High Times with Balalaika—Sarah Jane Nelson
Waltham, MA
Researching Ukrainian and Russian émigrés whose folk music and dance enriched and enlivened the folk music scene in 20th century North America.
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Waltham, MA
Researching Ukrainian and Russian émigrés whose folk music and dance enriched and enlivened the folk music scene in 20th century North America.

Originally published in the CDSS News, Fall/Winter 2025
There are so many incredible dance, music, and song events happening all around! Perhaps you make an annual journey to a favorite music festival, camp, or dance weekend. As we all travel to various places for community connection and enjoyment, what impact are we having on the environment? Carbon emissions from travel are undeniably contributing to global warming, so what can we do to lessen our impact on the environment while still participating in our favorite activities and communities? Here are some ideas we can all take into consideration as we travel:
This toolkit provides advice and resources to help organizers (you!) develop the policies, procedures, and supporting documents needed to understand and facilitate safety in your community. This toolkit is not prescriptive in regard to what your community “should be doing.” We recognize and value the range of living traditions practiced by many different communities.
This toolkit was produced by the CDSS Community Culture & Safety Task Group, 2018-2024. The CCSTG was formed to support local communities in their efforts to provide a safe environment for music, song, and dance events.
Online Workshop: Unpacking the CDSS Community Culture & Safety Toolkit
This 40-minute video introduces English Country Dancing. It teaches some of the basic moves found in many English Country dances; explains the structure of the dance; and entertains you with information about the history and practice of English country dancing.
Watch the video
Download a PDF of additional notes and an index to the video
Henry Morgenstein is the caller and the narrator (voiceover). Jacqui Morgenstein did the camera work, mostly using a Canon digital SLR recording in full HD.
Most of the footage was shot in a great dance studio in Traverse City, Michigan with friends who dance in our back room every week. But two of the dances we teach were in Emmanuel College, Cambridge UK and there are clips from Dartington Hall (also UK) and Pinewoods Camp in Massachusetts. Many of the dances were done to recorded CDs from the great ECD band Bare Necessities. The two in Cambridge were to live music by Notorious (Eden MacAdam-Somer and Larry Unger). None of the video was scripted, so all the incidents just happened as the result of dancers enjoying themselves.
In order to make this as unintimidating as possible to newcomers, we chose to film dancers who are simply people enjoying themselves. We feel that perfect dancing, while admittedly beautiful to watch, may well deter a newcomer from “giving it a go.” The fact that some mistakes are made and people recover with good humor should help to give the message that you don’t have to be perfect to do this.
In this panel discussion, dance organizers shared their experiences with leadership and volunteer changes in their local groups.
With special guests:
Contra Dance Calling: A Basic Text
The comprehensive entry-level book on contra dance calling by Tony Parkes. Every aspect of the caller’s work is dealt with clearly and thoroughly, including how to get started as a caller; music as it relates to the dance; timing and phrasing; voice technique; fitting the calls to the music; dance notation; teaching and walkthroughs; choosing material; calling for special groups; working with live or recorded music; buying and using a sound system; and running a dance series. In addition, the book includes an in-depth discussion of the basic movements; a selection of easy-to-call dances; a complete glossary of terms; an extensive list of resources; and information on how to use other dance books. In short, this is your guide to the entire world of contra dance calling, teaching, and organizing.
View the first chapter for free above—or purchase the complete book.
From Tony Parkes and Hands Four Productions
American Morris Newsletter Archive
The complete American Morris Newsletter, including scans of physical copies from 1977-2002 and digital copies from 2005-2008. Also includes a printed index to the volumes, directory of sides, and other special publications of the AMN.
From the Midwest Morris Ale
Nearly 50 new contra dances from Isaac Banner, along with tips for running a workshop, glossary, and index by figure and dance type. A great resource for new callers, as well as experienced callers looking for new dances.
From Isaac Banner
Here are some of our favorite codes of conduct from other dance and music organizations to use as inspiration for your own!
Chicagoland English Country Dance
Chicago, IL; English country dance
Olympia Contra Dance
Olympia, WA; contra dance
(links in the “Community” paragraph under “The Details”)
DanceFlurry Organization
Albany/Saratoga Springs, NY (and surrounding areas); several types of monthly dance series and workshops, educational programs in schools and other organizations
Portland Country Dance Community
Portland, OR; contra dance, English country dance, music sessions
Code of Conduct
Community Standards
Guidelines for Event Coordinators Addressing Incidents
Ottawa Contra Dance
Ottawa, ON; contra dance
John C. Campbell Folk School
Brasstown, NC; contra dance, English country dance, community/family dance, many other music and craft workshops
Raise the Rafters
Rhododendron, OR; singing
Have a great policy you’d like to share? Submit it here!