John Roberts receives the Lifetime Contribution Award in recognition of his contributions as a singer, song collector, historian, accompanist, teacher, and mentor. His award celebration will be held spring 2025 in Schenectady, NY.
For the past six decades, John fostered a wonderful set of communities through his music and song, including the English folk music scene, the morris dance world, the Irish music world, CDSS camps at Pinewoods, and at folk festivals from coast to coast.
Supported by concertina, banjo, guitar, or melodeon, John’s solo performances offer a great balance of wit, historical knowledge, and musicianship—and always a warm invitation to join in. When John sings, he has the remarkable ability to transport listeners to the place and time of the song, a notable talent that engages the audience with ease and confidence.
Tony Parkes (1949–2024) receives the Lifetime Contribution Award in recognition of his contributions as a caller of contras and squares for more than 50 years, choreographer, musician, band leader, author, workshop leader, dance historian, and dance organizer. His award will be presented posthumously on November 22, 2025, in Concord, MA.
Tony Parkes touched the lives of innumerable dancers, musicians, and callers throughout his career. He was the author of Contra Dance Calling: A Basic Text, the comprehensive book on calling, and more recently Square Dance Calling: An Old Art for a New Century, and his legacy will live on in those foundational volumes for decades to come. But Tony also embodied the consummate caller and musician, appearing weekly at the Concord (MA) Scout House for more than 20 years with the band Yankee Ingenuity, which he co-founded.
David Surette (1963–2021) receives the Lifetime Contribution Award in recognition of his contributions as an inspiring music performer, teacher, scholar, and mentor. His award will be presented posthumously in fall 2025 in Concord, NH.
David will be remembered as a talented, kind, and generous person who fostered the love of participatory folk music in all those around him. He taught and mentored many young musicians and was an extraordinary talent on mandolin, guitar, and bouzouki. David toured with numerous contra dance bands, including Fresh Fish and Airdance. Each of these bands was arguably the finest in the country at their time and left a lasting impact on the evolution of contra dance music.
We are delighted to announce that Sharon Green of Oakland, CA, is the 2024 recipient of the CDSS Lifetime Contribution Award. Sharon is an English country dancer, caller, teacher, choreographer, and tireless promoter of the talents of others.
She has been an integral and joyful part of the New York and San Francisco Bay Area dance communities in which she has lived (and danced). Most recently, she and Kalia Kliban founded the Odd Sundays Zoom dance, connecting dancers from everywhere and keeping the spirit of the dance alive during pandemic isolation.
The Green Light, an English dance written in celebration of Sharon’s LCA by Renée Camus, with tune by Jon Berger: Dance instructions Dance demo video
We are proud to announce that Mary Alice Amidon, Peter Amidon, Mary Cay Brass, and Andy Davis are the 2023 recipients of the CDSS Lifetime Contribution Award.
Collectively known as the New England Dancing Masters, for the past four decades they have spread the joy of traditional music and dance across North America.
Starting with The Chimes of Dunkirk in 1991, the New England Dancing Masters produced a treasure trove of books, CDs, and DVDs with crystal clear instructions for dances and singing games. Their live performances, workshops, school residencies, and leadership at family dance camps have encouraged and trained countless teachers to bring traditional dance, music, song, and storytelling into schools and communities.
In recent years, the Dancing Masters’ teaching blog and YouTube channel brought resources and inspiration to everyone at home during the pandemic.
Thank you Mary Alice, Peter, Mary Cay, and Andy!
Award Celebration
The New England Dancing Masters were honored with an award celebration in October 2023.
“I just experienced some of the dances in your books Listen to the Mockingbird and Chimes of Dunkirk at a workshop. It was an incredible experience…My students will really enjoy these dances. The movement instructions are the clearest I’ve seen in a resource like this! Thank you!”
“This is hands-down one of the best resources for American folk dances for children. Dances are carefully selected, instructions are easy to follow, and the recordings are delightfully authentic.”
—Elementary Arts Integration
The Country Dance & Song Society is proud to announce that Ed Stern of Minneapolis, MN, is the 2022 recipient of the CDSS Lifetime Contribution Award.
Ed’s passionate involvement with dance stretches back to the 1960s with international folk dance and morris dance in Chicago. Ed has lived in the Twin Cities since 1971, and several generations of Midwestern dancers have experienced the joy of dance that Ed infuses into his skilled teaching. He has taught numerous styles of dance, including morris, English country, contra, Scottish, international, ballroom, Scandinavian, Irish ceilidh, and more. Ed is a founder of Minnesota Traditional Morris, and morris dancers from many communities have learned the massed dances for Midwest Morris Ale from Ed.
Ed founded the Saltari Folk Dance Emporium in the late ‘70s and has taught at the Tapestry Folkdance Center in Minneapolis since its early days in the ‘80s. Ed actively recruits and mentors new callers. He happily admits that he became addicted to dance early on and is driven to ensure that dance continues to brighten the lives of future generations. Thank you, Ed!
“Over the past 40 years, Ed has been a steadfast and active member of the teaching leadership for the folk dancing population in the Twin Cities. People of all ages, from the youngest participants in our family folk dance program to those retirees dancing in the English country dance program, have been touched by Ed’s influence. In the morris community, Ed’s teaching of teachers and involvement in Minnesota Traditional Morris and so many programs at Tapestry shows his dedication to the art of folk dance and its continuation in upcoming generations.”
—Lydia McAnerney
“Besides the fact that Ed has been involved in varied dance and song communities for more than 50 years, he continues to joyfully impart his knowledge to those of us of all ages involved in these communities. He is also a patient, yet deliberate and exacting, teacher who has a vast base of knowledge to impart.”
—Hassan Saffouri
“From my perspective, Ed’s involvement in folk dancing could never be separated from his desire for the traditions he is teaching to continue. Actively seeking out and encouraging new dancers and musicians is part of his fabric as a person who deeply loves and enjoys the traditions he teaches.”
—Amy Muldoon
“One of Ed’s greatest attributes is his ability to introduce and teach the joy of dance to any generation. I have witnessed this many times and in many ways, including at my wedding. Ed is the reason I am involved in the dance community. His knowledge and passion for dance is unlimited and has influenced literally thousands of people and I cannot think of anyone more deserving of this award.”
—Leif Petersen
“Ed continues to inspire individuals across many demographics, and his legacy will continue for decades to come. I find it hard to think of anyone who has had such a profound impact on traditional dancing as Ed Stern has, and I cannot think of anyone else who is more deserving of a lifetime contribution award than he.”
—Ted Hodapp
“My community, my dear friends, and many of my joyous experiences in life would not exist without Ed Stern’s founding of Minnesota Traditional Morris. He really is the impetus of the Twin Cities Folk Dance community. When I think about all the things Ed has done for our community, it is the most selfless and admirable gift anyone can bestow upon others. I have danced in the street, I have danced at pubs, I have danced down Nicollet Mall in the heart of Minneapolis. I have sung around campfires with Ed and the rest of my Folk Dance Brothers. I have been to England and again danced in the street and danced in pubs. I am very grateful for Ed Stern’s presence and commitment to Folk Dance in the Twin Cities.”
John Roberts receives the Lifetime Contribution Award in recognition of his contributions as a singer, song collector, historian, accompanist, teacher, and mentor. His award celebration will be held spring 2025 in Schenectady, NY.
For the past six decades, John fostered a wonderful set of communities through his music and song, including the English folk music scene, the morris dance world, the Irish music world, CDSS camps at Pinewoods, and at folk festivals from coast to coast.
Supported by concertina, banjo, guitar, or melodeon, John’s solo performances offer a great balance of wit, historical knowledge, and musicianship—and always a warm invitation to join in. When John sings, he has the remarkable ability to transport listeners to the place and time of the song, a notable talent that engages the audience with ease and confidence.
Tony Parkes (1949–2024) receives the Lifetime Contribution Award in recognition of his contributions as a caller of contras and squares for more than 50 years, choreographer, musician, band leader, author, workshop leader, dance historian, and dance organizer. His award will be presented posthumously on November 22, 2025, in Concord, MA.
Tony Parkes touched the lives of innumerable dancers, musicians, and callers throughout his career. He was the author of Contra Dance Calling: A Basic Text, the comprehensive book on calling, and more recently Square Dance Calling: An Old Art for a New Century, and his legacy will live on in those foundational volumes for decades to come. But Tony also embodied the consummate caller and musician, appearing weekly at the Concord (MA) Scout House for more than 20 years with the band Yankee Ingenuity, which he co-founded.
David Surette (1963–2021) receives the Lifetime Contribution Award in recognition of his contributions as an inspiring music performer, teacher, scholar, and mentor. His award will be presented posthumously in fall 2025 in Concord, NH.
David will be remembered as a talented, kind, and generous person who fostered the love of participatory folk music in all those around him. He taught and mentored many young musicians and was an extraordinary talent on mandolin, guitar, and bouzouki. David toured with numerous contra dance bands, including Fresh Fish and Airdance. Each of these bands was arguably the finest in the country at their time and left a lasting impact on the evolution of contra dance music.
The following people were made an Honorary CDSS Member before the origination of the Lifetime Contribution Awards:
1996: Sue Salmons
1992: Kate Van Winkle Keller
1990: Marshall Barron
The Country Dance & Song Society is proud to announce that David Kaynor of Montague Center, MA, is the 2021 recipient of the CDSS Lifetime Contribution Award.
David was selected in recognition of more than 50 years of performing and teaching at camps and festivals across the U.S., humbly mentoring an entire generation of contra dance musicians, tirelessly serving as a leader in dance and music communities of Western Massachusetts, generously sharing tune compositions and writings about dance calling, and supporting generations of musicians and dancers in creating warm, inviting, and welcoming communities though music and dance.
David’s award was celebrated at an online event on his birthday, April 17, 2021. Watch the recording:
David’s Acceptance Remarks
I’m delighted and humbled to receive the Lifetime Contribution Award.
I think about the colossal contributions of past recipients, and I ask myself, Why me? Although I enjoyed and believed in what I was doing as a dance caller, fiddle teacher, session host, musician, and graphic artist, I considered myself irrelevant to the lofty circles and activities of the Country Dance and Song Society.
A low point in my musical life came in the spring of 1981, when the president of NEFFA told me that, in their opinion, what we … my cousins, uncle, other Fourgone Conclusions band mates, and I … were doing had nothing to do with New England contra dancing.
My response to numerous real or perceived organizational snubs was to submerge myself in the pleasures of the moment in my core interests and pursuits: Long distance running, cross country skiing, dancing, calling dances, teaching basic Swedish dances, teaching basic fiddling, and playing music. I also became something of a calligrapher and graphic artist.
Eventually, I found a niche as a teacher and caller. This led to countless gigs in which I enjoyed a happy integration of my artistic, spiritual, and political ideals and having to earn enough money to get by.
All these facets of my life came together when I became Music Director of the Vermont Fiddle Orchestra and the Fiddle Orchestra of Western Massachusetts. These groups welcomed all musicians of all skill and experience levels. My tasks included including all. Our practices blended learning and arranging tunes with in-the-moment adventure and fun. I wrote out many harmonies while on AMTRAK’S Vermonter, where the conductors knew me by name and the scenery was sweetly familiar.
I’m grateful to Jay Ungar and Molly Mason at Ashokan, Bob Dalsemer and Annie Fain Liden Barallon at the John C. Campbell Folk School, the Reiner family of Fiddle Hell, Paul Rosenberg and Peter Davis at the Dance Flurry, my colleagues at Northeast Heritage Music Camp, Mike Reddig in Flagstaff, Arizona, Fred Karsch in Ann Arbor, Michigan, Sue Songer and Betsy Branch in Portland and Mark Lewis and Carla Arnold in La Grand, Oregon, Sherry Nevins and Tom and Amy Wimmer in Seattle, Lindon Toney in Olympia, Washington, and numerous other organizers and bandmates in the Pacific Northwest. These folks gave me opportunities to share my developing skills and deep love of music and dancing, not just once, but over and over.
Thanks to all these people, I was able to cultivate relationships with and within their communities. This, in turn, enabled me to not just share tons of fun, but also share experiences of growth and development in many ways. Our skills and repertoire evolved and so did our senses of self, possibility, and purpose.
We didn’t just perform music and dance. We SHARED it. This became a fundamental personal philosophy: There are times and places for performing, but sharing can happen so much more often, and it’s good for us all. Maybe it’s even good for the world.
I’ve struggled to matter for as long as I can remember. This showed itself in a number of ways, including sports and music and dance. I was always dogged by the weight of self doubt. This finally dissipated in the final years of my career, thanks to all of the above who provided opportunities for us to explore mattering together.
David Allen Kaynor passed away on June 1, 2021. We’re so grateful for everything he brought to our world, and for the opportunity we had to honor him with this award.
The Country Dance and Song Society is pleased to announce that Kate Barnes of Greenfield, MA, is the 2020 recipient of the CDSS Lifetime Contribution Award. Kate was selected in recognition of many years of performance and teaching at CDSS programs, the international importance of her publications, her generosity of spirit when running music workshops, and her contributions to current and future communities.
The Lifetime Contribution Award Celebration for Kate Barnes was held on September 26, 2021. The award ceremony we originally planned for September 2020 was sadly cancelled due to the pandemic, so we created an online celebration to include as many people as possible, and to make it easy to attend for Kate’s friends, family, and well-wishers from across the continent.
The event included the award presentation, several group musical contributions, photos, videos, personal reminiscences, tributes and much more. We also invited participants to record some pieces of music to share at the event.
See a video of the celebration:
“As a contra dance piano player, Kate pioneered an improvisatory style that brings joy to dancers, and influences musicians directly and through countless workshops. Her decades-long work with Bare Necessities created fresh interpretations of English country dance music to lift our feet, and the three volumes of the Barnes books are the standard reference collections of tunes used by musicians throughout the dance community.”
—David Millstone, Lebanon, NH (caller, former CDSS president)
“Kate has contributed consistently to the scene for more decades than I know. She’s inspired dancers with her music —exquisitely played, full of forward motion and joyful variety, sensitive to the period, tune type and occasion, and in tight teamwork with other musicians. She’s a reason many people like English dancing.”
—Bruce Hamilton, Menlo Park, CA (caller, former CDSS president)
“I’ve had the great fortune to travel the US, Canada and even as far as Denmark with The Latter Day Lizards. Everywhere we go Kate is universally known and respected and admired for her musicianship, warmth and quick-witted humor. I can’t think of a better recipient for next year’s CDSS Lifetime Contribution award!”
—Dave Langford, Arlington, MA (musician, bandmate)
“Since I first heard and started playing with her in the 1970’s, her passionate, creative, traditionally spirited-but-not-stifled playing and composing have been a bottomless wellspring. Kate’s ink-stained (and later electronic) publishing labors of love have saved many musicians from hauling libraries around in order to play for a dances and have encouraged many to learn the underappreciated craft of playing for dancing. I’m grateful for Kate’s strong, courageous commitment to self-expression, and her deep commitment to the much-needed-in-today’s-world, affirming values of our dance community.”
—Jaqueline Schwab, Cambridge, MA (musician, bandmate)
Kate Barnes Biography
September, 2021
Kate Barnes has been playing piano, flute, whistles and guitar (along with other assorted instruments: banjo, harmonica, bass (acoustic and electric), oboe, English horn, sousaphone, mandolin, fiddle and alto saxophone for traditional dancing since 1971.
She’s been invited to most major contra, square, British Isles, and vintage dance events throughout the United States, performing for dances and concerts, leading ensemble workshops, and generally acting in a crazy and often undignified manner. Averaging over 250 engagements per year since 1980, she is arguably one of New England’s busiest and most sought-after musicians.
She has played for festivals and tours in Canada, England, Ireland, France, Denmark, Shetland, Scotland, Czechoslovakia, Greece, Africa, Peru, Ecuador, Austria, Germany, Switzerland, Hawaii, Alaska, Egypt and St. Croix.
She has been a member of the bands The Latter-Day Lizards, Bare Necessities, Yankee Ingenuity, Les Z Boys, Kestral, Big Bandemonium, Cilantrio, Dark Carnival, Childsplay, BLT, Panel of Experts, Crazy Quilt, The Dactyls, Tulluchgorum, Airplang, Trio Picante, Culchullan, Third String Trio, Trio Con Brio, Foregone Conclusions, The Fitzwilliam Dance Band, The Cathie Ryan Band, The Old Found Country Stay At Homes (not the New Lost Country City Ramblers), Corporal Rockies Mystery, Richard Power’s Vintage Orchestra and has played with countless musicians in pick up bands. She has performed with many traditional greats including Seamus Connolly, Joe Derrane, Cathie Ryan, Chris Norman, Alasdair Fraser, Rodney Miller, Joe Cormier and yes, Joey McIntyre of New Kids on the Block.
Her recordings include Sleeping on a Rock and Rainy Night in Montague with the Latter-Day Lizards; Kitchen Junket and Heatin’ Up the Hall with Yankee Ingenuity; Bare Necessities, Take a Dance, Nightcap and 15 CDs in the CDS Boston Centre Dance Series with Bare Necessities; Airplang and Airplang II with Rodney Miller; BLT (Barnes, Lea & Tomczak); Soir et Matin with Kerry Elkin, Yankee Dreams and Moxie with Frank Ferrell; Shape Shifting and Impulse of the Heart with Jeanne Morrill; Cascata de Lagrimas, Between Two Worlds, and Gypsy Wine with Mary Lea; Twelve-Gated City, The Great Waltz, and Childsplay with Childsplay; At Rainbows End (The Corona Sessions) solely with Kate Barnes; Gary Roodman’s Calculated Figures; several CD’s with various musicians; Sous le Ciel de Paris and Al Fresco with Third String Trio; and 2 CDs with the Scottish band Tullochgorum. She has made guest appearances on recordings with Anisa Angarola, Bob Abrams, Bob Dalsemer, Dave Nieman & Beverly Woods, Donna Hebert, Frank Ferrell, Jan Maier, The Keltic Kids, Kim Wallach, Leo Kretzner, Larry Unger, Mary Lea, Matt Glaser, Ruthie Dornfeld, The Boston Christmas Revels, Timothy Abell, “Waltzing for the Grange,” Nat Hewitt, The Royal Scottish Country Dance Society of Boston and many others.
Books: She has done the dance world a great service by compiling three volumes of English Country Dance Tunes which are widely used by English country dance musicians and many others throughout the US and in Australia, Canada, England, Ireland, Belgium, and Germany. She has also compiled a book of couple dance music called A Little Couple Dance Musik and has written a tutorial for playing contra dance music called Interview with a Vamper.
Below is a small sampling of concerts, dance festivals, special events and overseas engagements.
Concerts: The Ark (MI), The Bread & Roses Heritage Festival (MA), Caffe Lena (NY), Club Passim (MA), The Colonial Inn Concert Series (MA), The Crosscurrents Fold & Classical Concert (MA), El Tremedal Coffeehouse (MA), The Fiddle and Bow Society (NC), Gaelic Roots (Boston College, MA), The Hallockville Folklife Center (NY), The Iron Horse (Northampton, MA), The Irish-American Heritage Society (GA), The Irish Cultural Center (NY), Johnny D’s Uptown (MA), The New Hampshire Highland Games, Lincoln Center Out-of-Doors (NY), The Lowell Folk Festival (MA), Massasoit College Concerts (MA), The New England Conservatory Select Series (MA), Music of the Americas Festival (NY), The Pittsburgh Irish Festival (PA), The Provincetown Muse Series (MA), The Smithsonian Institute (DC), The Stonehill College Irish Festival (MA), The University of Vermont Lane Series (VT), The WGBH Acoustic Music Festival (MA), The Wolftrap Folk Masters Series (MD)
Dance Festivals & Special Events: Alta Sierra Dance Weekend (CA), Ashokan Fiddle & Dance Camp (NY), Augusta Folk Heritage Camp (WV), Black Mountain Folk Festival (NC), Boxwood Wooden Flute Week (Nova Scotia, CANADA), Bay Area Country Dance Society Events (CA), Brandywine Old Time Music Festival (PA), Berea Dance Camp (KY), Buffalo Gap Dance Camp (WV), California Traditional Music Society Summer Solstice Festival (CA), Chesapeake Spring Dance Weekend (MD), Cream of the Crop Dance Series (NY), Commonwealth Vintage Dancers Events (MA), Dancing Bears Events (AL), Down East Folk Festival (ME), Eisteddfod Festival (MA), First Night (Boston, Worcester, Quincy, MA), The Feet Retreat (NC), Flying Cloud Academy Vintage Dance (OH), Folk Arts Center of Boston (MA), Folklore Village Farm (WI), Fox Hollow Folk Festival (NY), Harvest Moon Dance Festival (CA), Gaelic Roots Festival (Boston College, Boston, MA), Hands-Four Spring and Fall Weekend (NH), Hudson Guild Dance Camp (NJ), John C. Campbell Folk School (NC), Lady of the Lake Dance Events (ID), Lavender Country & Folk Dancers (MA), Long Island Traditional Music Association (LITMA) Events (NY), Lost Pines Dance Weekend (TX), Louisville, KY Dance Weekend (KY), The Lowell Banjo and Fiddle Contests (Staff, MA), Mariposa Folk Festival (Toronto, Canada), Mendocino Dance Camp (CA), Hay Days (CA), Mohonk Mountain House Dance Weekend (NY), Muskeg Festival (NH), New England Folk Festival (NEFFA, MA), Old Songs Folk Festival & Old Songs Winter Dance Festival (NY), Pigtown Fling (OH), Pinewoods Dance Camp (1976 – 2021, MA), Playford Balls (Boston MA, Providence RI, Pittsburgh PA, Philadelphia PA, New York (NY), Cleveland OH, Nashville TN, Kentucky, New Hampshire, Alaska, Vermont), Port Townsend Fiddle Tunes Festival (WA), Royal Scottish Country Dance Society (MA), Slugs at Sunrise (WA), Spring Dance Romance (NC), Spring Dance Weekend at Circle Lodge (NY), Summer Soiree (NC), Seattle Lake (OR), Tapestry Folk Dance Center (MN), Toronto Dance Weekend (CN), Vernal’s All-Night Equinox (FL) Victoria’s Revenge Dancefest (Cape May, NJ), Vintage Dance Society Events (CN), Wild Weekend (NY), Rocky Mountain Fiddle Camp (CO), Ogontz CDSS Family Weeks (NH), Across the Lake Weekend (VT).
Overseas Engagements: Shetland Folk Festival (Shetland Isles -1985,1987), Festival du Maurienne, St. Jean du Maurienne, France (1980), The Tonder Folk & Jazz Festival, Denmark (1986), Tour of Scotland with Tulluchgorum, 1992 & 94, Tour of England with Bare Necessities (6x), on George Marshall trips to Hawaii with Bare Necessities (9x) and St. Croix with Bare Necessities (12x), on tour with Cathie Ryan to Germany, Austria, Hungary, Italy & Switzerland, and on Ken McFarland trips to Hawaii, Ecuador, Peru, Egypt, Scotland, England, Greece, Africa, France, Australia and Ireland.
Her musical compositions include Fair Jenny’s Jig, A Solstice Snow, The Invitation, Mendocino Morning, Middle of Night, Intrigas, Cappricio, Findeborgin, Sleeping on a Rock, March for Warren (for Warren Argo), The Dogs of North Dunans, and countless commissions and other tunes.
When Sue Songer started learning contra dance tunes in 1989, she had no idea of the forces she would set in motion in Portland—and beyond. She only knew that she found it personally useful to transcribe tunes that she had learned in order to keep them in her head. Before long, others started asking her for her transcriptions. As word spread of her growing collection of tunes, she was approached frequently by strangers asking for copies of her collection. From this, the Portland Collection music products were born, with Clyde Curley as her collaborator. The three books and four CDs have become staple resources for contra dance musicians around the world. Sue never would have imagined in 1989 that her transcriptions would travel as far as Australia!
In 1996, Sue—inspired by the large contra dance band Rum and Onions—decided to try leading a large contra dance band in Portland. She thought that maybe it would last a year or two. 25 people signed up the first year, and they liked it so much they asked to do it again. The Portland Megaband now has about 75 members, a wide variety of levels and instrumentation, and plays for an annual dance for 500 dancers. The dance raises money for a scholarship fund for community members to continue their music and dance education. Sue’s positive leadership has made the Megaband a community favorite. Furthermore, the Megaband dance in March gave rise to a 5-day long event known as the Cascade Promenade, capped by an all-day contra dance featuring regional bands and callers on the Sunday after the Megaband dance. People come from far and wide for this annual celebration of music and dance—all sparked by Sue’s idea in 1996.
Sue is also active as a dance musician and teacher. She currently plays with two contra dance bands, Joyride and The Stage Crew, plus she collaborates with many other musicians for contra and English dances. She has led large contra dance bands in Ann Arbor, Michigan, and Coos Bay, Oregon, and was a teacher and musician in Halifax, Nova Scotia, for CDSS’s Centennial Tour. She has tutored piano numerous times at the American Festival of Fiddle Tunes, and she teaches every July for Contra Dance Musicians Week at John C. Campbell Folk School in Brasstown, North Carolina.
Furthermore, Sue has been active on boards and committees of many organizations, including Northwest Folklife Festival, Portland Country Dance Community, CDSS, and Northwest Passage Dance Weekend.
Sue approaches all of her work with dedication, passion and—most of all—kindness. She is always supportive of musicians, no matter what their playing ability is. She has inspired so many, more than she could ever imagine. She graciously thanks the members of the Megaband every year for their hard work and dedication, and tells them how proud she is of them. In return, everyone who has worked with Sue is proud of her achievements and appreciative of her invaluable contributions to music and dance.
Sue is also active as a dance musician and teacher. She currently plays with two contra dance bands, Joyride and The Stage Crew, plus she collaborates with many other musicians for contra and English dances. She has led large contra dance bands in Ann Arbor, Michigan, and Coos Bay, Oregon, and was a teacher and musician in Halifax, Nova Scotia, for CDSS’s Centennial Tour. She has tutored piano numerous times at the American Festival of Fiddle Tunes, and she teaches every July for Contra Dance Musicians Week at John C. Campbell Folk School in Brasstown, North Carolina. 
Thanks to the Massachusetts Cultural Council for their generous support.