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Country Dance & Song Society > Publications > Read > Online Library > Country Dance and Song Archives

Country Dance and Song Archives

  • Country Dance and Song Vol. 26 Volume 26, 1996

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    Table of Contents:

    • Old Time Square Dancing on Ocracoke Island, North Carolina: Notes from Interviews with Ocracoke Island Dancers, September 13-15, 1992, by Bob Dalsemer
    • “Bobbin’ Around”: An After-bob, by Berkley L. Moore
    • Ten Cents a Dance: The Taxi-Dance Hall, Jazz Dance, and the Folk Dance Movement, by Allison Thompson
    • Reviews:
      • Hutton, The Rise and Fall of Merry England, by Stephen D. Corrsin
      • Chandler, “Ribbons, Bells, and Squeaking Fiddles” and Morris Dancing in the English South
      • Midlands, 1660-1900, by Richard S. Holmes
    • Chapter VII: “Country Dances” from Old Country Life, by S. Baring Gould
    • In Memory of Ted Sannella
  • Country Dance and Song Vol. 25 Volume 25, 1995

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    Table of Contents:

    • The Garland Dance in America Since 1846, by Rhett Krause
    • Swedish Sword Dances of the Sixteenth-seventeenth Centuries: Olaus Magnus and Others, by Stephen D. Corrsin
    • Review: Boyes, English Country Dancing, by Stephen D. Corrsin
  • Country Dance and Song Vol. 24 Volume 24, 1994

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    Table of Contents:

    • Sword Dancing in Bohemia in the Late Nineteenth Century: “In Step I, with Sword and Dagger,” by Stephen Corrsin; Illustrations by Ellen Szot
    • “Bobbin’ Around”: Yankee Character Song and Bampton Morris Tune, by Rhett Krause
    • Bobbin’ Around, by W. J. Florence
    • An Index to Country Dance and Song Society News No. 1, December 1966-No. 115, December 1993, by Allison Thompson
  • Country Dance and Song Vol. 23 Volume 23, 1993

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    Table of Contents:

    • John of Gaunt and the Morris Dance, by Rhett Krause
    • The Amherst Dance Camp: Reminiscences of Ted Viehman, edited by Allison Thompson
    • The Old Side Door: A Kentucky Mountain Dance, by Pat Napier
    • Set Runnin’ in Eastern Kentucky, by Pat Napier
    • Twenty-five Years of Country Dance and Song: A Subject and Author Index from
      • Volume 1, 1968, through Volume 23, 1993, by Allison Thompson
    • Evening Star, “Ethiopian, No. 408”
  • Country Dance and Song Vol. 22 Volume 22, 1992

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    Table of Contents:

    • Step Dancing on the Boston Stage: 1841-1869, by Rhett Krause
    • Morris Dancing and America Prior to 1913, Part II, by Rhett Krause
    • Nineteenth-Century Ballroom Dancing: A Brief Review, by David E. E. Sloane
    • Excerpt from “He Demons”…and…”She Devils,” by Col. Dick Maple
    • Excerpt from Decorum: A Practical Treatise, by Richard A. Wells, A.M.
  • Country Dance and Song Vol. 21 Volume 21, 1991

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    Table of Contents:

    • Morris Dancing and American Prior to 1913, by Rhett Krause
    • Dancing on the Eve of Battle: Some Views about Dance during the American Civil War, by Allison Thompson
    • Homemade Entertainment through the Generations, by Margaret C. MacArthur
    • Everyday Scenes. Scene XXII, “The Itinerant Musician,” and A Musical Festival from Seymour’s Humorous Sketches, text by Alfred Crowquill
    • Treasured Gifts, Joyous Times: Genny Shimer Remembered, by Christine Helwig
  • Country Dance and Song Vol. 20 Volume 20, 1990

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    Table of Contents:

    • Lotus Dickey on His Music
    • The Virtues of Lotus Dickey, “Sitting at the Feet of Lotus,” by Dillon Bustin
    • Lotus Dickey: An Appreciation, by Bob Lucas for Sing Out!
    • Guidelines for Performing Traditional Social Dance, by Richard Powers
    • Sword Dancing in Austria: The Sword Dance of the Dürrnberg Miners, by Steven D. Corrsin
    • Review of Rapper and Longsword Locks, by Rhett Krause, M.D.
    • “The Volunteer Organist,” an American Poem in Sussex, by David E. E. Sloane
    • The Dance, by A. B. Longstreet
  • Country Dance and Song Vol. 19 Volume 19, 1989

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    Table of Contents:

    • Pinewoods Camp Fifty Years Ago, by Ed Wilfert
    • Folk Songs from Sussex, England, by Sean Goddard
  • Country Dance and Song Vol. 18 Volume 18, 1988

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    Table of Contents:

    • Deciphering Music Notations in Early Dance Music, by Marshall Barron
    • A Bibliography of Eighteenth Century American Social Dance, by Kate Van Winkle Keller
    • Playford Revisited: The Puzzle of “Nonesuch,” by Francis T. Worrell, Ph.D.
    • Morris Dancing in Seattle, by Ken Smith
    • New York Assembly, by Anthony Evergreen, Gent.
  • Country Dance and Song Vol. 17 Volume 17, 1987

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    Table of Contents:

    • The Abbots Bromley Horn Dance, by Andrew Bullen
    • Guidelines for Dance Research, by Richard Powers
    • A Collection of Favorite Polkas, by Richard Powers
    • Sixty Years of Song and Dance: The John C. Campbell Folk School in Brasstown, North Carolina, from 1925 to the Present, by Anne Cu lbertson
    • Bounced from Church for Dancing, by George W. Peck
  • Country Dance and Song Vol. 16 Volume 16, 1986

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    Table of Contents:

    • Music and Musical Composers
    • Pat Shaw on Pat Shaw, with annotations and Afterword, by Marjorie Fennessy
    • Pat Shaw’s Pinewoods — A Variable Feast, by Christine Helwig
    • Pat Shaw Remembered – Recollections by friends
    • The Dances of Pat Shaw
    • The New England Tradition: An Interview with Ted Sannella, by Tom Phillips
    • The Red Ear; or The Husking Frolic
    • In Memoriam: Phil Merrill, by Marshall Barron
  • Country Dance and Song Vol. 15 Volume 15, 1985

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    Table of Contents:

    • Frank Proffitt: From Watauga County to Pinewoods Camp, edited by Jeff Warner
    • Long-sword Dancing in England (Part II) by Anthony G. Barrand
    • The Triangular Lock by Anthony G. Barrand
    • “Hi Ho the Rattlin’ Bog:” An Interview with John Langstaff by Jerry Epstein
    • Dick Harlan’s Tennessee Frolic; or A Nob Dance by G.W. Harris
  • Country Dance and Song Vol. 14 Volume 14, 1984

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    Table of Contents:

    • The (Almost) Uncensored Phil Merrill by Tom Phillips
    • Nineteenth-century Leap-year Balls in Central New England by Michael McKernan
    • Long-sword Dancing in England by Anthony G. Barrand
    • Traditional Dancing and Dance Music of the Monadnock (N.H.) Region (Part II) by Ralph Page
    • Round Dances by Rev. Charles B. Goss
  • Country Dance and Song Vol. 13 Volume 13, 1983

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    Table of Contents:

    • Editors’ Statement
    • Traditional Dancing and Dance Music of the Monadnock (N.H.) Region (Part I of II Parts) by Ralph Page
    • Chuck Luce: Old-Time Vermont Fiddler by Tom Phillips
    • The Independence Lancers by Bob Dalsemer
    • English Country Dances: Cecil Sharp (1859-1924) and John Playford (1632-1687?), by Genevieve Shimer
    • The Tuscaloosa Girl by Quillepenne
  • Country Dance and Song Vol. 11-12 Volume 11/12, 1981

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    Table of Contents:

    • The Search for More Songs from the Hills of Vermont: Songs and Ballads of the Atwood Family of West Dover, Vermont – Margaret C. MacArthur
    • Songs from the Hills of Vermont, edited by Anthony G. Barrand, Ph.D.
    • Fiddle Music in the Helen Hartness Flanders Ballad Collection – Stephen Green
    • Flowers of Michigan – As played by Harold Luce of Chelsea, Vermont
    • How Did You Think it Was? The Political Background to the Folk Revival, 1903-1912, by Toy Dommett
    • Rural Square Dances in East Tennessee: A Personal Account of Visits to Four Communities, by Jon Sundell
  • Country Dance and Song Vol. 10 Volume 10, 1979

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    Table of Contents:

    • Traditional Folkdance in Kentucky – LeeEllen Friedland
    • Lumps of Pudding – H.W. Bunbury
    • Complex Simplicity – Joy Van Cleef
    • Currence and Minnie Hammonds: West Virginia Traditional Singers – Robert G. Dalsemer
    • Erratum
    • A Time to Dance: A Review by Fred Breunig
  • Country Dance and Song Vol. 9 Volume 9, 1978

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    Table of Contents:

    • Lena Bourne Fish: New Hampshire Traditional Singer – Jeff Warner
    • William Litten’s Fiddle Tunes, 1800-1802: A Review – Fred Breunig
    • Index of Dance Tune Recordings, Prepared by Albert Blank
    • Square Dancing Atop Lookout Mountain – Karen ter Horst
    • Byland Abbey – A New England-style contra dance by Fred Breunig
    • Spanish Social Dancing in New Mexico, ca. 1840 – Dr. William M. Litchman
  • Country Dance and Song Vol. 8 Volume 8, 1976

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    Table of Contents:

    • Some Men’s Birds – Martha Bennet Stiles
    • The Twelve Days of Christmas, from Rosa Allen’s Family Songs
    • Rosa Allen’s Family Songs: A Review – Tony Barrand
    • The Fifth of May – A new dance by Bernard Chalk
    • Congleton Bear – A song by John Tams
    • Reference Index to Morris Dances – Prepared by Howard Lasnik
    • The First Marlboro Morris Ale – A Photo Essay by Julie Stevens and Bob Brown
    • Darrell Figgis Meets the Morris Men – John Dunn
    • Two New Dances Composed for CDSS “Personalities”
      • “Arthur’s Joy” by J.M. Graetz
      • “Gigue for Genny” by Dan Herr
    • The Country Dance Book: A Review by Fred Breunig
    • List of CDSS Centers and Related Groups
  • Country Dance and Song Vol. 7 Volume 7, 1975

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    Table of Contents:

    • An Interview with May Gadd
    • Tradition, Change and the Society – Genevieve Shimer
    • Square Dancing at Maryland Line – Robert Dalsemer
    • Songfest and Slugfest: Traditional Ballads and American Revolutionary Propaganda – Estelle B. Wade
    • CDSS Revisits Colonial Era
    • Two Dances from the Revolutionary Era, researched by James Morrison
    • Cheerily and Merrily: Our Music Director’s Way with Singing Games and Children – Joan Carr
    • Staff and Leaders’ Conference – Marshall Barron
    • Sales – James Morrison
    • CDSS Centers
  • Country Dance and Song Vol. 6 Volume 6, 1974

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    Table of Contents:

    • The Buzzards’ Glory Barn Dance, 1928-1966 – Robert Dalsemer
    • The Young Widow
    • Lily Roberts Conant — A Memorial – May Gadd
    • An Evening at the English Music Hall – Tony Barrand
    • Ethel Capps Honored at Biggest Christmas School Ever
    • Live Music for Dancing – James Morrison
    • A Children’s Stick Dance Devised by Phil Merrill
    • Sales
    • CDSS Centers
  • Country Dance and Song Vol. 5 Volume 5, 1973

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    Table of Contents:

    • The Ed Larkin Old Time Contra Dancers – Dorothy Swayze
    • May Gadd: CDSS National Director Emeritus – Genevieve Shimer
    • Shape Note Singing in Rural America – John Ramsay
    • Spring Trio: Padstow, Helston, and Bampton – Genevieve Shimer
    • Dances:
      • Jack’s Health
      • Bolt the Door
      • Leather Lake House
    • Index to the Tunes in the Community Dance Manuals
    • View from the Bridge; or Fiddler in Merry Morris Land – Marshall Barron
    • Ballad of Edward Thomas – Dudley Laufman
    • What’s New — items available through the CDSS sales department – Jim Morrison
    • Reviews:
      • Let’s Dance — Country Style
      • Songs of the Sailor and Lumberman
      • Quick Tunes and Good Times
    • CDSS Centers and Representatives
  • Country Dance and Song Vol. 4 Volume 4, 1971

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    Table of Contents:

    • Articles:
      • Down the Outside: Dances of New England Today – Dudley Laufman
      • William Wells and the Bampton Morris – An Interview
      • Tribute to Georg Bidstrup – Raymond F. McLain
      • 30 Days Wonder: A Dancer’s Tour through England – Jim Morrison
      • Some Thoughts on Notating Folk Dance – Mireille Backer
      • Notes from a Fiddler – Andrew Woolf
    • New Dances:
      • Ted’s Triplets by Ted Sannella
      • Hill House
    • Poems:
      • Sonnet by Marshall Barron
      • Gulls & Crows by Dudley Laufman
    • Photo Feature:
      • Dancing Across the United States
      • Pinewoods Morris Men Dance in Front of the Mayflower
    • Reviews:
      • Folk Music of Britain and Beyond, reviewed by Judith Davidoff
      • 1971 Folk Recordings in Retrospect – Stan Leventhal
    • Pinewoods Camp, 1972
    • CDSS National Committee, Centers, and Representatives
    • Sales
  • Country Dance and Song Vol. 3 Volume 3, 1970

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    Table of Contents:

    • Articles:
      • The English Country Dance, by Patrick Shuldham Shaw
      • Jean Ritchie, by John Dunn
      • Egotism and Interdependence, by Leslie Latham
    • Dances:
      • Valentine’s Day
      • John Tallis’s Canon
      • The Queen’s Birthday
    • Poem:
      • Cairn Utan, by Ellen Roe Anthony
    • Photo Feature:
      • English traditional dances
    • Boar’s Head and Yule Log Festival
    • The English Tradition in Performance
    • The Lasciviousness of Country Dancing
    • The Philadelphia Mummers
    • Tapes Anyone?
    • 55th Anniversary
    • Reviews:
      • Books
      • Records
    • Sales Department
  • Country Dance and Song Vol. 2 Volume 2, 1969

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    Table of Contents:

    • Acknowledgments
    • Articles and Features:
      • Folk Dance in the Western World
      • Frank Warner
      • Joe Heany: “Ireland’s Most Important Folk Singer”
      • Mall Peatly
    • Births
    • Center News – 10
    • Dances:
      • I Care Not for These Ladies
      • Two 1764 Country Dances
    • Events:
      • Pinewoods 1968 Three Views
      • Pinewoods 1968: Illustrated
      • Pinewoods Morris Men
      • Dancing in New York
      • Chamber Music
      • Pinewoods CDSS Folk Music Club
      • Lincoln Center Show
    • Spring Dance Weekend
    • A Visit to Marlboro Vermont
    • In Memoriam
    • International Folk Music Council
    • Miscellanea:
      • The Broccoli Tradition
      • The Laundry Tradition
      • A Few Country Dances
      • Contest
      • A Helpful Hint
      • Our Own Business Directory
    • Photo Features:
      • Abingdon Morris
      • Boston CDS Dancers
    • National Folk Festival
    • Report from Minneapolis Danish-English Folk Group
    • Reviews: Books
    • Sales Department
  • Country Dance and Song Vol. 1 Volume 1, 1968

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    Table of Contents:

    • Country Dance and Song Magazine
    • Newport Festival
    • Benefit Parties
    • Celebration
    • From Riches to Rags: Joy Van Cleef
    • Firemen’s Dance
    • Young CDSS Members Teach English Dances
    • Folk School Director Retires
    • Norman Singer
    • Irish Folk Music Today: Sandra Teti and Niall MacDonagh
    • A Visit Remembered
    • Dance Demonstrations for Young People
    • More Pah than Oom
    • Oranges and Lemons
    • Morris Tour
    • A Mexican Morris
    • CDSS Badge
    • Festival at Staten Island
    • Center News
    • National Folk Festival Association
    • Births
    • News from Ashville, NC, and California
    • Wedding on a Mountain
    • Weddings
    • Dance in Psychotherapy: M. Dickenson
    • Folk Music Club
    • In Memoriam
    • Book Reviews
    • Library and Sales

Country Dance & Song Society
116 Pleasant Street, Suite 334
 •  Easthampton, MA 01027-2784
 •  413-203-5467  •  [email protected]

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Copyright 2026, Country Dance & Song Society.

Isaac BannerIsaac Banner

Isaac Banner (Seattle, WA) has been dancing and calling in the Pacific Northwest for more than a decade. Originally from Saratoga Springs, NY, they grew up surrounded by the music and dance communities of the Greater Adirondacks, regularly volunteering at Caffè Lena and The Dance Flurry.

Seeking community through the folk and American barbershop traditions, Isaac danced his way across the country in 2015 and, since relocating to the west coast, they’ve been passionately involved in creating safe and inclusive dance spaces for dancers of every identity and background. They believe strongly that open, affordable, and accessible dance spaces are fundamental to carrying forward the folk tradition to the next generation of dancers, callers, musicians, and more.

Isaac’s professional background is primarily in online services and digital security, through which they’ve served in a technical capacity to support and organize several events in the Pacific Northwest. When they’re not calling for dances, they can be found writing original choreography, coaching new callers, or making surprisingly convincing chicken noises.

Seth TepferSeth Tepfer

Seth Tepfer (Decatur, GA) first started Scottish country dancing in 1987. Ballroom dancing led to Cajun dancing, which led to contra dancing. From there, Seth started helping run dance events and, in 1997, started contra dance calling.

In the years since, Seth has organized dance weekends (What the Hey, Butterfly Whirl, Atlanta Dance Weekend) and dance weeks (Florida Rhapsody (1997-2001), Bonaire Dance and Dive (2005), Terpsichore’s Dance Holiday (2015-2019), and Rhapsody Adventure in Paxos, Greece (2025). Seth has called dance weekends and dance events across the United States and in Bonaire, Canada, England, Denmark, France, Germany, and Greece.

Seth is passionate about teaching dance leadership. He has taught contra, square, English, and community calling intensives. His website is a valued resource for essays, choreography collections, and thoughts about dance calling.

Seth loves sharing the joy of dance for people who have never danced before, for experienced contra, English, or square dancers. He is excited to work with other leaders to promote dance, music, and song.

Christa TorrensChrista Torrens

Christa Torrens (Bigfork, MT) was volunteering at a Western Massachusetts folk music weekend in 2001 when she wandered onto the contra dance floor—and has been an avid contra and English dancer ever since. It took a few years, but she was eventually willing to give up a little dance time for mic time: Christa started calling contras in 2011 and English in 2021 (online!). She is particularly drawn to the welcoming, community-centered aspect of contra and ECD, and loves that, as a caller as well as a dancer, she can share some of her own dance joy with others.

While Christa has lived—and danced!—in most regions of the US, she has spent the bulk of the last 20 years based in the Mountain West and is grateful to call both the Missoula, MT, and Front Range, CO, dance communities home.

When she’s not dancing, Christa works as an aquatic ecosystem ecologist and ecosystem modeler, occasionally sloshing around in streams, but more often sitting in front of a screen fiddling with code and confronting models with data. She loves being outdoors and spends much of her time hiking, biking, skiing, and simply enjoying wild spaces.

Ellie ShogrenEllie Shogren

Ellie Shogren caught the dance bug early in life, attending her first contra dance at two months old. Decades later, she is still an avid dancer and has served numerous folk communities across the country as staff, crew, board member, and enthusiastic participant.

Originally hailing from Tennessee, Ellie has been fortunate enough to develop folk connections all over the country and overseas, having lived in the South, New England, and the United Kingdom. Ellie and her husband, Ethan, now call the Nebraska/Iowa region home after meeting at a contra dance.

Ellie is honored to serve the CDSS community as a board member in memory of her mom, Chrissy Davis-Camp, who was an influential caller from Tennessee. Both Ellie and her younger sister, Anna Claire, have followed in their mom’s steps; if they are not on the dance floor, you can find them behind the mic calling contra, English, or teaching youth morris and rapper sword.

Because of her parents, Chrissy and Pat, Ellie was taught the importance of community and instilled with a responsibility for inclusion and respect for all through the lense of folk arts. Ellie still carries these important lessons with her as she shares her passion for all things folk.

Sharon GreenSharon Green

Back in 1984-1985, David and Sharon Green had an annus terribilis, a terrible year. In 14 months, they lost all four of their parents. Then in 1988, Sharon found country dancing and refound joy.

Since then, Sharon has danced and called in England, the Netherlands, Japan, Canada, and throughout the United States. She has organized dance weekends and weeks on both coasts and has served on the boards of both the Bay Area Country Dance Society and Country Dance New York. While living in New York, she edited the introductions to three books of dances by her mentor, Fried de Metz Herman. Emulating Fried, Sharon has also choreographed some 40 dances herself.

In 2024, Sharon had the great honor of being chosen to receive CDSS’s Lifetime Contribution Award for her and her household’s work promoting English country dancing. Sharon maintains that it has been her great joy to be part of CDSS, and now in her 80s she is both happy and honored to serve on the board.

Dilip SequieraDilip Sequeira

Dilip Sequeira (Seattle, WA) hails from London and contracted a severe case of the folk dance virus (Scottish variant) while a student in Edinburgh. On escaping Britain for St. Louis in 2003, he discovered the joys of English country dance, and it was only a few short years ago that he found his inner contra dancer, too. He has been calling ECD on the West Coast since 2017 and enjoys working with all levels of dancers, helping them improve their skills and get more out of their dancing.

He is now a recovering software engineer, on a mission to make the English country dance repertoire available to the world.

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