In this blog post, Jeff Kaufman provides some thoughts on how to match tunes to contra dances.
Should Square Music be ‘Square?’
This blog post discusses when (and if) tunes played for square dances should follow the 32-bar AABB format.
From the Dance Caller’s Journal
In this blog post, The Last Gaspé reflect on what it takes to be good band and how to play together effectively.
In this blog post, Jeff Kaufman explains how to call chords during the middle of a dance so that fellow bandmates know where the chord progression is going.
Free Raisins Video Interview Series
In this video, series the Free Raisins (Amy Englesberg, Audrey Knuth, and Jeff Kaufman) talk about a variety of aspects of playing for contra dances with musical examples including phrasing, balancing rhythm and melody, varying chords, droning (pedaling), complex variations, balance of an evening, and evolution of a band.
From Dennis Merritt
Musicians Column: Aspects of Musicality
This article by violinist Martha Edwards explores the importance of phrasing when playing music for dancers.
From the CDSS News
What is Phrasing in Contra Dance?
Jeff explores phrasing in contra dance music and how it relates to the dance figures. The post is followed by a community discussion.
From Jeff Kauffman
In this resource, Thomas describes what is needed from musicians for a one-off barn dance. This is a great resource for musicians who are only getting together once for a dance event.
From Thomas Green
Some of the key considerations when playing for old time dances (various dance styles over the evening).
From Vivian and Phil Williams
Andrew VanNorstand on Playing for Contra Dances
In this six-part video series, Andrew talks about the difference between playing for a concert and playing for a dance, matching tunes with dances, working with callers, and more.
From Dennis Merritt
Thanks to the Massachusetts Cultural Council for their generous support.