In this episode, Mary interviews Louise Siddons about her involvement with communities in Michigan and Oklahoma, and across the pond in the UK. We’ll also learn about her work developing and teaching the practice of “positional calling” for social dance, which has recently culminated in a new book, published through CDSS, called Dancing the Whole Dance: Positional Calling for Contra. In the interview Louise shares what it’s been like to step into a leading role in the discussion about positional calling, and how her personal experiences on and off the dance floor have shaped her approach to dance leadership.

My only job is to help people have fun. Fun, F-U-N, three letter word. That’s it! ~ Wendy Graham Wendy Graham (Durango, Colorado) is a self-proclaimed “dance maniac.” Her passion for music, song and dance caught fire in 1991 on a Danish-American Exchange (DAE) youth dance tour to Denmark. Today, Wendy leads English and American…

This episode, Mary talks with Will Mentor, who began his calling career in Fairfield, Iowa, 1995. Since then he has called dances, dance weekends, and weeklong dance camps all over the United States. Canada, and Europe. Now from Northern Vermont, Will is known for his clear teaching, upbeat wit, and relaxed stage presence. He loves to choreograph evenings with a variety of dances and tempos that at times surprise and always delight. All this while keeping intact his guiding principle as a caller: “It’s about the dancers!”

It’s not about perfection in the execution. It’s not about the complicated figures that we all can do. It’s not about the puzzle. It’s really about the people and how this vehicle can bring all those people together.  ~ Chrissy Fowler Chrissy Fowler grew up in the shadow of Maine’s highest mountain, Katahdin. She went…

I think my favorite gigs are those for total non-dancers because the look on their faces when they’re having such a blast, it’s just so rewarding to see people get into it. ~ Sue Rosen A leading caller of contras, squares, English country dance and family dance programs, Sue Rosen has been actively calling for…

There’s no greater love than bringing new people into a dance and having them smile and say, I love this, I want to come back. That gives me the biggest thrill and the biggest feeling of accomplishment and satisfaction and joy. ~ Chris Ricciotti Meet Chris: I fell in love with dancing as a young…

This episode, Mary talks with caller and choreographer Chris Page, who has called contras and English country dance in San Diego for about 15 years. When calling, his main concern is being serious about dancers not taking themselves too seriously. Along with Michael Dyck, he’s turned his obsession with the history of contra dance choreography into something productive through the online database, The Caller’s Box. There are lots of fascinating tidbits for callers and choreographers alike in this one. Check it out!

This episode, we talk with Sue Hulsether, a dance caller, teaching artist, clogger, and musician hailing from Wisconsin. Since 2003, she has travelled from coast to coast to lead dances in dance halls, schools, barns, and community centers. Dancing with thousands of school children each year, her artist-in-residence career has risen out of the skills she gained from over 10 years as an elementary music teacher. Her influence and repertoire is wide, with dancers ranging from preschoolers to octogenarians and she calls squares, contras, circle dances, longways whole-set dances, and play parties.

…we’re part of creating something that’s unique and unusual where nobody’s worrying about tomorrow or feeling bad about what happened yesterday. We’re just in this experience totally together. I love that feeling. ~ Gaye Fifer Gaye Fifer is an accomplished caller from Pittsburgh, PA. An active dancer herself, Gaye understands the subtleties of making dances particularly…

In this episode Mary interviews Boston based caller Tony Parkes. Tony is an encyclopedia of square and contra dance history, full of vivid recollections of the many mentors and sources of inspiration that have made him the caller, dance leader, and person that he is today. From his beginnings as a 14-year-old stepping up to the mic at Farm and Wilderness Camp to call Golden Slippers, to writing the foundational contra dance calling text which has helped so many callers find their way to the stage, to his most recent publication, in which, to use his words, he “gives away the farm” sharing his square dance repertoire and know-how…Tony Parkes is a gift to us all!