321 |
BU |
To Fire Retreating 7 & 5. No. 16 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To fix a woman's mind (fl) |
//17-/12//3/5-//17-/12//3 |
SS-E |
SS, Harvard |
1,DUP |
VO,KB+FL |
To Flora (t) |
|
SC-E |
Watts MM-6, 1731 |
T4-5M3 |
VO,HA+FL |
To Flora (t) |
//6-/12//3/6-//5-7-/6-//7- |
SC-E |
Watts MM-6, 1731 |
79-80+81 |
VO,HA+FL |
To Flora (it) |
|
SC-E |
Watts MM-6, 1731 |
T80-81M79 |
VO,HA+FL |
To Flora Drest (t) |
//17-6-/6-43//217-6-/6-3//4321/3452 |
SC-E |
Watts MM-1, 1729 |
12-13 |
VO/VN+FL |
To Fly Like a Bird (t) |
//1+5/321//7-246/55-//6-4/3217-// |
AM-A |
Hoff MS, 1797 |
No. 194 |
GF |
To fly like bird from grove to grove (fl) |
//543//26//6-7-1//7-5//1+36 |
SS-E |
SS, Boston PL-2 |
70 |
VO,KBF |
To fly, like bird, From grove to grove (fl) |
|
SC-S |
Scots MM-1, 1787 |
25 |
VO,PF |
To forgive sure is great (fl) |
//1/7-6-//5-5-//12/31//2/34 |
BA-E |
Flora, 1729 |
T15M4 |
VO |
To freedom dedicate the day (fl) |
//55/2+1+76//55/55//64/176//51 |
SS-E |
SS, Harvard |
1 |
VO,KB+GT |
To friendly council agree then (fl) |
|
BA-S |
Jack And Sue, 1790 |
120 |
|
To gaze upon thy blooming charms (fl) |
//5-1/13//2123/6-//17-6-5-/123//432 1/345 |
BA-E |
Boarding School, 1733 |
39 |
VO |
To glory this will make them rise, &c. (bt) |
//11/17-127-//1234/23//43/21 |
SS-E |
SS, Boston PL-2 |
37 |
VO,KB+GF |
To go and leave my dear behind (bt) |
//333/343//3234/567//1+543/4 |
AI-A |
American MM, 1798 |
13-16 |
VO |
To go and leave my dear behind (bt) |
//333/343//3234/567//1+543/4 |
AI-A |
Elegant Exts, 1794 |
26-28 |
GF/VN/VO |
To Go for Provisions. Roast Beef (t), or Roast Beef (at) |
Drum notation |
AI-A |
Lovering Drum, 1819 |
24 |
DR(NOT) |
To Go for Water (t) |
Drum notation |
AI-A |
Hazeltine D&F, 1810 |
12 |
DR(MNE) |
To Go for Water (t) |
Drum notation |
AI-A |
Lovering Drum, 1819 |
24 |
DR(NOT) |
To Go for Wood (t) |
Drum notation |
AI-A |
Hazeltine D&F, 1810 |
12 |
DR(MNE) |
To Go for Wood (t) |
Drum notation |
AI-A |
Lovering Drum, 1819 |
24 |
DR(NOT) |
To Go for Wood (t) |
Drum notation |
AM-A |
Lovering MS, 1792 |
36 |
DR(NOT) |
To God of (t) |
//631+/1+76//732+/2+1+7//1+76/765// 6 |
IC-E |
Simpson Record, 1745 |
28 |
RC |
To God the only wise (fl) |
//1/3//1/4//3/2// |
AM-A |
White, G. MS, 1790 |
92-94 |
(S)TB |
To guard my hesperian tree (fl) |
//343/217-//1/11//565/465//3 |
BA-E |
Flora, 1729 |
M12T3 |
VO |
To Halt; Also No. 19. to Annull. No. 4 (t), or to Annull. No. 19 (at) |
//56-//5// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To Halt (t), or to Annul; Annuls Every Previous Sound, Except No.5, Also (a |
//56-//5 |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Hamilla (t) |
//1+6/61+//5323/567//1+6/61+ |
SC-E |
Watts MM-6, 1731 |
58-59 |
VO,HA+FL |
To Handels pleasing notes as Chloe sang (fl-r) |
//1+1+2+3+//54321//3451+2+3+//2+5// 6541+71+ |
SS-E |
SS, Boston PL-2 |
25 |
VO,KB |
To Handel's pleasing notes as Chloe sung (fl-r) |
//1+1+2+3+//54321//3451+2+3+//2+5// 6541+71+//5431+ |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To Handel's pleasing notes as Chloe sung (fl-r) |
//1+1+2+3+//54321//3451+2+3+//2+5// 654 |
SS-E |
SS, New York PL-C694 |
58 |
VO,HAF |
To hannover from Endinbro', I trudg'd it with my bearn (fl) |
//35/56//543/25//31/35//1+ |
SS-E |
SS, Harvard |
1 |
VO,B+MI |
To Hanover from Edinbro' (it) |
//35/56//543/25//31/35//1+ |
BA-E |
Decoy, 1733 |
T24M6 |
VO |
To happy, happy ignorance (fl) |
//534/56//65/51+//1+/74//4/36 |
TW-E |
Midas-1, 1764 |
7 |
VO,HAF |
To Happy Ignorance (it) |
|
BA-E |
Midas-2, 1764 |
2-3 |
|
To happy ignorance (fl) (it) |
|
BA-E |
Midas-2, 1764 |
2-3 |
|
To harbour hope of joy is but ensnaring (fl) |
|
BA-E |
Mad Captain, 1733 |
10 |
|
To Heal the Smart (t) |
//5432//34//3217-/12//3 |
SC-E |
Vocal Music, 1778 |
121 |
VO/VN/GF |
To heal the smart (fl) |
//5432//34//3217-/12//3 |
SC-E |
Vocal Music, 1778 |
121 |
VO/VN/GF |
To heal the smart a bee had made (fl) |
//5432/34//3217-/12//34/564 |
SC-E |
Amaryllis, 1760 |
II,63 |
GF,VO,HAF+FL |
To heal the smart a bee had made (fl) |
//54/32//3/4//32/17-//1 |
SS-E |
SS, Harvard |
1 |
VO,KBF+FL |
To heal the smart a bee had made (fl) |
//54/32//3/4//32/17-//1 |
SS-E |
SS, Harvard |
1 |
VO,KBF+GT |
To heal the smart a bee had made (fl) |
//54/32//3/4//32/17- |
SS-E |
SS, New York PL-C695 |
8 |
VO,HAF+GT |
To heal the smart a bee has made (fl) |
//54/32//3/4//32/17- |
SS-E |
SS, Huntington-1 |
151 |
VO,KBF+GT |
To hear a sweet goldfinches sonnet (fl) |
//121/313//5/1+71+//646/531 |
TW-E |
Farmer, 1787 |
14-15 |
VO,KB |
To hear the jar of noisy war (fl) |
//35/1+3+//4+2+7/1+5//671+/531//32 |
SS-E |
SS, Harvard |
1 |
VO,KBF+GT/GF |
To heaven above the servent Orisons (bt) |
//1+7/1+76//54/34//55/31 |
AI-A |
American MM, 1798 |
118-120 |
VO |
To heaven above thy fervent Orisons (bt) |
//1+7/1+77//54/34//55/31//7-2 |
SC-S |
Edinburgh MM-2, 1793 |
323-325 |
VO |
To heav'n above, &c. (bt) |
//1+7/1+76//54/334//55/31//7-2 |
AI-A |
American SS-SM |
1-2 |
VO,KB+FL/GT |
To heav'n above, &c (bt) |
//1+7/1+76//54/334//55/3 |
AI-A |
Elegant Exts, 1796 |
10-11 |
GF/VN/VO |
To heav'n above, &c (bt) |
//1+7/1+76//54/334//55/31//7-2 |
AI-A |
Volunteers, 1795 |
18-19 |
VO,KB |
To Her Cimon Singing (at). Air 10 (t), or |
//112//7-//122//31//444 |
BA-E |
Damon & Phill, 1729 |
25 |
VO |
To hey nony nony, &c. (bt) |
//34/5//4/3//21/43 |
IC-E |
Astor Guitar, 1800 |
23 |
VO,GT |
To Him (t) |
//15-/3-1-//13/323 |
SS-E |
SS, Folger-C52 |
160,2-161,1 |
VO,KB+GF |
To him who in an hour must die (fl) |
//15-/3-1-//13/323 |
SS-E |
SS, Folger-C52 |
160,2-161,1 |
VO,KB+GF |
To His Fairest Valentine Mrs. A. L. (t) |
//365/43//321/15//365/43 |
SC-E |
Pills 5, 1719-20 |
120-1 |
VO |
To His Grace the Duke of Bedford (t), or Verses Congratulatory, on the Birt |
|
SC-E |
Pills 1, 1719-20 |
359-60 |
VO |
To honor Jole, our life and soul (fl) |
/57//1+7/65//42/56//76/ |
AM-A |
Tuesday Club MS, 1745 |
7/160 |
VO,2MI,B |
To Horse (t) |
//1-3-5-15-3-1-5-5-5-5-5-3-5-5-1-1- 3-3-5-5-3-3-1-1--2-1-1--2 |
IC-E |
Broderip Sounds, 1799 |
3 |
TR |
To Horse (t) |
//13/3//35/5//35/35 |
AM-A |
Bugle MS, 1800 |
1 |
BU |
To Horse (t) |
//1-3-5-15-//15-3-1-//5-/5-5-5-//11 5-5-//3-3-1- |
AI-A |
Cooper System, 1836 |
241 |
BU |
To Horse (t) |
//13/3//35/5//35/35 |
AI-A |
Hoyt Cavalry, 1813 |
Pl 14 |
TR,BU |
To Horse (t) |
//1351+5315555535511335533115-115-1 1// |
IC-E |
Hyde Bugle, 1818 |
35 |
TR |
To Horse (t) |
//1-3-5-15-3-1-5-5-5-5-5-3-5-5-1-1- 3-3-5-5-3-3-1-1--2-1-1--2 |
IC-E |
Hyde Trumpet, 1798 |
12 |
TR |
To Horse (t) |
//1-3-5-15-/15-3-1-//5-/5-5-5-//115 -5-/3-3-1- |
AI-A |
US Tactics, 1834 |
PL66 |
TR |
To horse brave boys of New Market (fl) |
//51/321//232/46//51/323//11+5 |
SS-E |
SS, Folger-C42.3 |
349 |
VO,KB+FL |
To horse brave boys of Newmarket, to horse (fl) |
//51/321//232/46//51/323 |
SC-E |
Pills 1, 1719-20 |
332-3 |
VO |
"To Horse" [Single sheet with melodies of 16 bugle calls] |
|
AM-A |
Bugle MS, 1800 |
2 |
BU |
To Horse, to Newmarket (it) |
//551/321//232/46//54/32 |
BA-E |
Village Opera, 1729 |
34 |
VO |
To hug your self in perfect ease (fl) |
//1+/5//1+/76//54/32//1 |
SC-E |
Watts MM-4, 1730 |
27-28+29 |
VO,HA+FL |
To hug yourself in perfect ease (fl) |
//1+/5//1+/76//54/32 |
SC-E |
Ritson, 1783 |
TII,85;MIII,230 |
VO |
To hunt the fox is an old sport (fl) |
//11/111//1/5-//111/11//1 |
SC-E |
Pills 4, 1719-20 |
54-56 |
VO |
To Idleness (at). Song 17 (t), or |
//534/55-//6-7-17-12/17-//123234/34 5456 |
SC-E |
Ritson, 1783 |
TII,99-100;MIII,237-23 |
VO |
To Incline to the Left (t) |
//1-/1-//1-5-/1-5-//1-/1- |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Incline to the Left (t) |
//1-/1-//1-5-/1-5-//1-/1- |
AI-A |
US Riflemen, 1824 |
PL14 |
BU |
To Incline to the Left. No. 12 (t) |
//1-/1-//1-5-/1-5-//1-/1-// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Incline to the Right (t) |
//1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1 -5-//1- |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Incline to the Right (t) |
//1-5-1-5-/1-5-1-5-//1-5-1-5-/1-5-1 -5-//1- |
AI-A |
US Riflemen, 1824 |
PL14 |
BU |
To Incline to the Right. No. 11 (t) |
//15151515//15151515//1// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Increase the Spaces Between Skirm. Rs. 11 & 12. No. 14 (t) |
|
IC-E |
British Bugle, 1813 |
14 |
BU |
To Italy's enervate shore (fl) |
//1232/1232//16-/6-5- |
BA-E |
Fashionable, 1730 |
64 |
VO |
To Keep My Gentle Jessy (t) |
//3457-/1235-//6-7-16//5321/4217- |
AM-A |
Aborn MS, 1790 |
92 |
MI |
To Keep My Gentle Jessy (t) |
//3457-/1235-//6-7-16//5321/7-1 |
SC-E |
Clio-2, 1759 |
28-29 |
VO,HA+GF |
To keep my gentle Jessy (fl) |
//3457-/1235-//6-7-16//5321/7-1 |
SC-E |
Clio-2, 1759 |
28-29 |
VO,HA+GF |
To Keep My Gentle Jessy (t) |
//3457-/1235-//6-7-16//5321/7-1//1 |
IC-E |
Delightful-2, 1745 |
IV,15 |
GF |
To keep my gentle Jessy (fl) |
//3457-/1235-//6-7-16//5327-/7-1 |
SS-E |
SS, Huntington-2 |
74 |
VO,KBF+GF |
To keep my gentle Jessy (fl) |
//3457-/1235-//6-7-16-//5321/7-1 |
SS-E |
SS, New York PL-C695 |
12 |
VO,HA+GF |
To keep my gentle Jessy (fl) |
//3457-/1235-//6-7-16//5321/7-1 |
SC-E |
Vocal Enchant, 1783 |
260-261 |
VO |
To keep watch for the life of poor Jack (bt) |
//1112/3334//222/44//563/427-//1 |
SC-S |
Edinburgh MM-1, 1792 |
137-140 |
VO |
To kiss, to kiss is pretty (fl) |
//13/56//53/36//531/7-1//2/2 |
SC-E |
Pills 3, 1719-20 |
308-9 |
VO |
To knight, to squire, and to the genteels here (fl) |
//111//7-6-5-//112//3//444//432 |
BA-E |
Jovial Crew, 1731 |
59 |
VO |
To Ladies Eyes (t) |
//5-6-/7-1//3/21//32/22 |
AI-A |
Riley Flute 3, 1820 |
78 |
FL |
To lands unknown with her I'll go (fl) |
|
BA-E |
Princess Of Tar, 1791 |
224 |
|
To last may-fair I must confess (fl) |
|
BA-E |
Deceit, 1743 |
12 |
|
To lead a life devoid of care (fl) |
//12/33//2123/45//32/17-12 |
SS-E |
SS, Boston PL-2 |
78 |
VO,KB+GF |
To little or no purpose I spent many days (fl) |
//3457-//1235-//6-43217-//12//35321 //2 |
SC-E |
Calliope, 1746 |
II,62 |
VO,B+FL |
To little or no purpose I spent many days (fl) |
//3457-//1235-//6-43217-//12//35321 //25217- |
SS-E |
SS, Harvard |
1 |
VO,KBF+FL |
To live sole and retire is all my desire (fl) |
//565/567//1+2+1+/1+3+2+//1+ |
SC-E |
Vocal Music, 1775 |
26-27 |
VO/VN/GF |
To London fair town I am come for a place (fl) |
|
BA-E |
Jew Decoy'd, 1733 |
14 |
|
To lordlings proud I tune my song (fl) |
//15-/5-3//32/25//57-/43//2 |
SS-E |
SS, Folger-C42.3 |
350 |
VO,KB+FL |
To love my wife (fl) |
//6-6-/17-6-5-//12/13//21/7-127-//1 |
BA-E |
Silvia, 1731 |
28 |
VO |
To Love Thee Night and Day Love (t) |
//332/221//12/117-//7-7-/13 |
AI-A |
Riley Flute 3, 1820 |
74 |
FL |
To Lucia Returning In the Snow (t) |
|
SC-E |
Watts MM-6, 1731 |
T104-105M102-103 |
VO,HA+FL |
To make me feel a virgins charms (fl) |
//345/55//345/55//671+6/54 |
SC-E |
Clio-1, 1758 |
75 |
VO,HA |
To make the most of fleeting time (fl) |
//31/25//31/35//1+2+/3+21+ |
AM-A |
Cary MS, 1797 |
25 |
VO/VN |
To make the most of fleeting time (fl) |
//31/35//31/35//1+2+/3+2+1+ |
SS-E |
SS, Harvard |
1 |
VO,KB |
To make the wife kind (fl) |
//1+71+/543//231/543 |
SC-E |
Clio-2, 1759 |
22-23 |
VO,HAF+MI |
To make the wife kind (fl) |
//1+71+/543//231/543//456/51+7//62+ 1+ |
SS-E |
SS, Harvard |
1,DUP |
VO,KBF+GF |
To Marcella (t) |
//17-6-//33//432127-//13//6543//217 -6-//3 |
SC-E |
Watts MM-5, 1731 |
24-26 |
VO,HA+FL |
To March; also Forwards After Obliquing (t) |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5 -5-//1-1-/1- |
IC-E |
British Bugle, 1824 |
55 |
BU |
To March; Also No. 13. Forwards After Obliquing. No. 3 (t), or Forwards aft |
//1555/1555//1515/1555//11/1// |
IC-E |
British Bugle, 1813 |
12 |
BU |
To March (t), or Forwards After Obliquing, Also (at) |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5 -5-//1-1-/1- |
AI-A |
Gardner Compend, 1819 |
PL19 |
BU |
To March (t), or Forwards After Obliquing, Also (at) |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5 -5-//1-1-/1- |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Marybone fair, &c. (bt) |
//321//217-//17-1234//554//321 |
SS-E |
SS, Huntington-2 |
24 |
VO,KB+GT |
To may-hill wake I must confess (fl) |
|
BA-E |
Country Wed, 1749 |
13-14 |
|
To me a smiling infant came (fl) |
//1+3//246//57-//11//17-6-//5- |
AI-A |
Musical Rep-1, 1796 |
24-25 |
VO,KB |
To Me a Smiling Infant Came (t), or Favorite Ballad, A (at) |
//1+3//246//57-//11//17-6-//5- |
AI-A |
Musical Rep-1, 1796 |
24-25 |
VO,KB |
To me back again (bt) |
//5356/51+2+//3+1+53/234 |
SS-E |
SS, Folger-C52 |
185 |
VO,B+GT |
To me what are riches encumbred with care (fl) |
//6671+76//5431+//6543234//31+7/1+1 +2+3+2+1+ |
SC-S |
Scots MM-2, 1788 |
174 |
VO,PF |
To me you made a thousand vows (fl) |
|
SC-E |
Watts MM-6, 1731 |
T186-187M184-185 |
VO,HA+FL |
To meet her mars the queen of love (fl) |
//6-7-/12//321/7-1//217-/12 |
SC-E |
Pills 6, 1719-20 |
19 |
VO |
To meet with contentment I oft times had try'd (fl) |
//7-24//354327-//7-43217-//15- |
SC-E |
Clio-1, 1758 |
111 |
VO,HA |
To melancholy thoughts a prey (fl) |
//11/11//123234/32//17-6-/5-43 |
SC-E |
Ritson, 1783 |
TI,259-260;MIII,143-14 |
VO |
To meloncholy thoughts a prey (fl) |
|
SC-E |
Ritson, 1783 |
TI,33 |
VO |
To mention Prussia's bravery (fl) |
|
BA-E |
Gasconado, 1759 |
26 |
|
To mighty love the yielding strings as pressing (fl) |
//3212//12//324321//27-5-//54321//4 56 |
TW-E |
Siege/Belgrade, 1791 |
57 |
VO,B |
To Miss E-M- (t) |
//5317-//17-16//571+654//432//345// 671+ |
SS-E |
SS, Harvard |
1 |
VO/GF,B+FL |
To Morrow (t) |
//555//1+53//234//32155//61+7//1+43 4 |
AM-A |
Commonplace MS, 1809 |
10V |
CL/FL |
To Morrow Is St. Valentine's Day (it) |
//345/321//5-3-/5-1//345/321 |
BA-E |
Cobler's Op-2, 1729 |
T22M7 |
VO |
To mortals so sweet (fl) |
|
BA-E |
Jack Gyant Quel, 1749 |
14 |
|
To mortals so sweet was power (fl) |
|
BA-E |
Little John, 1778 |
57-58 |
|
To Mount (t) |
//1/5-3//11/5-3//1 |
IC-E |
Jones Bugle, 1805 |
4 |
BU |
To Mr. H---Y C-Rey Ballad Maker, and Ballad Setter, The Following Lines (t) |
//1+71+2+/1+5//1+3//4/5//15 |
SS-E |
SS, Folger-C42.3 |
352 |
VO,KB+FL |
To music be the verse addrest (fl) |
//565//51+5//566554//33//343 |
AI-A |
American MM, 1798 |
297-300 |
2VO,B |
To Musick be the verse addrest (fl) |
//565//51+5//566554//33//343//23344 5 |
AI-A |
American Periodicals |
|
VO,KB |
To my dear wife my joy and life (fl) |
//34/55//43/44//32/34 |
SC-E |
Vocal Enchant, 1783 |
332-333 |
VO |
To my lips than nectar sweeter (fl) |
//55543/6511//17-2234/34511//17-665 4/321 |
SS-E |
SS, Harvard |
1-2 |
VO,KBF |
To my lips then nectar sweeter (fl) |
//1+1+1+76/2+1+44//435567/671+44//4 32+2+1+7 |
SS-E |
SS, New York PL-C695 |
102,1-2 |
VO,B,MI |
To my lips then nectar sweeter wheresoe'er I turn my eyes (fl) |
//55543/6511//17-2234/34511//17-66- 54 |
SS-E |
SS, Folger-C52 |
40-41 |
MI,VO,KB |
To my Muse give attention (fl) |
//325/113//217-1/23454//323/1112//3 |
AI-A |
American MM, 1798 |
89-93 |
VO |
To my Muse give attention (fl) |
//325/113//217-1/23454//323/1112 |
SC-S |
Edinburgh MM-1, 1792 |
204-208 |
VO |
To my Muse give attention (fl) |
//325/113//217-1/23454//323/1112 |
AM-A |
Hosmer MS, 1798 |
63 |
VO |
To my Muse give attention (fl) |
//325/113//217-1/23454//323/1112//3 212 |
SS-E |
SS, Harvard |
1-2 |
VO,KB+GF |
To no monarch, no tyrant in robes (fl) |
//15-3//315//55654//4353//642 |
AI-A |
Mc Culloch, 1809 |
8-9 |
MI,B+FL |
To oblige, good sir, For an oath I shan't stand (fl) |
|
BA-E |
Ragged Uproar, 1754 |
21 |
|
To Old Sir Simon the King (it) |
//6-7-1/121/15-//6-7-1/123/44 |
BA-E |
Beggar's Opera, 1728 |
T55M15 |
VO |
To Old Sir Simon the King (it) |
//6-7-1/121/15-//6-7-1/123/44 |
BA-E |
Beggar's Opera, 1765 |
89 |
VO |
To Old Sir Simon the King (it) |
//6-7-1/121/15-//6-7-1/1 |
BA-E |
Beggar's Opera, 1777 |
110 |
VO |
To Paris I went (fl) |
|
BA-E |
Ladies Subscrip, 1755 |
115 |
|
To Phillis... (t) |
//6761+//71+71+//2+3+1+7//1+76//3 |
SC-E |
Pills 2, 1719-20 |
248-9 |
VO |
To plain, Dear youth, these telltale eyes (fl) |
//37-12/3454322//3645/554//37-12/34 54322 |
SC-E |
Ritson, 1783 |
TI,166-167;MIII,73-74 |
VO |
To play upon a viol, if a virgin will begin (fl) |
//51/12//7-5-/23//43/6-7-1//7- |
SS-E |
SS, Folger-C42.3 |
351 |
VO,KB+FL |
To Please Me the More (t) |
//535//1+76//564//4346/5317-1 |
SS-E |
SS, Boston PL-2 |
82 |
VO,KB+GF,GT |
To please me the more (fl) |
//535//1+76//564//4346/5317-1 |
SS-E |
SS, Boston PL-2 |
82 |
VO,KB+GF,GT |
To please the beauteous blooming fair (fl) |
//567/1+765//5434/32//16/5432 |
SS-E |
SS, Boston PL-2 |
222 |
VO,KB |
To please yr friends, yr work defies (fl) |
//1+71+2+/1+5//1+3//4/5//15 |
SS-E |
SS, Folger-C42.3 |
352 |
VO,KB+FL |
To pleasure and glory I now bid adieu (fl) |
//3-6-6-/6-1//7-6-5-/7-12//33/36//3 217-/6-4 |
BA-E |
Boarding School, 1733 |
42 |
VO |
To plunder a lawyer (fl) |
//1+5/54//3/21//12/34 |
BA-E |
Quaker's Opera, 1728 |
18 |
VO |
To Pretty Mrs. H. D... (t) |
|
SC-E |
Pills 2, 1719-20 |
301 |
VO |
To proclaim King George the second (fl) |
//15-/25-//32/5//4321/7-13 |
SS-E |
SS, Folger-C42.3 |
353 |
VO,KB+FL |
To rack my soul (fl) |
|
SC-E |
Watts MM-6, 1731 |
T4-5M3 |
VO,HA+FL |
To Recall Detachments (t) |
Drum notation |
AI-A |
Cooper System, 1836 |
230 |
DR(NOT) |
To Recall Detachments (t) |
//5-111/5-111//5-15-1/5-111//5-111/ 5-111 |
AI-A |
Cooper System, 1836 |
237 |
BU |
To Recall Detachments (t) |
Drum notation |
AI-A |
US Tactics, 1835 |
11 |
DR |
To Recall Detachments (t) |
//5-111/5-111//5-15-1/5-111//5-111/ 5-111// |
AI-A |
US Tactics, 1835 |
18 |
BU |
To Retreat (t) |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1 -1-5- |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Retreat (t) |
//111111115//111111115// |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Retreat (t) |
//111111115//111111115// |
AI-A |
US Riflemen, 1824 |
PL13 |
BU |
To Retreat. No. 7 (t) |
//111111115//111111115//111111115// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To Retreat. No. VII. (t) |
//111111115//111111115//111111115// |
IC-E |
British Bugle, 1833 |
322 |
BU |
To rob them of strength (fl) |
//111/1353//15-3-5-/15-//6-6-6- |
TW-E |
Lionel & Clar, 1768 |
8-11 |
VO,HAF |
To Rodney We Will Go (t) |
//13/33//43/21//35/55 |
IC-S |
Aird 3, 1788 |
160 |
FI/GF/VN |
To Rodney We Will Go, Quick Step (t) |
//13/33//43/21//35/55 |
IC-S |
Aird 6, 1803 |
64 |
FI/VN/GF |
To Rodney We Will Go. Quick Step (t) |
//13/33//43/21//35/55// |
MS-S |
Fife MS, 1780 |
689,75r |
1FI OR 2FI/VN |
To Salinda (t) |
//34/51+7//1+543/4565//6253/2343 |
SC-E |
Muses Delight, 1754 |
135-136 |
VO,HA |
To Sallinda (t) |
//34/51+7//1+543/4565//6453/2343 |
SC-E |
Musical Ent-1, 1740 |
70 |
VO,KB+FL |
To scold inclin'd (fl) |
|
BA-I |
Gingerbread Nut, 1790 |
16 |
|
To See the Troopers All Come Home (it) |
//15/565//4/334//51/217-//1 |
BA-E |
Patron, 1729 |
20 |
VO |
To Seignora Cuzzoni (t) |
//1/2//32/12//345/43//2 |
SC-E |
Watts MM-5, 1731 |
116-117 |
VO,HA |
To Serve a Gallant Lady (t) |
//35/3532//15/53//2123/5231// |
IC-E |
Scotch Tunes (Y), 1720 |
8 |
VN |
To serve and be serv'd is a pensioner's state (fl) |
|
BA-E |
Court Medley, 1733 |
31 |
|
To serve and be serv'd is a pensioner's state (fl) |
|
BA-E |
Fortunate Prin, 1734 |
31 |
|
To shew Tunbridge Wells (fl) |
|
SC-E |
Pills 1, 1719-20 |
221-2 |
VO |
To shun bright sols meridean heat (fl) |
//11/3153//27-5-7-/13-//4-2-6-4-/5- 2 |
SS-E |
SS, Boston PL-2 |
97 |
VO,KB+GF |
To shun bright sols meridian heat (fl) |
//11/3151//27-5-7-/13-//4-2-6-4-/5- 2 |
SC-E |
Clio-1, 1758 |
180 |
VO,HA |
To shun the dreadful woes (fl) |
//35/1+3+//1+5/1+7//6543/25 |
BA-E |
Fashionable, 1730 |
7 |
VO |
To sigh and complain alike I disdain (fl) |
//212/31//432/35//654/321//5 |
TW-E |
Artaxerxes, 1762 |
48-49 |
VO,HA |
To Sigh Yet Feel No Pain (t) |
//33/22//1/5-13//55/66 |
AM-A |
Beach MS, 1801 |
82-83 |
VO,KB |
To sigh yet feel no pain (fl) |
//33/22//1/5-13//55/66 |
AM-A |
Beach MS, 1801 |
82-83 |
VO,KB |
To silent groves, where weeping yew (fl) |
//511+//71+//64//3//565//43//24321 |
SC-E |
Watts MM-6, 1731 |
20-23 |
VO,HA+FL |
To Silvia (t) |
//1+3+//2+1+71+5//61+7654//34//5321 671+//543//2 |
SC-E |
Calliope, 1746 |
II,139 |
VO,B,MI |
To Silvia (t), or Song, A (at) |
//54//321/7-1//2 |
SS-E |
SS, Harvard |
1 |
VO/GF,B+FL |
To Sing of Love's Passion (t) |
//13142//7-212//315364//3242//7-7-1 2//23153 |
AI-A |
Balls Amus 1, 1815 |
15 |
FL/FI/VN |
To Skirmish (t) |
//1-1-1-5-5-1131//5-1 |
IC-E |
British Bugle, 1824 |
55 |
BU |
To Skirmish (t) |
//1-1-1-5-5-1/131//5-/1 |
AI-A |
Gardner Compend, 1819 |
PL20 |
BU |
To Skirmish (t) |
//1-1-1-5-5-1/131//5-/1 |
AI-A |
US Riflemen, 1824 |
PL14 |
BU |
To Skirmish. No. 10 (t) |
//1-1-1-5-5-1131//5-1// |
IC-E |
British Bugle, 1813 |
13 |
BU |
To some peaceful plain (fl) |
//1+56//514//342//34321 |
SS-E |
SS, Folger-C42.1 |
242,2-243,1 |
VO,KB |
To some petty sinner go wheedle and whine (fl) |
//345/531//666/67//1+76/543//222 |
SS-E |
SS, Harvard |
1 |
2VO,KBF |
To sooth a jealous heart (fl) |
//15/535/53//15/5367/1+5//15/535/67 |
BA-E |
Momus Turnd Fab, 1729 |
26 |
VO |
To sooth my Chloes pensive grief (fl) |
//54/32//32/11+//543/212 |
SC-E |
Clio-1, 1758 |
74 |
VO,HA |
To sooth my heart the queen of love (fl) |
//32+1+//72+1+7//656//7 |
SC-E |
Amaryllis, 1760 |
I,77 |
GF,VO,HAF+FL/GF |
To speak my mind of womankind (fl) |
//1+1/11//11/11//2/34//31 |
TW-E |
Maid/Mill, 1765 |
57 |
VO,HAF |
To speer my love, wi' glances fair (fl) |
//1235-/6-7-16-//5-3-2-1-/12//3123/ 6-43 |
SC-E |
Calliope, 1788 |
376-377 |
VO |
To speer my love, wi' glances fair (fl) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43- |
SC-S |
Edinburgh MM-1, 1792 |
68-69 |
VO |
To sport, Away - no more delay (fl) |
//35/51+//1+71+/55//543/22+//2+1+7/ 641 |
BA-E |
Robin Hood, 1730 |
17 |
VO |
To Stable (t) |
//15-/13//15-3/1 |
IC-E |
Jones Bugle, 1805 |
4 |
BU |
To Start (t) |
//111/11//31/15-//15-/15- |
IC-E |
Jones Bugle, 1805 |
4 |
BU |
To stop an arrow's swift career (fl) |
//6-3/321//7-6-/55//6-7-/16-//12/3 |
BA-E |
Momus Turnd Fab, 1729 |
6 |
VO |
To suck the flower sweet (fl) |
//3543217-/7-11//217-6-5-4/35//5456 1+/7 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To suck the flowers sweet (fl) |
//354321/7-11//217-6-5-4/35//545 |
SC-E |
Calliope, 1746 |
II,42 |
VO,HAF+FL |
To suck the flowers sweet (fl) |
//35/43217-1//217-6-5-4/35//54561+/ 53 |
AM-A |
Swan MS, 1775 |
6R-6V |
VO,B |
To supply the defects of my country so dear (fl) |
|
BA-E |
Little John, 1778 |
74-75 |
|
To Sylvia (t) |
//36/51+//71+2+3/2+4//31+/3+21+7 |
SC-E |
Clio-1, 1758 |
114 |
VO,HA |
To Sylvia (t) |
//1321//27-7-12//17-6-//7-5-4-3- |
SC-E |
Pills 2, 1719-20 |
34-35 |
VO |
To Sylvia (t) |
//1+3+//2+1+71+5//61+7654//37//5321 671+ |
SS-E |
SS, Huntington-1 |
68 |
VO,KB+FL |
To take in good part the squeeze of the hand (fl) |
//535/45//3127-/15//544/435 |
SS-E |
SS, Harvard |
1 |
VO,KB |
To take in good part, The squeeze of the hand (fl) |
//535/45//3127-/15//544/435 |
SS-E |
SS, Harvard |
1 |
VO,KB |
To take in good part ye squeeze of ye hand (fl) |
//535/45//3127-/15//544/435 |
SC-E |
Clio-1, 1758 |
23 |
VO,HA |
To tell a tale of Windsor my Muse is now inclin'd (fl) |
//111/12//17-6-5-/6-//6-22/2222//21 7-6- |
SC-E |
Pills 2, 1719-20 |
102-5 |
VO |
To tell I'm in love is to tell what I know (fl) |
//135/1+1+5//654/35//1+2+3+5/6543// 32 |
SS-E |
SS, Harvard |
1 |
VO,KB+GT |
To tell you the truth (fl) |
//565/1+76//565/1+76//5 |
TW-E |
Lionel & Clar, 1768 |
12-13 |
VO,HAF |
To tempt the dangers of the war (bt) |
//32436//54351+2+//3+1+62+//1+771+5 |
TW-E |
Highland Reel, 1788 |
40-41 |
VO,PF/HARP |
To th' gin shop let us go (fl) |
//1+555/4321//1235/56//1+1+1+1+ |
SS-E |
SS, Folger-C42.3 |
354 |
VO+FL |
To the 25th Regt. A Quick Step (t) |
//131/242//353/13//464/353// |
MS-S |
Fife MS, 1780 |
376,39r |
1FI OR 2FI/VN |
To the Absent Florinda (t) |
//15/4321//5671+/1+765//15/4321 |
SC-E |
Watts MM-5, 1731 |
27-29 |
VO,HA+FL |
To the Beauty of New Bagington, Dear Miss bromely (t) |
|
SC-E |
Pills 2, 1719-20 |
259 |
VO |
To the bleak winds, on barren sands (fl) |
//1+56//54321//51+7//1+//765 |
SC-E |
Watts MM-3, 1730 |
177-179 |
VO,HA+FL |
To the brave sons of freedom (fl) |
//1-3-5-//132//13-4-//5-5-//321//7- 6-7- |
AI-A |
American Sheet Music |
|
VO/KB |
To the brook and the willow (fl) |
//671+//54321//454//33//4565 |
SC-E |
Watts MM-3, 1730 |
185-187 |
VO,HA+FL |
To the brook and the willow that heard him complain (fl) |
//671+//54321//454//33 |
SC-E |
Ritson, 1783 |
TI,52-54;MIII,20 |
VO |
To the Centre (t) |
//5-15-1/3135 |
AI-A |
Duane Riflemen, 1812 |
103 |
BU |
To the chace; tantwivy, tantwivy, tantara, huzza! (bt) |
//1+55//543//2654//432//31234 |
SC-E |
Vocal Music, 1778 |
2-3 |
VO/VN/GF |
To the chanting warbling throng (fl) |
//31/27-//1/23 |
SS-E |
SS, Huntington-1 |
5 |
VO,HA |
To the cock in the rock, &c. (bt) |
//121/135//427-/17-1//27-1/234//5 |
SS-E |
SS, Harvard |
1 |
VO,KB |
To the Colonel... Oxford University Volunteers. Quick Step (t) |
//35/46//24/35//13/43 |
IC-E |
English Sheet Music |
|
2CL,2HN,BS+HA/P |
To the Colonel... Oxford University Volunteers. Slow March (t) |
//111/135//5427-/123//4565/4534 |
IC-E |
English Sheet Music |
6 |
2CL,2HN,BS+HA/P |
To the Colour (t) |
//334//51+6//5564//4312//334//51+6 |
AI-A |
Cooper System, 1836 |
222 |
FI,DR(NOT) |
To the Colour (t) |
//3315-1//31//5555//31//3315-1//31 |
AI-A |
Cooper System, 1836 |
234 |
BU |
To the Colour (t) |
//334//51+6//5564//4312//334//51+6/ / |
AI-A |
US Tactics, 1835 |
3 |
FI,DR |
To the Colour (t) |
//3315-1//31//5555//31//3315-1//31/ / |
AI-A |
US Tactics, 1835 |
15 |
BU |
To the conscious groves I hie me (fl) |
//1234/3456//5331/2343//127-/1324 |
SS-E |
SS, Boston PL-1 |
146,1-2 |
VO,HA |
To the Disconsolate Doris (t) |
//1+71+/54//321/5//656/767//1+71+ |
SC-E |
Watts MM-4, 1730 |
178-179+181 |
VO,HA+FL |
To the Disconsolate Doris (it) |
|
SC-E |
Watts MM-4, 1730 |
T179-180M178 |
VO,HA+FL |
To the doctor pray do go, &c. (bt) |
//1+554/4332//1234/55//51+1+1+/1+1+ 1+1+ |
SS-E |
SS, Boston PL-2 |
299 |
VO,KB+GT |
To the Ewe-Bughts Marion (t) |
//1/23//1+/71//6/6-7- |
AI-A |
Caladonian Muse, 1798 |
77-78 |
VO/PF/VN |
To the Ewe-Bughts Marion (t) |
//1/23//1+/71//6/6-7- |
AI-A |
Scots MM, 1797 |
77-78 |
VO,HA/PF |
To the Fields. A March (t) |
Drum notation |
AI-A |
Lovering Drum, 1819 |
11 |
DR(NOT) |
To the Genius of England (t) |
//11/17-127-//1234/23//43/21 |
SS-E |
SS, Boston PL-2 |
37 |
VO,KB+GF |
To the god of wine (fl) |
//31/55-//17-12/17-6-//5-1/217-6-// 5- |
SC-E |
Calliope, 1746 |
I,169 |
VO,B+FL |
To the god of wine (fl) |
//31/55-//17-12/17-6-//5-1 |
SS-E |
SS, Folger-C42.3 |
356 |
VO,KB+FL |
To the green woods gang with me (t) |
//1+2+3+5/671+6//5321/1+2+//3+1+76/ 51+4+3+// |
MS-C |
Molyneaux MS-1, 1788 |
41 |
GF |
To the Greenwood Gang (t) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43 |
AI-A |
Balls Amus 1, 1815 |
10 |
FL/FI/VN |
To the Greenwood Gang (t) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43 |
AI-A |
Riley Flute 1, 1814 |
42 |
FL |
To the Greenwood Gang Wi' Me (t) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43 |
IC-S |
Aird 6, 1803 |
47 |
FI/VN/GF |
To the Greenwood Gang Wi' Me(bt) |
//1235-/6-7-16-//5-3-2-1-/12//3123/ 6-43 |
SC-E |
Calliope, 1788 |
376-377 |
VO |
To the Greenwood Gang Wi' Me (t) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43- |
SC-S |
Edinburgh MM-1, 1792 |
68-69 |
VO |
To the greenwood gang wi' me (bt) |
//1235-/6-7-16-//5-3-2-1-/12//31123 /6-43- |
SC-S |
Edinburgh MM-1, 1792 |
68-69 |
VO |
To the Greenwood Gang Wi' Me (at). Song 202 (t), or |
//1235-/6-7-16-//5-3-2-1-/12//3123/ 6-43 |
SC-E |
Calliope, 1788 |
376-377 |
VO |
To the grove, gentle love, let us be going (fl) |
//334//217-//16-7-//5-3- |
SC-E |
Pills 5, 1719-20 |
182 |
VO |
To the grove with Dianna (bt) |
//1132//115-1//212345//432//3 |
AI-A |
Moller & Capron, 1793 |
6 |
VO,KB |
To the Hundreds of Drury (it) |
|
BA-E |
Devil Duke-1, 1732 |
5 |
|
To the Hundreds of Drury I Write (it) |
//1+61+7576//71+2+1+7651+71+2+1+2+7 //1+61+7576 |
BA-E |
Devil Duke-2, 1732 |
T5M6 |
VO,HAF |
To the Hundreds of Drury I Write (it) |
|
BA-S |
Devil Duke-3, 1733 |
14 |
|
To the Hundreds of Drury I Write (it) |
|
BA-E |
Humours/Court, 1732 |
19 |
|
To the hundreds of Drury I write (fl) |
//1+61+/765/671+//72+7/567/2+72+2+/ /1+6 |
SS-E |
SS, Harvard |
1 |
VO+FL |
To the Hundreds of Drury I Write (it) |
|
BA-E |
State Juggler 1733 |
38 |
|
To the Ingenious Mr. Moore, Author of the Celebrated Worm Powder (sat) |
//5432/13//217-6-/5-23//42/7-5-4//3 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
To the Ingenious Mr. Moore, Author of the Celebrated Worm-Powder (t) |
//12/7-1//234/25-//16-/7-1 |
SC-E |
Watts MM-2, 1729 |
110-112 |
VO/VN |
To The Ingenious Mr. Moore Author Of...celebrated Worm Powder; (at). Mr. Po |
//5432/13//217-6-/5-23//42/7-5-4//3 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
To the Left (t) |
//5-5-1-//5-5-1- |
AI-A |
Duane Riflemen, 1812 |
103 |
BU |
To the Maid I Love Best (t), or Favorite Song, A (at) |
//53/31//15-/5-//12/3135 |
AI-A |
American SS-SM |
1-2 |
KB,VO |
To the Moon (at). Elegiac Song (t), or |
|
SC-E |
Watts MM-5, 1731 |
T94-95M93 |
VO,HA+FL |
To the Nightingale (t) |
//32/17-//1/43//65/43//32 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To the pipe and tabor, &c. (bt) |
//5432/31//51+/1+76//5432/17-12 |
SS-E |
SS, Harvard |
1 |
VO+FL |
To the priest away (fl) |
//63/21//7-16/5-65//63/21 |
BA-E |
Love/Riddle, 1729 |
T66M95 |
VO |
To the priest away, to bind our vows (fl) |
//63/21//7-16-/565//63/21//7-/6-65 |
BA-E |
Damon & Phill, 1729 |
31 |
VO |
To the priest away, to bind our vows (fl) |
//63/21//7-16-/5-65//63/21//7-41 |
BA-E |
Damon & Phill, 1749 |
31 |
VO |
To the Right (t) |
//5-1-//5- |
AI-A |
Duane Riflemen, 1812 |
103 |
BU |
To the Rose Bud (t) |
//3521//6-5-6-1//1-2-3-//5-12//321 |
SC-S |
Scots MM-4, 1792 |
340 |
VO,PF |
To the rules of our order attend (fl) |
//345//1+2+3+//2+1+7//1+55/567//1+ |
SC-E |
Vocal Music, 1778 |
52-53 |
VO/VN/GF |
To the soft murm'ring stream (fl) |
//135//1+76//5654//355//1+3+2+1+76/ /5 |
AM-A |
Hiester MS-1, 1793 |
43-44 |
KB,VO |
To the soft murm'ring stream (fl) |
//135//1+76//5654//355//1+3+2+1+76/ /5 |
SS-E |
SS, Harvard |
1 |
VO,B |
To the soft murm'ring stream I will sing of my love (fl) |
//135//1+76//5654//355//1+3+2+1+76 |
SS-E |
SS, Huntington-2 |
107,2-4 |
HN,VN,OB,VA,BS,VO,B |
To the soft murm'ring stream I will sing of my love (fl) |
//135//1+76//5654//355//1+3+2+1+76 |
SC-S |
Scots MM-1, 1787 |
6-7 |
VO,PF |
To the soft murm'ring stream I will sing of my love; as on the banks (fl-r) |
//135//1+76//5654//355//1+3+2+1+76 |
SC-S |
Scots MM-1, 1787 |
6-7 |
VO,PF |
To the Souan Kit & Round the Black Pot (t), or Bob & Joan (at) |
//311/5-1//311/324//311/5-1// |
AM-A |
Hoff MS, 1797 |
No. 152 |
GF |
To the sweet chanting warbling throng (fl) |
//31/27-//1/23//43/21 |
SS-E |
SS, Boston PL-2 |
213 |
VO,KB |
To the vineyards praise the chorus raise (fl) |
//15-/5-6-7-//1234/5//543/217-1//1 |
TW-E |
Pirates, 1792 |
70-71 |
4VO,KB |
To the vineyard's praise the chorus raise (fl) |
//15-/5-6-7-//1234/5//543/217-1//1 |
TW-E |
Pirates, 1792 |
74-75 |
4VO,KB |
To the Voice of a Friend (t) |
//17-1231/222//234/355//5 |
SC-E |
Vocal Music, 1778 |
38-39 |
VO/VN/GF |
To the voice of a friend (fl) |
//17-1231/222//234/355//5 |
SC-E |
Vocal Music, 1778 |
38-39 |
VO/VN/GF |
To the wars I must, Alas! (fl) |
//5-6-/5-1//5-34//53/123//2 |
SC-E |
Convivial, 1782 |
298-299 |
VO |
To the wars I must alass (fl) |
//5-6-/5-1//5-34//53/123//217- |
SC-E |
Pills 5, 1719-20 |
136-7 |
VO |
To the Weaver Gin Ye Go (t) |
//53/321//32/21+6//53/32 |
IC-S |
Aird 2, 1785 |
6 |
FI/VN/GF |
To the Weaver Gin Ye Go (t) |
//1+6/654//65/54+3+//1+6/65// |
MS-S |
Fife MS, 1780 |
664,72r |
1FI OR 2FI/VN |
To the Weaver's Gin Ye Go (t) |
//53/321//43/31+6//53/32//31+6 |
SC-S |
Scots MM-2, 1788 |
106 |
VO,PF |
To the weaver's gin ye go (bt) |
//53/321//43/31+6//53/32//31+6 |
SC-S |
Scots MM-2, 1788 |
106 |
VO,PF |
To the winds to the waves (fl) |
//36545//2431//6-5-43//2//5 |
AI-A |
Gent's Amus, 1794 |
18 |
GF/VN/VO |
To the winds, to the waves, to the wood I complain (fl) |
//36545//2431//6-5-43//2 |
SC-S |
Edinburgh MM-2, 1793 |
70-71 |
VO |
To the Woods (t) |
//15-1/15-1//123/22//217-6-5-/7-16- |
AM-A |
Beck MS, 1786 |
33 |
GF |
To the woods and the fields (fl) |
//15-1/15-1//123/23//313/313 |
IC-E |
Thompson Hunting, 1770 |
2:18 |
VO/HAF/VN/GF |
To the Woods and the Fields (t) |
//15-1/15-1//123/22//2 |
SC-E |
Vocal Music, 1775 |
176-177 |
VO/VN/GF |
To the woods and the fields (fl) |
//15-1/15-1//123/22//2 |
SC-E |
Vocal Music, 1775 |
176-177 |
VO/VN/GF |
To the woods and the fields my brave boys haste away (fl) |
//15-1/15-1//123/22//217-6-5-/7-16- |
SC-E |
Vocal Enchant, 1783 |
58-59 |
VO |
To the Woods &c (at). Hunting Song (t), or |
//15-1/15-1//123/22//217-6-5-/7-16- |
AM-A |
Otis MS, 1793 |
38 |
VN/FL |
To the words that I sing fellow subjects attend (fl) |
//1+1+/1+54//321/55//666 |
SC-E |
Amaryllis, 1760 |
I,50-51 |
GF,VO,HAF+FL |
To thee bright queen of love (fl) |
|
BA-E |
Spanish Lady, 1765 |
16 |
|
To thee I yield my pow'r divine (fl) |
//11/23//43/2//1/23//43/2//1 |
BA-E |
Tragedy/Chronon, 1734 |
T23M7 |
VO |
To thee, kind nymph, as to offended heav'n (fl-r) |
//3451+7//1+2+3+//2+1+1+554//35//65 46 |
TW-E |
Chaplet, 1750 |
40-46 |
GF,20B,2VN,VA,4VO,KBF |
To thee my little blooming fair (fl) |
//34/565431//24321/7-5-//11/44 |
SS-E |
SS, Harvard |
1 |
VO,KBF+FL |
To thee, o! gentle sleep (fl) |
//543//321//7-11//23//6-7-1 |
SC-E |
Calliope, 1746 |
I,144 |
VO,HAF+FL |
To Thee, O Gentle Sleep! (it) |
|
BA-S |
William & Lucy, 1780 |
17 |
|
To thee o gentle sleep alone (fl) |
//543//321//7-11/23//6-7-1 |
SS-E |
SS, Huntington-1 |
99 |
VO,KBF+GF+FL |
To Thee, O Gentle Sleep! Alone (t) |
//543//321//7-117-1//23//6-7-1 |
SC-E |
Vocal Music, 1775 |
17 |
VO/VN/GF |
To thee, O gentle sleep! alone (fl) |
//543//321//7-117-1//23//6-7-1 |
SC-E |
Vocal Music, 1775 |
17 |
VO/VN/GF |
To Thee Oh! Gentle Sleep (t) |
//543//321//7-21324//32123//6-17-21 35 |
AM-A |
Aborn MS, 1790 |
23 |
MI |
To thee oh gentle sleep (fl) |
//543//321//7-117-1 |
SC-E |
Clio-2, 1759 |
193 |
VO,HAF+GF |
To Thee Oh Gentle Sleep (t) |
//1+76//654//354657//65456//243561+ //76543// |
IC-E |
Hill Flute, 1762 |
27 |
GF |
To Thee Oh! Gentle Sleep (t) |
//543//321//7-117-1//26-3//6-7-1 |
SS-E |
SS, Boston PL-2 |
75 |
VO,KBF+2GF |
To thee oh! gentle sleep (fl) |
//543//321//7-117-1//26-3//6-7-1 |
SS-E |
SS, Boston PL-2 |
75 |
VO,KBF+2GF |
To Thee Oh! Gentle Sleep (t) |
//543//321//7-117-1//23//6-7-1 |
SS-E |
SS, Huntington-2 |
72 |
VO,KBF+GF |
To thee oh! gentle sleep (fl) |
//543//321//7-117-1//23//6-7-1 |
SS-E |
SS, Huntington-2 |
72 |
VO,KBF+GF |
To Thee Oh! Gentle Sleep (t) |
//543//321//7-117-1//23//6-7-1 |
SS-E |
SS, New York PL-C694 |
69 |
VO,HA+2GT/2GF |
To thee oh! gentle sleep (fl) |
//543//321//7-117-1//23//6-7-1 |
SS-E |
SS, New York PL-C694 |
69 |
VO,HA+2GT/2GF |
To thine altar o love (fl) |
//1132243//3451351+//65432//23455-5 -//1132243 |
SS-E |
SS, Boston PL-2 |
187 |
VO,KB+GT |
To think of one's follies sometimes is but right (fl) |
//535/424//321/522//321/7-7-7-//1 |
SS-E |
SS, Harvard |
1 |
VO,KB |
To this place we're now come for good Musick (fl) |
//34321//7-7-7-//112//3334//5654 |
SS-E |
SS, Folger-C42.3 |
355 |
VO,KB+FL |
To tie up my bonny brown hair (bt) |
//5/5//531+/531//4/4 |
AM-A |
Otis MS, 1793 |
T-BEFORE TP-M44 |
2VN/2FL/2VO |
To tinkling brooks, to twilight shades (fl) |
|
SC-E |
Ritson, 1783 |
TII,93-94 |
VO |
To Trot (t) |
//3-5-/5-5-//15-/5-5-//3-5-/5-5- |
IC-E |
Jones Bugle, 1805 |
4 |
BU |
To turn to enjoyment the cares of life (fl) |
|
BA-E |
Bay's Opera, 1730 |
22 |
|
To tye up my bonny brown hair (bt) |
//5/5//531+/531//4 |
SC-S |
Scots MM-5, 1797 |
510 |
VO,PF |
To Uncouple the Hounds (t) |
|
IC-E |
Cox Horn, 1697 |
Folio 1 |
HN |
To Uncouple the Hounds (t) |
|
IC-E |
Sportsman's Horn, 1735 |
|
HN |
To Various Tunes (it) |
|
BA-E |
Midas-2, 1764 |
65 |
|
To virgins, take heed of false men (fl) |
|
BA-E |
Lucky Discovery, 1738 |
8 |
|
To Walk (t) |
//13//13-/5-3//1//31//1 |
IC-E |
Jones Bugle, 1805 |
4 |
BU |
To wander over hill and dale (fl) |
//1+564//5135//1+342//141 |
BA-E |
Robin Hood, 1730 |
27 |
VO |
To wanton pleasures, roving charms (fl) |
|
BA-E |
Genuine Grub, 1731 |
31 |
|
To wanton pleasures, roving charms (fl) |
|
BA-E |
Grub St.opera, 1731 |
22 |
|
To what a pitch is man profuse (fl) |
//667/1+76//771+/2+1+7//67/1+76//63 +/3+ |
BA-E |
Achilles, 1733 |
18 |
VO |
To what my eyes admir'd (fl) |
//5456//5345//432 |
SC-E |
Clio-2, 1759 |
110-111 |
VO,HA+GF |
To whit, to whoo (bt) |
//321/217-//1/1//11/11//345 |
AI-A |
Carr Ballads, 1794 |
2-3 |
VO,KB |
To Wisdom (at). Song 29 (t), or |
//55/655//6771+/1+//345/65 |
SC-E |
Ritson, 1783 |
TII,111-114;MIII,246 |
VO |
To woo (bt) |
//6/67//1+7/65//3/21 |
SC-S |
Scots MM-6, 1803 |
558-559 |
VO,PF |
To woo me and win me (fl) |
//1+55/2+55//3+1+3+/2+5//671+/564 |
SC-E |
Clio-1, 1758 |
122-3 |
VO,HA+GF |
To woo me, and win me (fl) |
//1+55/2+55//3+1+3+/2+5//671+/564// 3 |
SS-E |
SS, Harvard |
1 |
VO,KBF |
To writing I did go (bt) |
|
BA-E |
Court Legacy, 1733 |
7 |
|
To ye brook and ye willow (bt) |
//671+//732//136//55//63 |
SS-E |
SS, Folger-C42.4 |
304 |
VO,KB+FL |
To ye god of wine my song & my design (fl) |
//31/55-//17-12/17-6-//5-1/217-6- |
SC-E |
Musical Ent-2, 1740 |
88 |
VO,HAF+FL |
To ye god of wine my song & my design (fl) |
//31/55-//17-12/17-6-//5-1/217-6-// 5- |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
To yonder beeches friendly shade (fl-r) |
//1335/543//4661+/1+2+3+2+//1+543/6 5//4321 |
SS-E |
SS, Harvard |
1 |
VO,KBF+GF |
To yonder yonder yonder hill (fl) |
//543//321//123//321+//1+76 |
SS-E |
SS, Folger-C42.3 |
456 |
VO,KB+FL |
To you, Dear father, and our home (fl) |
//51+/71+//2+1+76/5//6/54//345/1+ |
BA-E |
Jovial Crew, 1731 |
21 |
VO |
To you, dear mistress of my soul (fl) |
|
BA-E |
State Juggler 1733 |
36 |
|
To You Fair Ladies on the Land (it) |
|
BA-E |
Little John, 1778 |
34-35 |
|
To You Fair Ladies (it) |
|
BA-I |
Author's Farce, 1730 |
39-40 |
|
To You Fair Ladies (it) |
|
BA-E |
Cure For Scold, 1735 |
51 |
|
To You Fair Ladies (it) |
|
BA-E |
Lovers Opera, 1729 |
11 |
|
To You Fair Ladies (it) |
//51+/7//1+/2+1+76//5/6 |
BA-E |
Polly, 1729 |
T57M22 |
VO,B |
To You Fair Ladies (it) |
|
BA-E |
Sailor's Opera, 1745 |
29 |
|
To You Fair Ladies, &c (it) |
|
BA-I |
Cobler Preston, 1732 |
15 |
|
To You, Fair Ladies, Now at Land (it) |
//51+/71+//2+1+76/5//6/54//345/1+ |
BA-E |
Jovial Crew, 1731 |
21 |
VO |
To you fair ladies now at land (fl) |
//3+2+75//1+54345//1+51+5//1+3+2+// 7 |
SC-E |
Pills 6, 1719-20 |
272-4 |
VO |
To you, Fair ladies, now in town (fl) |
|
SC-E |
Convivial, 1782 |
T354-355M273 |
VO |
To you, Fair ladies, now in town (fl) |
//51+/71+//2+1+76/5//6/54 |
SC-E |
Watts MM-3, 1730 |
90-93 |
VO,HA+FL |
To You Fair Ladies Now on Land (it) |
//51+/71+//2+1+76/5//6/54//345/1+5 |
BA-E |
Lovers Opera, 1730 |
16 |
VO |
To you fair ladys now at land (fl) |
//3+2+75//1+54345//1+51+5//1+3+2+7/ /51+54 |
SS-E |
SS, Folger-C42.2 |
129 |
VO+FL |
To you fair ladys now at land (fl) |
//3+2+75//1+54345//1+51+5//1+3+2+7/ /51+54 |
SS-E |
SS, Folger-C42.3 |
357 |
VO+FL |
To You, My Dear, and to no Other (it) |
//5654//31555//5523//4543 |
BA-E |
Achilles, 1733 |
8 |
VO |
To you our representatives (fl) |
|
BA-E |
Court & Country, 1743 |
46-47 |
|
To you, Sir Ralph, I make my court (fl) |
//55/54//32/123//25-/6-7-//1 |
BA-E |
Decoy, 1733 |
T52M13 |
VO |
To You Who Live at Home at Ease (it) |
//5-1/7-1//23/432//321/217-6- |
BA-E |
Cobler's Op-2, 1729 |
T24-25M7 |
VO |
To you who live at home at ease (fl) |
//36/656//71+/2+1+7//1+76/7654//3 |
SC-E |
Watts MM-6, 1731 |
14-16 |
VO,HA+FL |
To Young Virgins (t) |
//555/67//1+654/32//1234/5 |
SC-E |
Pills 3, 1719-20 |
59-60 |
VO |
To your arms, Boys, march (fl) |
|
BA-E |
Mad-House, 1737 |
39 |
|
To your arms, Boys, march (fl) |
|
BA-E |
Rehearsal, 1737 |
39 |
|
To Zephyrus (t) |
//35//423127-//15-4-//3-4-5-17-//6- 7-1 |
SS-E |
SS, Folger-C42.3 |
252 |
VO,KB+FL |
To Zephyrus (t), or Mr. Howard's Musette (at) |
//35//423127-//15-4-//3-4-5-17-//6- 7-1//2343 |
SC-E |
Muses Delight, 1754 |
67 |
VO,HA |