The portal contains a vast range of resources by and for the dance, music, and song community. From expert tips from fellow organizers and callers, to databases of dances and songs, find what you need to help engage with the traditions you love!
Resources added before 2022 do not all have explicit permission from the authors. If your resource is in the portal and you’d like it removed, please email us.
Use the search box and filters below to find resources.
Tip: Selecting multiple checkboxes will give you more specific results. For example, to see specific resources for contra dance callers, select both Callers and Contra Dance.
This toolkit provides information and guidance for organizers who are interested in formally archiving the history, stories, and memorabilia from their local dance, music, or song community. The toolkit includes sections on project planning, gathering materials, organization, searchability, and preservation, with both big-picture thinking about the whys of creating an archive and detailed advice such as which file formats are best. There are helpful video guides for each section, along with written materials, checklists, and templates… everything you need to get started!
Categories: Community/Family Dance, Contra Dance, Early American Dance, English Country Dance, Organizers, Ritual Dance, Square Dance
Originally published in the CDSS News, Fall/Winter 2025
There are so many incredible dance, music, and song events happening all around! Perhaps you make an annual journey to a favorite music festival, camp, or dance weekend. As we all travel to various places for community connection and enjoyment, what impact are we having on the environment? Carbon emissions from travel are undeniably contributing to global warming, so what can we do to lessen our impact on the environment while still participating in our favorite activities and communities? Here are some ideas we can all take into consideration as we travel:
Categories: Dancers, Resources
This toolkit provides advice and resources to help organizers (you!) develop the policies, procedures, and supporting documents needed to understand and facilitate safety in your community. This toolkit is not prescriptive in regard to what your community “should be doing.” We recognize and value the range of living traditions practiced by many different communities.
This toolkit was produced by the CDSS Community Culture & Safety Task Group, 2018-2024. The CCSTG was formed to support local communities in their efforts to provide a safe environment for music, song, and dance events.
Online Workshop: Unpacking the CDSS Community Culture & Safety Toolkit
Categories: Callers, Educators, Musicians, Organizers
This 40-minute video introduces English Country Dancing. It teaches some of the basic moves found in many English Country dances; explains the structure of the dance; and entertains you with information about the history and practice of English country dancing.
Watch the video
Download a PDF of additional notes and an index to the video
Henry Morgenstein is the caller and the narrator (voiceover). Jacqui Morgenstein did the camera work, mostly using a Canon digital SLR recording in full HD.
Most of the footage was shot in a great dance studio in Traverse City, Michigan with friends who dance in our back room every week. But two of the dances we teach were in Emmanuel College, Cambridge UK and there are clips from Dartington Hall (also UK) and Pinewoods Camp in Massachusetts. Many of the dances were done to recorded CDs from the great ECD band Bare Necessities. The two in Cambridge were to live music by Notorious (Eden MacAdam-Somer and Larry Unger). None of the video was scripted, so all the incidents just happened as the result of dancers enjoying themselves.
In order to make this as unintimidating as possible to newcomers, we chose to film dancers who are simply people enjoying themselves. We feel that perfect dancing, while admittedly beautiful to watch, may well deter a newcomer from “giving it a go.” The fact that some mistakes are made and people recover with good humor should help to give the message that you don’t have to be perfect to do this.
Categories: Dancers, English Country Dance, Novices
In this panel discussion, dance organizers shared their experiences with leadership and volunteer changes in their local groups.
With special guests:
Categories: Organizers, Web Chats
Contra Dance Calling: A Basic Text
The comprehensive entry-level book on contra dance calling by Tony Parkes. Every aspect of the caller’s work is dealt with clearly and thoroughly, including how to get started as a caller; music as it relates to the dance; timing and phrasing; voice technique; fitting the calls to the music; dance notation; teaching and walkthroughs; choosing material; calling for special groups; working with live or recorded music; buying and using a sound system; and running a dance series. In addition, the book includes an in-depth discussion of the basic movements; a selection of easy-to-call dances; a complete glossary of terms; an extensive list of resources; and information on how to use other dance books. In short, this is your guide to the entire world of contra dance calling, teaching, and organizing.
View the first chapter for free above—or purchase the complete book.
From Tony Parkes and Hands Four Productions
Categories: Callers, Contra Dance
Nearly 50 new contra dances from Isaac Banner, along with tips for running a workshop, glossary, and index by figure and dance type. A great resource for new callers, as well as experienced callers looking for new dances.
From Isaac Banner
Categories: Callers, Contra Dance
Here are some of our favorite codes of conduct from other dance and music organizations to use as inspiration for your own!
Chicagoland English Country Dance
Chicago, IL; English country dance
Olympia Contra Dance
Olympia, WA; contra dance
(links in the “Community” paragraph under “The Details”)
DanceFlurry Organization
Albany/Saratoga Springs, NY (and surrounding areas); several types of monthly dance series and workshops, educational programs in schools and other organizations
Portland Country Dance Community
Portland, OR; contra dance, English country dance, music sessions
Code of Conduct
Community Standards
Guidelines for Event Coordinators Addressing Incidents
Ottawa Contra Dance
Ottawa, ON; contra dance
John C. Campbell Folk School
Brasstown, NC; contra dance, English country dance, community/family dance, many other music and craft workshops
Raise the Rafters
Rhododendron, OR; singing
Have a great policy you’d like to share? Submit it here!
Categories: Community/Family Dance, Contra Dance, English Country Dance, Organizers
Women/Black/Indigenous/POC/LGBTQIA+/People with Disabilities Music Instructor Nominee Directory
This spreadsheet shows a list of recommended music teachers from marginalized communities. The list is the result of a survey form created in 2019 by A’yen Tran with the intention of making it publicly available, particularly to music camp directors. The goal is to increase representation for women, people of color, people with disabilities, and gender-diverse people in music camps and other musical learning opportunities.
Categories: Experienced Participants, Musicians, Novices, Organizers, Singers
A Google map with many local dances in the US and Canada. Also searchable by zip code, for special events, and for dances using non-gendered calling. Created by Jeff Kaufman.
Categories: Callers, Contra Dance, Dancers, Musicians
Colin Hume presents descriptions and commentary on all of the 200+ square dances in Northern Junket, a magazine published by Ralph Page from 1949 to 1985.
Categories: Callers, Square Dance
An online discussion to support organizers of dance, music, and song groups
From disagreements about COVID protocols to strong feelings about role terms on the dance floor, dance leaders and organizers have been in the middle of passionate community discussions the past few years. As an organizer, what approaches and techniques can you use to help your group through these rough patches? And what can you do to keep your own balance along the way?
CDSS Executive Director Katy German joined Jenny Beer, Dana Dwinell-Yardley, Sue Songer, and Kathy Story for a conversation about working through conflict as a community.
Categories: Organizers, Web Chats
The CDSS Educators Task Group presents lesson plans on a variety of topics in traditional music and dance.
Categories: Community/Family Dance, Educators, Resources, Youth
New England Dancing Masters Teaching Blog
A blog for teachers wanting to teach traditional dance, including videos of dances suitable for classrooms.
Categories: Community/Family Dance, Educators
An online discussion to support organizers of dance, music, and song groups
In our mostly volunteer-powered community, we’ve long faced challenges when it comes to finding and keeping the people who make our organization’s dance, music, and song activities possible. The COVID pandemic exacerbated those challenges and impacted both our organizations and the environment in which we work.
CDSS Executive Director Katy German hosted this Web Chat to discuss volunteer management and address key volunteer-related questions, such as:
Categories: Organizers, Web Chats
An online discussion to support organizers of dance, music, and song groups
This Web Chat provided firsthand experiences from organizers who have used CDSS grants to provide diversity, equity, and inclusion training for their groups. We heard about ways they have been applying what they’ve learned from these valuable workshops, and what’s next for their groups. We also included plenty of time for Q&A. Our special guests were:
Categories: Organizers, Web Chats
During the CDSS Web Chat on November 1, 2021, participants brainstormed ideas for keeping their music, dance, and song groups engaged and connected through the coming months. See below for a compilation of their suggestions for organizers to try out with their communities. We’re happy to continue adding to this list, so please send your thoughts to [email protected]. All ideas welcome!
Categories: Organizers
Originally published September 2021.
One key question that keeps cropping up as we prepare for restarting in-person activities is: How will we know when the time is right? All music, dance, and song groups need to chart their own course based on their location, state and local public health guidance, type of event, and community needs. We hope the following set of resources will help organizers navigate the myriad decisions involved with safely resuming in-person events.
Categories: Organizers, Resources
Sharing the Vision: Themes and Practical Ideas for Vibrant Dance Communities
A pithy article from Max Newman on the importance of a vision, how to create one and how to share it.
From the CDSS News
Categories: Organizers
Lissa Schneckenburger’s Tune A Week
Sign up to get a free tune delivered to your inbox every week, and join a group practice challenge.
Categories: Musicians, Novices
Square Dance History with David Millstone
Experience the rich history and regional variety of square dancing in this in-depth, three part video series.
With photographs, audio, and video, we’ll travel:
to explore and discuss how this dance form became a staple of American popular culture.
Categories: Square Dance
Shared Weight: Positional Calling Discussion List
This list is for anyone interested in exploring positional calling within traditional dance (contra, squares, ECD, community, family dance, Irish ceili, Scottish ceilidh, etc).
Our goal is to support each other by discussing topics of interest to callers specifically in relation to positional calling. We encourage callers to also join some of the other Shared Weight lists as those communities are valuable resources for other aspects of calling.
Categories: Callers, Dance Tradition, Dancers, Organizers
Shared Weight: Growing Up Trad Discussion List
Growing up Trad! is an email discussion list for caregiving adults who love traditional dance, music and song. The focus of our conversation is around nurturing these traditions within our families and in particular with the children in our care.
Categories: Community/Family Dance, Families
Shared Weight: Dance Organizers Discussion List
This mailing list welcomes organizers and those interested in organizing any form of traditional social dance. This includes contra, English country, traditional squares (e.g., Appalachian, New England, Quebecois, Cape Breton, etc), community/family/barn, ceili, Balfolk, and more!
Categories: Dance Tradition, Dancers, Organizers
Fostering Intergenerational Community
These notes from a session at Youth Traditional Song Weekend 2015 list ways participants promote age inclusivity in their own communities.
Categories: Organizers
New Old Songs: Writing Within the Tradition
Alex Sturbaum shares tips for writing new songs within folk traditions and touches on writing with less-often-mentioned themes in mind.
From the CDSS News
Categories: Singers
Addressing Racism as a Dance Community
In this short overview, the organizers of Portland Intown Contra Dance acknowledge and explain some of the various Black and African influences on American folk dance traditions.
From the Portland Intown Contra Dance
Categories: Organizers
Dinah, Put Down Your Horn: Blackface Minstrel Songs Don’t Belong in Music Class
In this article, the author puts forward the need to remove racist songs from school music programs and discusses a number of songs with racist messaging.
From Dr. Katya Ermolaeva
Categories: Educators
Anti-Racism and the Folk Revival
This article focuses on racism within our traditions, in particular relating to the work of Cecil Sharp and his contemporaries, and on how our history informs our present and should influence our future.
From Ezra Fisher
Categories: Contra Dance, Early American Dance, Square Dance
Dance Weekend 101: Streamlining the organization of weekend dance events
Ever thought of organizing a dance weekend? Come explore the ins and outs of what it takes to streamline a successful event.
From Adam Broome & Jaige Trudel
Puttin’ On The Dance 2015
Categories: Organizers
The Ins and Outs of Cooking for Dancers
An article by Sarah Pilzer with great advice for weekends and camps about cooking for dancers!
From the CDSS News
Categories: Organizers
Putting on “Techno” Contra Dances
This article from Will Loving, with a note from Sue Songer around copyright issues, describes the details of putting on a techno contra including lighting and equipment recommendations.
From the CDSS News
Categories: Contra Dance, Organizers
An online discussion to support organizers of song groups
Two organizers offered firsthand experiences about keeping their song groups alive and well through the pandemic by hosting in-person and online singing events. Our third guest provided the latest COVID-19 news from her public health perspective, with suggestions especially pertinent for song group organizers. Q&A with all three guests included:
Categories: Organizers, Singers, Web Chats
This resource provides a number of tips and considerations when looking for a new space to hold a dance or music event.
From CDSS
Categories: Organizers
These downloadable Excel sheets are a great start for a sample dance budget and also for reporting income/expenses from a single event.
From Leda Shapiro Southwest Regional Organizers Conference 2014
Categories: Organizers
Fundraising Strategies and Tips for Dance Organizations: Broadening our views for supporting dances
Looking to raise funds for your dance? These workshop notes take a broad view on fundraising to support your dance series, support the hall where you dance, run special events or programming, purchase equipment, or support other causes and affiliated organizations. Includes an overview of philanthropy and fundraising strategies at the macro level, and then share how one local organization raised more than $60,000.
From Rima Dael, Patty Giavara, and Nancy Turner
Puttin’ On The Dance 2015
Categories: Organizers
This article by Dela Murphy provides some great insight into how one dance community effectively ran a fundraising campaign for their series.
From the CDSS News
Categories: Organizers
Sample spreadsheets to help organizers create a budget for their dance series, weekend, or tour!
From Erik Erhardt, Ron Nieman, and Glenn Manuel, Southwest Regional Organizers Conference 2014
Categories: Organizers
Non-Profit Management: Updating and strengthening our administrative foundation
Non-profit governance and administrative systems require routine updating as organizations evolve. This workshop is designed to help organizers of any committee—old or new—strengthen their administrative platform. Topics include: the pluses and minuses of incorporating and registering as a non-profit; the steps that a group must take to incorporate and/or register as a non-profit; and the roles that bylaws and articles of incorporation play to define the organization’s purpose and how the organization is governed. This workshop will be particularly helpful to groups that are not formalized as incorporated non-profits who are thinking about taking these steps, or for members of formalized committees who want to better understand governance systems. We’ll share some decisions that were addressed at our dances to generate discussion, clarify how CDSS is prepared to assist, and open up the floor to any governance/administrative issues that you might be tackling in your own dance community.
From Catherine Burns, Rima Dael, & Nancy Turner, Puttin’ On The Dance 2015
Categories: Organizers
Creating a Happy, Healthy Volunteer Base: Ways to engage and retain volunteers to sustain our dances
Volunteers are crucial to the healthy sustainability of our dances, as much to build community as to get the job done. These workshop notes talk about the importance of volunteers, different kinds of volunteers, recruitment, engagement and retention. We’ll also work to address some specific volunteer challenges, useful whether you’re a committee of one or part of a large organizing team.
from Tara Bolker & Maxine Louie, Puttin’ On The Dance 2015
Categories: Organizers
This article by, Tom Siess, including a follow up by Bruce Hamilton explores the role of a board as well as ideas regarding good governance.
From the CDSS News
Categories: Organizers
How to Structure Your Organization
This two page document provides some basic considerations on how to structure your organization
From CDSS
Categories: Organizers
Starring Your Recorder is a free educational video series from GEMS NY. The recorder has been an important instrument worldwide for hundreds of years. It has often been played along with other beautiful instruments that are still played today. With these six videos, students can experience playing easy tunes on recorder accompanied by a Renaissance band.
From Gotham Early Music Scene, Inc.
Categories: Educators, Musicians
Reference Contra Dance Sound System
In this series of blog posts, Jeff Kaufman describes various aspects of sound engineering at a contra dance, from the system itself to mic placement and more.
How Should BIDA Finance a Sound System?
Contra Dance Sound: Microphones
Simple Contra Speaker Placement
Fiddle Clip-on Microphone Placement
Contra Dance Sound: Mic Placement
Categories: Organizers
This resource outlines some basic considerations for doing sound at a dance event.
From CDSS
Categories: Audience
All Mixed Up: A Guide to Sound Production for Folk and Dance Music
All Mixed Up is a comprehensive guide to doing sound for both traditional dance and folk music events. Bob’s guide covers a wide range of topics that are useful to both beginner and experienced sound technicians. The printed version of All Mixed Up is available for sale through CDSS’s online store.
From Bob Mills
Categories: Audience
TradSound is a listserv (email group) that exists to share information, experiences, techniques about people using intelligence, acoustics and audio equipment to optimally reinforce voices and instruments at community trad music events including dances, concerts and festivals. Most of our group members are audio techs, though we also welcome interested musicians, singers, callers, organizers, dancers and listeners. TradSound is a great way to talk to those passionate about sound at trad events. Join the discussion! Special Note: As a member of the group, you can also search the extensive list archives.
Categories: Audience
In this post, Jeff explores some of his thinking behind musician booking for the BIDA dance series. Community discussion follows.
From Jeff Kaufman
Categories: Organizers
Example of a performer info sheet that can be sent to people hired for a dance to clarify any confusion beforehand!
From Nancy Turner, Queen City Contra, Puttin’ On The Dance, 2011
Categories: Organizers
Hiring Dance Camp Staff—Guidelines For Organizers
An excellent set of guidelines and tips from Lisa Greenleaf on hiring staff for a weekend or week, diving into all aspects of hiring and scheduling.
From the CDSS News
Categories: Organizers
Starting in January 2026, we will review grant applications and distribute funds three times per year. Applications will still be accepted on a rolling basis; please use the dates below to find the funding period that works best for you.
Click below for our requirements of grantees, including publicity, acknowledgement, and a follow-up grant impact report.
For questions about the suitability of your application, contact [email protected].
We’ll be in touch the month after your cycle’s application deadline with a grant decision or if we have any questions with your application. If you have any questions in the meantime, please email [email protected]. Thank you for the work you do to support dance, music, and song!
Waltham, MA
Researching Ukrainian and Russian émigrés whose folk music and dance enriched and enlivened the folk music scene in 20th century North America.
Creating a collection of square dances and thoughts toward promoting inclusivity
Guilford, VT
Hosting a series of bal folk dances with live music
Campton, NH
Hosting a community Renaissance dance to showcase young musicians and callers
Housatonic, MA
Starting a new dance series for all ages
Brasstown, NC
Hosting a community dance series using positional calling
Moab, UT
Hosting a series of workshops for new callers
Funded by the Mary Kay Friday Leadership Training Fund
Woods Hole, MA
Hosting a workshop/figure swap between youth rapper sword teams and adult rapper and longsword teams
Funded by the May Gadd/Phil Merrill Fund
Richmond, VA
Hosting workshops for dance musicians
Funded by the Chuck Ward Musicians Training Fund
Dodgeville, WI
Continuing a contra dance weekend post-COVID
Funded by the May Gadd/Phil Merrill Fund
Rhododendron, OR
Creating a youth-oriented traditional singing event in the Pacific Northwest
Funded by the Mary Kay Friday Leadership Training Fund
Marlboro, VT
Hosting a weekend of community dances and workshops for musicians
Lawrence, KS
Hosting a festive dance weekend and callers’ workshop
Burlington, VT
Creating a community family contra dance for all ages and abilities
Funded by the May Gadd/Phil Merrill Fund
Michigan
Archiving the full set of historic Marley family dances, from the Vaudeville era
Funded by the Anthony Barrand Research & Stewardship Fund
Nasons, VA
Creating a set of community agreements that people in our music communities can commit to
Albany, NY
Participating in online diversity, equity, and inclusion training
Northampton, MA
Providing online lessons with New England musicians
Bloomington, IN
Hosting a workshop for new contra dance callers
Funded by the Mary Kay Friday Leadership Training Fund
Madison, WI
Hosting an open band workshop for the Madison Contra Collective Band
Funded by the Mary Kay Friday Leadership Training Fund
There is strong interest amongst organizers in hearing news from communities that have already resumed in-person events. This Web Chat provided valuable experiences and suggestions from two dance and song organizers who are already navigating their reentry, as well as perspectives from a public health professional.
For this Web Chat, CDSS hired an attorney to address some of our broader community’s legal questions. Other panelists provided resources and considerations to help organizers chart their group’s course for safely emerging from the pandemic. Ultimately, each group needs to ask their own questions and find answers that are right for their location, type of event, and community. We’re all in this together!
In this third installment of the “Let’s Talk About Reentry” Web Chat series, we featured presentations and discussions about how the pandemic has altered our communities’ needs and how we can best prepare for returning to in-person dancing, singing, and music-making.
Members of the Sacred Harp group FaSoLa Philadelphia (PA) and the Phoenix (AZ) Traditional Music & Dance Society joined us for this conversation. During the Web Chat, they shared their successes with using the computer program Jamulus to enable their groups to sing and play music in real time!
During this down time, there is work we can be doing to ensure a joyful and fulfilling return to the dance floor. We talked about our evolving expectations for reentry, the changes we need to prepare for, and the important role organizers can play in preparing our communities for a bright future.
Many organizers of song groups are finding creative ways to keep your community engaged and connected during the pandemic. In this Web Chat, we heard from organizers about experiences that are working well in their song groups. We featured a few guest speakers and took time for Q&A, open conversation, and breakout rooms.
This Web Chat was hosted by Katy German, CDSS Executive Director. We addressed the BIG questions on organizers’ minds: How can we keep our communities safe in a pandemic? When can we dance and sing in the same place again? What does it mean to be a dance/music/song organizer when we can’t be together?
Thanks to the Massachusetts Cultural Council for their generous support.
Isaac BannerIsaac Banner (Seattle, WA) has been dancing and calling in the Pacific Northwest for more than a decade. Originally from Saratoga Springs, NY, they grew up surrounded by the music and dance communities of the Greater Adirondacks, regularly volunteering at Caffè Lena and The Dance Flurry.
Seeking community through the folk and American barbershop traditions, Isaac danced his way across the country in 2015 and, since relocating to the west coast, they’ve been passionately involved in creating safe and inclusive dance spaces for dancers of every identity and background. They believe strongly that open, affordable, and accessible dance spaces are fundamental to carrying forward the folk tradition to the next generation of dancers, callers, musicians, and more.
Isaac’s professional background is primarily in online services and digital security, through which they’ve served in a technical capacity to support and organize several events in the Pacific Northwest. When they’re not calling for dances, they can be found writing original choreography, coaching new callers, or making surprisingly convincing chicken noises.
Seth TepferSeth Tepfer (Decatur, GA) first started Scottish country dancing in 1987. Ballroom dancing led to Cajun dancing, which led to contra dancing. From there, Seth started helping run dance events and, in 1997, started contra dance calling.
In the years since, Seth has organized dance weekends (What the Hey, Butterfly Whirl, Atlanta Dance Weekend) and dance weeks (Florida Rhapsody (1997-2001), Bonaire Dance and Dive (2005), Terpsichore’s Dance Holiday (2015-2019), and Rhapsody Adventure in Paxos, Greece (2025). Seth has called dance weekends and dance events across the United States and in Bonaire, Canada, England, Denmark, France, Germany, and Greece.
Seth is passionate about teaching dance leadership. He has taught contra, square, English, and community calling intensives. His website is a valued resource for essays, choreography collections, and thoughts about dance calling.
Seth loves sharing the joy of dance for people who have never danced before, for experienced contra, English, or square dancers. He is excited to work with other leaders to promote dance, music, and song.
Christa TorrensChrista Torrens (Bigfork, MT) was volunteering at a Western Massachusetts folk music weekend in 2001 when she wandered onto the contra dance floor—and has been an avid contra and English dancer ever since. It took a few years, but she was eventually willing to give up a little dance time for mic time: Christa started calling contras in 2011 and English in 2021 (online!). She is particularly drawn to the welcoming, community-centered aspect of contra and ECD, and loves that, as a caller as well as a dancer, she can share some of her own dance joy with others.
While Christa has lived—and danced!—in most regions of the US, she has spent the bulk of the last 20 years based in the Mountain West and is grateful to call both the Missoula, MT, and Front Range, CO, dance communities home.
When she’s not dancing, Christa works as an aquatic ecosystem ecologist and ecosystem modeler, occasionally sloshing around in streams, but more often sitting in front of a screen fiddling with code and confronting models with data. She loves being outdoors and spends much of her time hiking, biking, skiing, and simply enjoying wild spaces.
Ellie ShogrenEllie Shogren caught the dance bug early in life, attending her first contra dance at two months old. Decades later, she is still an avid dancer and has served numerous folk communities across the country as staff, crew, board member, and enthusiastic participant.
Originally hailing from Tennessee, Ellie has been fortunate enough to develop folk connections all over the country and overseas, having lived in the South, New England, and the United Kingdom. Ellie and her husband, Ethan, now call the Nebraska/Iowa region home after meeting at a contra dance.
Ellie is honored to serve the CDSS community as a board member in memory of her mom, Chrissy Davis-Camp, who was an influential caller from Tennessee. Both Ellie and her younger sister, Anna Claire, have followed in their mom’s steps; if they are not on the dance floor, you can find them behind the mic calling contra, English, or teaching youth morris and rapper sword.
Because of her parents, Chrissy and Pat, Ellie was taught the importance of community and instilled with a responsibility for inclusion and respect for all through the lense of folk arts. Ellie still carries these important lessons with her as she shares her passion for all things folk.
Sharon GreenBack in 1984-1985, David and Sharon Green had an annus terribilis, a terrible year. In 14 months, they lost all four of their parents. Then in 1988, Sharon found country dancing and refound joy.
Since then, Sharon has danced and called in England, the Netherlands, Japan, Canada, and throughout the United States. She has organized dance weekends and weeks on both coasts and has served on the boards of both the Bay Area Country Dance Society and Country Dance New York. While living in New York, she edited the introductions to three books of dances by her mentor, Fried de Metz Herman. Emulating Fried, Sharon has also choreographed some 40 dances herself.
In 2024, Sharon had the great honor of being chosen to receive CDSS’s Lifetime Contribution Award for her and her household’s work promoting English country dancing. Sharon maintains that it has been her great joy to be part of CDSS, and now in her 80s she is both happy and honored to serve on the board.
Dilip SequeiraDilip Sequeira (Seattle, WA) hails from London and contracted a severe case of the folk dance virus (Scottish variant) while a student in Edinburgh. On escaping Britain for St. Louis in 2003, he discovered the joys of English country dance, and it was only a few short years ago that he found his inner contra dancer, too. He has been calling ECD on the West Coast since 2017 and enjoys working with all levels of dancers, helping them improve their skills and get more out of their dancing.
He is now a recovering software engineer, on a mission to make the English country dance repertoire available to the world.
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