This episode, Julie sits down with fiddler Becky Tracy. Becky has been a defining presence in some of the most popular and innovative contra dance from New England —Wild Asparagus, and Nightingale. They discuss her trajectory from math teacher to full-time traditional musician, her approach to musical creativity, her musical partnership with Keith, the ways that community builds upon itself through tunes, and much more.

This episode Julie sits down with Seattle musician Dave Bartley. They explore the myriad influences that have woven their way into Dave’s musical style and repertoire, and in his numerous bands – KGB, Contra Sutra and Bag o’Tricks, and ECD groups Tricky Brits and Roguery. He shares his perspective on the Pacific Northwest dance and music community and even shares a few of the secrets behind the magic of KGB. Enjoy!

This episode, Julie sits down with fiddler, multi-instrumentalist, and composer Ben Smith from the Mean Lids, and his musical alter-ego D.R. Shadow. Ben and Julie’s conversation touches on his early musical experiences in upstate New York with classical violin and the magical moment when he first played for a contra dance. And for the first time on Contra Pulse, Julie gets to take a deep dive into the world of techno contra, exploring with Ben the intricacies of incorporating electronic dance music and other alternative musical forms into the realm of contra dance.

This episode, Julie sits down with West Coast dance pianist Anita Anderson They revisit Anita’s early musical experiences learning the chord organ where she grew up in Long Beach, California, through her first exposure to contra and ECD in Los Angeles. They discuss the myriad musical collaborations she’s involved in and with the help of some short excerpts from contra dance pianists selected by Anita, they explore the many influences and styles that have led to Anita’s unique sound.

This episode, Julie sits down with fellow contra dance pianist and CDSS Lifetime Contribution Award recipient Sue Songer. In addition to playing piano Sue also plays fiddle, coordinates and directs the Portland Megaband, and with her collaborator Clyde Curley compiled the 3 volumes of The Portland Collection. In the interview Sue describes her journey from Suzuki violin lessons to support her daughter to becoming a fully fledged contra dance musician and organizer extraordinaire. They discuss the dance and music scene in the Pacific Northwest, the evolution of Sue’s piano style, her knack for notating tunes, which lead to the origin of the Portland Collection, and the secret sauce behind the epic sound of the Portland Megaband. Sue also talks about her most recent publication, a book commemorating and celebrating the life and work of David Kaynor, her friend and frequent music partner.

This episode, Julie sits down with fiddler Amy Larkin of Falmouth, MA – a quintessential part of the New England contra dance scene playing in too many bands and musical groups to count: Uncle Gizmo, Heyday, LocoMojo, Mr. Spanky, to name a few and a Cajun Zydeco band with her husband, Jonathan Larkin. Amy talks about her formative experiences growing up in Lincoln, MA and dancing to callers such as Ted Sannella and Dudley Laufman. And we revisit her days touring with Larry Unger and other bands, talk about her current musical projects, and delve into her thoughts on working with callers and playing for dances. She also shares stories about the Boston-area dances, which have played such a huge role in her life as a musician.

Julie sits down with musician, composer, cartoonist, and stuntologist Sam Bartlett. As a musician Sam plays in the Irish and old-time American traditions on the tenor banjo, mandolin, and jaw harp and he has been a huge part of reshaping the face of modern contra dance music. He got his start as a dance musician playing with iconic bands such as Uncle Gizmo, Fresh Fish, Wild Asparagus, and the Clayfoot Strutters.

In their interview Julie and Sam discuss his many musical influences, revisit memories of his very first contra dance, expound on the joys of the jaw harp and so much more. Julie also learns the secret behind Sam’s favorite practice routine (note: do not try this at home!).

This episode, Julie sits down with multi-instrumentalist and composer Larry Unger. Larry has been a full-time musician since 1984, and he has presented a diverse range of music at contra, Scottish and English dances, music camps, festivals, coffee houses and concerts all across North America and abroad. You might have heard his guitar, banjo, or…

This episode, Julie sits down with fiddler, teacher, composer, and explorer Karina Wilson. Born into a contradance family, she was dancing to the fiddle in the womb and music and dance have been her north star since before time began. Growing up she avidly studied classical violin through her childhood and youth and fostered an everlasting love affair with English and contra dance music amidst the rich folk scene of her native New Mexico.

Today there’s not much that Karina doesn’t do, as long as it involves music. She teaches and directs a private violin/viola studio, arranges and records for a handful of music studios in northern New Mexico, and performs with multiple groups in Santa Fe including a slightly sacrilegious honky-tonk gospel group, and old-time/blues group, various folk and dance groups, the incredible New Mexican/Mexican traditional music group Lone Piñon, and her own international tradfolk group the Big Heart Band. She still plays for contra and ECD working with bands and musicians such as the Gaslight Tinkers, Larry Unger, Jeff Spero, and George Paul.

In their interview over Zoom Julie and Karina discuss the New Mexico folk dance and music scene that has been so central in her life, her style as a dance musician, and the musical wanderlust, which has led her across 3 continents and 23 countries/territories in search of the complete and true context that surrounds traditional music within each unique culture.

This episode, Julie sits down with pianist, caller, dance choreographer, and west-coaster Jeff Spero. Jeff has been playing piano and singing since he was five years old. At a young age he discovered an affinity for popular music and later brought his rhythmic style to American and Celtic folk and dance music. Now he plays dances, concerts and festivals with bands such as Syncopaths and Rhythm Raptors.

Jeff and Julie discuss his early influences, the nuances of the west coast contra dance scene, the evolution of his signature style, and how he thinks about playing music for dancers. He did the interview over Zoom sitting at his home piano in Culver City, California and the conversation is embellished with tunes and musical interludes.