Training New Contra Callers in Portland, ME
Dugan Murphy describes Portland, Maine’s experience in training new contra callers.
From the CDSS News
Training New Contra Callers in Portland, ME
Dugan Murphy describes Portland, Maine’s experience in training new contra callers.
From the CDSS News
Tom’s Contra Page – Choreography
Tom Lehmann’s thoughts on composing contra dances.
Cary Ravitz’s Rules on Choreography
Cary Ravitz provides a list of the rules he follows when writing a dance.
Writing Dances: A Conversation with Erik Hoffman
Evo Bluestein interviews Erik Hoffman about how Erik started writing dances and his process. Some of Erik’s dances are featured in the article.
From the CDSS News
Working and Communicating with the Band
A list of nine tips by Nan Evans and Fred Nussbaum for working with bands for English country dance.
From the CDSS News
How to Get Gigs as a Dance Musician
This two-page resource contains a number of great ideas on how to get gigs as a dance musician. Many of the ideas are also applicable to callers as well as other types of musicians.
From CDSS
In this blog post, Jeff presents a history of Larks/Ravens. The post is followed by a community discussion.
From Jeff Kaufman
Larks and Ravens: A Report from the Field
Dela Murphy and Dugan Murphy make a case for gender-free calling and describe how communities can transition to using gender-free terms.
From the CDSS News
5 Things… Inside the Dancing Mind of…Global Terminology/Positional Calling with Brooke Friendly
Darlene Hamilton’s discussion with Brooke Friendly focused on teaching with global terminology and positional calling—something Brooke has been doing for years but which is particularly relevant to the current interest in teaching without reference to gender roles.
FromThe Historical Tea and Dance Society